The vaults songs are amazing in the sense that they showcase so perfectly how back and forth their relationship was. They can be almost ruthless, because that was the feeling in the heat of the moment… and then things were good again. For all that she blames him, she also lays her part on it. They both suck at communicating back then.
By the time 1989 was as out they were on good terms, and while I think a big part of letting it be publicly known she was on good terms with him during 1989 initial promo was because the message and image she wanted to project, it was also because she never really saw him as the sole villain in the story… as charged as their story was the fact that they remain friendly nowadays? A true testament of how they really see each other. Theirs wasn’t a story of unforgivable mistakes but a sad story of really bad timing and not being ready for something so striking
The lakes is about escaping the challenging aspects of Taylor Swift's life with her muse to form an artist community like Wordsworth and Keats had in the Lakes district in the 19th century.
Above, the Lyric video shows wildflowers, LK has referenced this song and Harry also has for a Pleasing campaign. In the vertical video Taylor is on a swing, reminiscent of the swing in Seven, possibly about Harry. Finally a photo with a swan in The Lakes District.
In the Long Pond Session Taylor said (I've shortened it)
'The Lakes is a testament of what I wanted to escape from and where I saw myself escaping to. We'd gone to the Lake District in England a couple years ago. In the 19th century you had a lot of poets like William Wordsworth and John Keats. There was a poet district. They had their own community of other artists, which I've always in my career.' Jack: 'it's not just I've found something worth escaping to it’s a person to escape with.” Taylor agreed "That's a huge sincere statement of hope, everything I'm naming is completely small compared to this love.” “Hoax as the ending song was interesting for a couple weeks but then I wanted the real last song. The Lakes shows you exactly what the overarching theme of the whole album of trying to escape and having something you want to protect, protect your own sanity and saying look they did this hundreds of years ago, I'm not the first person who's felt this way.
Taylor said they had gone to the lakes "a couple of years ago", and she described a poet district with an artist community, meaning fellow songwriters. She had been to the Lakes with a couple of years ago with on her first trip there with Harry Styles on her birthday in 2012. At the time Taylor said it was her best birthday since she was 6. Like Taylor, Harry has a similar experience of fame and is a lyricist. Harry has also sung about being in an artist community with Taylor, in Canyon Moon, which has a very similar idea as The Lakes.
I have seen people refer to the Invisible String Lyric "Our three-year trip / Getting lunch down by the Lakes" to point to Joe. While not photographed, their 3rd anniversary was October 2019, or 6 months before this song was recorded. 'A couple of years ago' rather than 'last year' implies the earlier trip. Joe is also not a lyricist, she spoke about an artist community. He is credited as a producer on Folklore. Taylor described how William Bowery wrote the melody's not lyrics.
Is it romantic how all my elegies eulogize me? I'm not cut out for all these cynical clones These hunters with cell phones
An elegie is the speech at a funeral, her songs, particularly those she is reclaiming are like diary. She lost her eulogie, the story of her life.
The last line refers back to 'I Know Places' "They are the hunters, we are the foxes" where she and Harry ran from paparazzi, now they hide from every person with a cell phone.
Take me to the lakes where all the poets went to die I don't belong, and my beloved, neither do you Those Windermere peaks look like a perfect place to cry I'm setting off, but not without my muse
Taylor is saying she is not cut out for the music industry life, she lost the rights to her diary, constantly photographed. In the Long Pond she referred to having this plan for years, which she foreshadowed for Lover, and I think Harry's Peace ring. I think they may have shared this plan when they first visited for when she turned 30 and into 2020. Folklore is about communication and how life differs to what a 23 year old planned.
The final line is so lovely, her muse is Harry Styles. No other partner has inspired so much work or so much success, they have inspired and encouraged each other to do their best work. Even when they are with others for years they still write about each other. When they see each other they are prolific. Harry has even sung about how he writes too much about her. I could list what proportion of awards and hits are about this relationship, but let's stay in the Windermere peaks.
Despite their success Taylor does not think they are cut out for this life. Taylor has sung about Harry's anxiety in New Years Day and Now that we don't talk, it's also apparent watching him at award shows in his solo career. This song and many (Mirrorball, I know places, Slut!, You're on your own kid) are about how fame impacted Taylor.
What should be over burrowed under my skin In heart-stopping waves of hurt I've come too far to watch some namedropping sleaze Tell me what are my words worth
The first line I think could have 2 meanings, one that the relationship should be over but it is not and the waves are hurt of not being together. Or, and I think this because of the second half, Taylor cannot let her masters go. The last line is a pun on the worth of her words and the poet William Wordsworth.
