The Fat Controller Catches Wind That The Engines At Tidmouth Are Refusing To Come Out, Pondering What

This because after being on Twitter as the leaks were going live, some people really need to read this, fantastic breakdown!

Now having gotten somewhat used to the void in my chest I can finally drag all my thoughts about the epilogue into one pile

I know it may be getting old for some of you guys already, but I haven't seen some things being discussed anywhere

My problem with the ending is actually with the audience, I literally have almost no issues with how the epilogue is written, all the minor ones I have don't come from the epilogue but the previous plot building which wasn't perfect by all means.

1. People forget that this chapter isn't the Epilogue but the Epilogue pt. 2

TWO PARTS YOU KNOW

Please reread 430. You did? Now let's compare.

a) Can you see what the chapter is focused on? 430 is a lot more shallow, it focuses on facts and tries to contain all the changes at once and looks VERY rushed. Hori didn't have much time with his schedule, so of course he tried to fit all at once and nothing at all. This chapter is more about the system and facts, trying to answer the more crucial questions fans may have.

Chapter 430 has ~20 pages

431 has almost 40 (!)

b) 431 finally has time to look at the characters up close. Why there is so much about Uraraka? Well, because in the pt. 1 she's got one panel and a couple of words. That's why half the chapter is about her now, because she and Izuku are the male and female leads of the manga.

c) Why didn't we have more of Katsuki? Well, this character isn't very known for huge inner monologues and all this sappy stuff. We can get enough from character interaction and subtle cues, as always. Despite being a big asshole and a major loudmouth (I say this with all my love and adoration guys), Katsuki is a really stoic character. And this kind of character doesn't need a whole 5 pages writing down their motivation and inner thought process. I like this. This man remains the most conscious person here and has the greatest development in the series (and Shoto, sure, these two are on the whole other level compared to others in terms of writing)

Izuku and Ochako are more open to us, and it shows in the chapter's way of storytelling

And Shoto is still the most relatable dude here, me too, Shoto, me too...

2. Izuku is NOT shutting Katsuki out of his life. He basically invited him to TEACH TOGETHER just like Katsuki invited him to BE HEROES TOGETHER.

To me it shows clearly that these two just found their two paths that don't align fully. Izuku has been teaching for years after his quirk was gone. Sure, he still adores hero job, but he already has stability and purpose and it's IMPORTANT to him. He's only been back to heroics for a month after all. Izuku has matured significantly, and I respect that about his character even if it's not perfectly written.

"Izuku wouldn't ever decline the offer". Do I need to remind you that it's whole 8 years after their school days?

Imagine yourself 16, dreaming to start a rock band with your best friend. You're both so passionate about it, you think music is the most beautiful thing in your life and you'll never be over it.

But you get your fingers injured severely, and you can't play your guitar anymore. You're devastated, but your knowledge is valuable and you get a whole teaching degree and go to work in a musical college. It feels very fulfilling to you. But your friend is very talented, he continues and pushes forward and actually becomes a worldwide known rock star! You're so glad for him!

But the time passes, and your friend, now famous and loaded, states – you're getting most expensive treatment and surgery, and we – I and our old band bros – pay for this.

And your fingers, they work properly again. You had a whole life of 8 years, and now there are so many possibilities open. You know your friend wants you to join his band and travel and rock the stage together, he offers it to you without expecting much, because he knows you have your life settled already, you can't change that with a flick of a wrist. He's an understanding friend, even if his passion for your old shared dream burns brighter still. You can join his band for a concert or two once in a while, it's a good reprieve from your everyday life. But as much as you love music, your priorities shifted significantly since your youth – and now teaching is as important and precious to you.

You even invite your friend to give a lesson of two in the college where you work. It's a way for you two still remain in each other's lives even if your paths are a bit different now. Your connection is built on compromise and genuine support from both sides, and it's fantastic!

I know the analogy isn't perfect, but it works I suppose.

