I Think It’s Too Soon Too, People Have Barely Been Able To Absorb Speak Now Tv Yet! It Would Be Better

Harry Styles’ mum just tweeted a buzzfeed article filled with pictures of harrys head on taylors body that is so funny what the fuck lmao

i'm screaming she really was like "i cannot believe that you got to be a slut in public while IIIIII had ot be a slut in private"

regarding h/t parallels. Last day when t talked about us accepting red and how that was her being experimental and curious it instantly reminded me of fine line. How he was experimenting a lot of sound which made it all over the place same as red. They both showed their messy self in that albums. It became an instant fan favourite but received moderately by critics. How they both got their first no1 with that albums. But those no 1 songs never defined those albums for fans. A song ignored by critics(ATW and FL) became fan favourites. How those albums led to the 'cohesiveness' of 1989 and HSH. The height those albums got them. But red/fl still being fan favourites and them sharing that love for those albums with us. How after giving time these albums flourished (red moreso because of time and rerecordings). I would never get tired of talking about them(platonic artistic)

happy, free, confused, and lonely at the same time are really the themes of red/fine line. taylor saying last night that she really wanted to experiment on that record and, "Over time I've learned that trusting you to be open-minded has always been the best thing I could ever do, is trusting that you would accept me trying to do new things," and the other night when she talked about how us embracing red was also us embracing the scattered, fragile, changing person that she was, i think there are a lot of elements of fine line that speak to that as well. (remembering harry saying: "the album is yours. i am yours" and why he delivered it to the audience that way.) something i think is quite striking is this idea of "cohesiveness" - the sonic cohesiveness, the slick precision of 1989 and harry's house, got them a lot of critical acclaim and then awards attention, but the beautiful messiness and the narrative journeys of red and fine line, the exposed hearts of them, made them meaningful to fans. it's interesting how that ends up being SUCH a different perspective - critics are looking for elements that are so different than what we're holding onto at times. their respective awareness of how valued and beloved those records are to the fans, and the connection those albums have between us and them, i really believe will always be there.

I just keep thinking like, how much Joe helped Taylor become herself and grow as a person - not in the way that like, a man deserves all the credit, but it is so clear that he and their relationship helped her get to a place where she could discuss the topics on folklore / evermore / Midnights, where she could make her political post, hell even the amount of seductive choreo skyrocketed from 1989 to rep and then to Eras because she feels so comfortable with herself, and I don’t doubt that he was a part of that journey. Even if all he did was stand by her, he gave her the confidence to do it all and having that rock really deeply helped her. And like, whatever happened, but it’s clear to me that relationship made her into the best version of herself she could be, and that’s what any wonderful relationship is supposed to do and that is both beautiful and so fucking heartbreaking. And no matter what happened I am so grateful to him to have given those gifts to her.

idk if y’all know this or not but Taylor Swift’s fourth studio album Red is one of the best albums of all time regardless of what small-minded “critics“ may say it told a beautiful, compelling, heartbreaking, and cohesive story about losing an intense love at a young age and it conveyed every individual feeling associated with heartbreak perfectly from the way the drums and the guitar in state of grace spell out a warning to the way treacherous has you on the edge of your seat with goosebumps to the unparalleled heartbreak the bass drop in ikywt says “this pain i feel isn’t just your fault, it’s my fault too” to the beautiful story that you can see play out in your head in all too well to the determination of keeping a toxic relationship out of your life and feeling good about it in wanegbt to the feeling of looking back on a love and realizing what you had was beautiful in holy ground to the feeling of pure, real, unadulterated sorrow that comes with the finality of ending something that was beautiful in sad beautiful tragic to the hopeful ending of the album when you realize that love can come back into your life when you’re ready to let it in in begin again and then the tragically forgotten bonus tracks the moment i knew that tells the story of the singular moment you realize the person you want the most isn’t coming back to you and come back be here that describes with painful conviction the feeling of being separated from the only person you want to see i mean no offense but if you don’t understand how amazing this album is then you don’t understand what it means to feel

The way she loved him so much to the point where she would have been okay with being called a slut if that meant she could have him! And the way she is possessive over his couch and snarky that he is dating her clowns while wondering why he didn't say I love you

I KNOWWWWW she was so fucking in love with him and felt insane. i am thinking about her ayhtdws speech on tour. the one where she said that people deserve more than someone who can't make up their mind and say they love you. he hurt her so bad and the worst part is in all his songs after that, he didn't ever seem to notice. he speaks so frequently of his hurt. she sings of his hurt a couple times (particularly in ootw and question). but when does he ever mention hers?

it's a tragic thing in their story where she was always more aware than he was and always more emotionally intelligent.