I want auroras and sad prose I want to watch wisteria grow right over my bare feet 'Cause I haven't moved in years And I want you right here A red rose grew up out of ice frozen ground With no one around to tweet it While I bathe in cliffside pools With my calamitous love and insurmountable grief
I want auroras and sad prose, refers to Harry Styles. She describes his eyes as “aurora borealis green” in Snow on the Beach. She also describes him as sad boy in Question..?, he does write sad prose.
In the Long Pond Session Taylor said "I could see this you know you you live in a cottage and you've got Wisteria growing up the outside of it and you just why you know of course they escaped like that." William Wordsworths cottage (below) has wisteria growing on the side, which is a slow growing purple plant, almost a lavender haze!
I love the imagery of 'Red rose grew out of rose in frozen ground', because it refers to Rose, which is a Haylor theme. But also because it refers to the track before Hoax: "My winless fight, this has frozen my ground" It also refers to a theme of hiding their love, "I would die for you secret" in Peace, that something beautiful and no one needs to know about it.
The last lines are so poetic and dramatic I love them. Calamitous love refers to a love that’s “built to fall apart (and back together)” in OOTW or "a crooked love in a straight line down” in IWYW. Taylor used a similar word discussing SOTB, calling it cataclysmic love. Taylor describes her dramatic and passionate relationship with Harry rather than staide and safe one described with Joe.
Her insurmountable grief is all she’s lost, her masters, the things she gave up in your own your own kid and things she has to pine about.
Take me to the lakes where all the poets went to die I don't belong, and my beloved, neither do you Those Windermere peaks look like a perfect place to cry I'm setting off, but not without my muse No, not without you
Love this chorus, such beautiful poetry about poets and love.
i think it’s too soon too, people have barely been able to absorb speak now tv yet! it would be better if she waited a little bit longer (although i am dying to hear these 1989 tv vault tracks lol)
don't get me wrong, I am a HUGE haylor and 1989 stan but I hope taylor waits a few months before she starts promoting 1989 tv. I feel like both midnights and speak now tv have not really gotten the attention they deserve because everyone is focused on which album she's gonna rerecord next.
So it goes tells the story of the 2014 Victoria Secret After Party: ''All eyes were on Harry and Taylor when they turned up. [...] The drinks were flowing until 3am, when they snuck out of a rear exit five minutes apart to avoid being pictured together." In context of the 2015 timeline 1989 (I know places established they wanted their relationship to go private) and 1D’s Four (with Stockholm Syndrome) had just been released. They were photographed the after party:
This was a pivotal night:
this outfit from that VS Show is also at 3 mins in I don’t wanna live forever (and cardigan refers to this sequin smile) and
In Only Angel Harry says he doesn't have eyes for the VS angels “She's an angel, My-my-my only angel”
So it goes has only been played live 8 times and not yet on the Eras tour. The last time it was played was in the last Rep show in Tokyo, (9:38) with 2 other rare songs for the Rep Tour: I Know Places and Wildest Dreams. Harry Styles was in Japan that month and wrote Little Freak before he left Tokyo.
[Verse 1] See you in the dark All eyes on you, my magician All eyes on us You make everyone disappear, and Cut me into pieces Gold cage, hostage to my feelings Back against the wall Trippin', trip-trippin' when you're gone
The first verse sets the scene, similar to the articles Harry and Taylor are the focus of many, drawn to each other and wanting to keep their connection secret.
'Gold cage, hostage to my feelings' refers to being trapped by love. Similar to Stockholm Syndrome, which was released only 2 weeks before the VS party, Taylor is trapped in a gold/gilded cage (a luxurious prison) by love.
[Pre-Chorus] 'Cause we break down a little But when you get me alone, it's so simple 'Cause, baby, I know what you know We can feel it [Chorus] And all the pieces fall right into place Getting caught up in a moment Lipstick on your face So it goes I'm yours to keep And I'm yours to lose You know I'm not a bad girl, but I Do bad things with you So it goes
So it goes is a lyric in Style. In the chorus Taylor lets us know that when they are away from others they have great chemistry. She also refers to lipstick, referred to in many 1989 songs. Taylor is described as a 'bad/good girl often, she talks about it in Miss Americana and also in:
Style: And I got that good girl faith and a tight little skirt
Question...?; Good girl, sad boy
Only Angel: That she's gonna be an angel, just you wait and see, When it turns out she's a devil in between the sheets
[Verse 2] Met you in a bar All eyes on me, your illusionist All eyes on us I make all your gray days clear And wear you like a necklace I'm so chill, but you make me jealous But I got your heart Skippin', skip-skippin' when I'm gone
The afterparty was in Basement bar. The illusionist/magician references are enjoying knowing that she and her muse will leave together without others knowing. 'Make all grey days clear' tells us the muse is British.