So it goes

So it goes tells the story of the 2014 Victoria Secret After Party: ''All eyes were on Harry and Taylor when they turned up. [...] The drinks were flowing until 3am, when they snuck out of a rear exit five minutes apart to avoid being pictured together." In context of the 2015 timeline 1989 (I know places established they wanted their relationship to go private) and 1D’s Four (with Stockholm Syndrome) had just been released. They were photographed the after party:

This was a pivotal night:

this outfit from that VS Show is also at 3 mins in I don’t wanna live forever (and cardigan refers to this sequin smile) and

In Only Angel Harry says he doesn't have eyes for the VS angels “She's an angel, My-my-my only angel”

So it goes has only been played live 8 times and not yet on the Eras tour. The last time it was played was in the last Rep show in Tokyo, (9:38) with 2 other rare songs for the Rep Tour: I Know Places and Wildest Dreams. Harry Styles was in Japan that month and wrote Little Freak before he left Tokyo.

It was most likely recorded in September 2016 with Shellback in Sweden along with other reputation tracks. Shellback had the melody and Taylor addd lyrics:

Fun fact: Taylor's only lyrics "so it goes" are in Haylor songs, the very first night, So it goes, Style and You are in Love.

Lyrics

[Verse 1] See you in the dark All eyes on you, my magician All eyes on us You make everyone disappear, and Cut me into pieces Gold cage, hostage to my feelings Back against the wall Trippin', trip-trippin' when you're gone

The first verse sets the scene, similar to the articles Harry and Taylor are the focus of many, drawn to each other and wanting to keep their connection secret.

In Hoax, Taylor has a similar lyric to magician "Your sleight of hand"

'Gold cage, hostage to my feelings' refers to being trapped by love. Similar to Stockholm Syndrome, which was released only 2 weeks before the VS party, Taylor is trapped in a gold/gilded cage (a luxurious prison) by love.

[Pre-Chorus] 'Cause we break down a little But when you get me alone, it's so simple 'Cause, baby, I know what you know We can feel it [Chorus] And all the pieces fall right into place Getting caught up in a moment Lipstick on your face So it goes I'm yours to keep And I'm yours to lose You know I'm not a bad girl, but I Do bad things with you So it goes

So it goes is a lyric in Style. In the chorus Taylor lets us know that when they are away from others they have great chemistry. She also refers to lipstick, referred to in many 1989 songs. Taylor is described as a 'bad/good girl often, she talks about it in Miss Americana and also in:

Style: And I got that good girl faith and a tight little skirt

Question...?; Good girl, sad boy

Only Angel: That she's gonna be an angel, just you wait and see, When it turns out she's a devil in between the sheets

[Verse 2] Met you in a bar All eyes on me, your illusionist All eyes on us I make all your gray days clear And wear you like a necklace I'm so chill, but you make me jealous But I got your heart Skippin', skip-skippin' when I'm gone

The afterparty was in Basement bar. The illusionist/magician references are enjoying knowing that she and her muse will leave together without others knowing. 'Make all grey days clear' tells us the muse is British.

[Bridge] You did a number on me But, honestly, baby, who's counting? I did a number on you But, honestly, baby, who's counting? You did a number on me But, honestly, baby, who's counting? Who's counting? (One, two, three)

The bridge tells us more about her relationship with her muse, they have a history, have hurt each other before and are wanting to move on. Though she says she is letting it go she is also keeping score. At this point the events of Red, 1989 and most of the one direction songs about TS had transpired between them.

idk guys, maybe anne is a haylor 😌🤷

She has never wavered

the thing about haylor is i dont want them together i dont think they were the pinnacle of a perfect relationship i just find their dynamic and the way they write about each other SO ENDLESSLY INTERESTING. like i am a fan of the art of haylorism not shipping these two humans together as actual end game. does this make sense?

THEYRE JUST TREES TAYLOR