[Bridge] You did a number on me But, honestly, baby, who's counting? I did a number on you But, honestly, baby, who's counting? You did a number on me But, honestly, baby, who's counting? Who's counting? (One, two, three)
The bridge tells us more about her relationship with her muse, they have a history, have hurt each other before and are wanting to move on. Though she says she is letting it go she is also keeping score. At this point the events of Red, 1989 and most of the one direction songs about TS had transpired between them.
The way “I heard that you’ve been out and about with some other girl, you said what you heard is true but I can’t stop thinking about you, I said I’ve been there too a few times” makes the situation sound so sexy and fun and lighthearted and Is it Over Now is like “actually, I wanted to jump off a building!”
She’s also pointing out that the girls he’s publicly sleeping with all look very much like her — she’s not shaming him for sleeping with people, she’s getting irritated because it feels like he’s trying to replace her when he could just come back to her and save himself the trouble. The point isn’t “you’re a bad person because you sleep with a lot of people,” it’s “you are sleeping with everybody remotely resembling me and rubbing my face in it and I’m frustrated”
YEAH!!!! and with the added layer of “and as you do all this, i am the one who is getting heat for it.” why shouldn’t she be allowed to say that? it’s her own experience! it’s her own relationship with intimacy and sexuality and love and coming of eye in the public age!
can i ask what’s so special about 8/9? 👀
btw, 13 days since yesterday is going to be 8/9,soooo👀
1989 is not a purely or even mostly happy album and maybe you’ll see that now. there’s a lot of yearning and a lot of truth-telling and a lot of hiding feelings and reckoning with huge life changes and growing up and moving on and crawling back and clinging onto hopes of true love when you have had your heart ripped into pieces but you cut your hair and moved to new york and maybe that’s enough.
I LOVE GOOD NEWS FINALLY SOME GOOD NEWS
New reading https://youtu.be/4hsmu79cQug?feature=shared
https://youtu.be/4hsmu79cQug?si=vE1WKG6KNaIgF4Pq
Thanks for sharing! This reading on TS and HS from last night is quite long and detailed (and interesting!). Here are the highlights that jumped out to me:
Something is coming to an end for Harry.
Something will bring them to a common playing field.
Someone is telling Harry to consider the relationship, and getting back together, maybe even Taylor herself.
There may be someone trying to steal this love and wish fulfillment from Taylor. Someone is being immature and trying to play games to keep them apart. Could be someone they both know.
Taylor doesn’t want to say too much to anyone else, but wants to spend some time together and see if a reconciliation would work. She wants to try again.
She maybe have felt like she couldn’t make him happy in the past, but his unhappiness wasn’t because of her or her fault. There was some disconnect or misunderstanding between them with this.
In the years since, she may have found herself and her worth.
Harry may have been holding back his true feeling for her, but that is no longer the case because he does want to reconcile as well.
Maybe some abandonment issues here. They may have needed time apart to heal.
She was unclear about where she stood with him, because she wasn’t getting what he was trying to say. She thought it was about her when it wasn’t.
Things didn’t go the way Harry thought they would or how he’d planned.
Both of them want to reveal a truth and they both feel guilty about the way things happened.
He may be changing his mind about someone new and looking back at Taylor.
He feels a lot for her. And he’s open to this reunion.
Third-party interference is the obstacle for this reunion.
They both see that they could do this with each other.
They feel at home with one another.
She’s going to confess that she left him before he could leave her, because she was afraid.
He is watching and using his intuition. She’s getting justice (could be something to do with whoever is trying to interfere).
They’ll run into each other. It will spark something new for them.
Reader predicts this will happen within the next 10 weeks or months, maybe much sooner.
They have a lot to talk about and a lot to communicate and express in order for this to work out; this may have been a challenge before but now they will be more genuine with each other.
If they get back together, and don’t let other people get in their way, they’ll do really well together.
They may do a duet or collaboration that would bring a lot of financial success.
They may end up having a family together.
Rebecca Fergusonas Chrissy Eriksson in Episode 09 of ‘Ocean Ave’ (2002)
Speak Now (2010). Taylor Swift There is a time for silence. There is a time waiting your turn. But if you know how you feel, and you so clearly know what you need to say, you’ll know it. I don’t think you should wait. I think you should speak now.