3. About Himiko and Ochako. It's a painful one, but

No, Himiko wasn't haunting Ochako for the whole 8 years, it's probably a time to time occasion. It's not because Ochako is tired, it's because she can't let go of her guilt and at particularly taxing times it manifests in these visions.

Dreams are still a big mystery for science, but what we know is that they're almost always NOT about what you see, but about the hidden layers of meaning.

And of course we know this is not REAL Himiko, it's just Ochako's mind.

So I don't understand all the weeping around Himiko now being DEAD FOR REAL OH. This is Ochako's mind, not a literal Toga's spirit no matter how much Horikoshi wants his symbolisms to be literal in this story. It's still open to interpretation if Toga is dead or notnot (she's coping).

Tsuyu is so Tsuyu 😭😭😭

Right, my girl, this dummy really thought there's something wrong with her health while she just needed to see a psychologist...

I remind you that psychotherapy is severely underdeveloped in Japan. There's still a lot of stigma around mental health there, so please keep this mentality in your mind while reading manga. "They could just go and see a therapist." No, they couldn't. Their culture doesn't work like this, and societal norms aren't a joke in Japan, they're literally overwhelming.

And about how this chapter "ruined" Himiko. To me, it didn't.

"Himiko was written for Ochako". Exactly. Ochako's main negative character trait was inability to open up about her true feelings, putting up a cheerful front and all that.

Himiko was created to get her to understand what suppressing emotions does to people. Unfortunately, it seems she didn't catch this message fully until Himiko told her with plain words and freaking pushed her forward.

And isn't it a torture for Himiko seeing Ochako beating herself over her death, putting up a brave front to avoid her inner struggle which is COMPLETELY OPPOSITE to what Himiko tried to convey?

And Himiko loved both Izuku and Ochako, so of course she wants them to be special for each other and open up to each other too.

Because Himiko LOVES love in any form (pun intended), and wishes happiness for her special people, and sees how they have been holding back from living how they wanted.

Do you really think Himiko would prefer a depressed Ochako having hallucinations of her over an Ochako who's opening up and rebuilding connections with the man she yearned to reach out to for so long?

And of course I'm not about the ship. This manga was never about the ships. We've got a clue that Izuku barely had any contact with his former classmates since graduation in 430. This chapter is created to gives us hope that it'll change, starting with Uraraka because Uraraka was the one to reach out to him first in the beginning, and now it's his turn.

I imagine that it's just a start of the reconnection arc. Izuku can do this with the rest of his classmates too later, and knowing his tendency to butt into others' business he certainly will.

(Yeah, it's an actually good idea for a new tome for you Hori, not Boruto 2.0, never Boruto 2.0 please...)

4(?). This one has gotten me confused...

They studied 3 years... so they must have become class 2-A, then 3-A.... I hope it's a bad translation.

Do you trust Jirou? She certainly did put a whole ton of wasabi in his food, look at her face

Katsuki not toasting because he's the sober friend for his whole bunch of idiots>>>>

(he really has come here for the food)

Katsuki, when did you undergo your Syndrome arc?

Should I or should I not do a big KamiJirou post discussing why they mirror each other so well?

Ahh well I'll so one anyway, at somepoint.

NO HE ALREADY POSES LIKE A STAND USER HE DOESN'T NEED A STAND!

I posted this question on twitter months ago.

If monoma copied tokoyami's quirk, would it look like tokoyami's dark shadow? Or his own dark shadow?

So according to my LNWR James, you guys like silly alt takes, well then, have another one.

LMS Patriot Henry, this idea came from someone else AU, and honestly, looks good, I think in that one Henry was an early prototype of the Patriot Re-Builds, and had issues, but don't quote me on that.

Still haven't made his post-Killdane version, as I have been spriting every, single, 6Ft 9Inch LMS Express engine Since the Large Claughton.

If you want to look at that it's here- https://www.deviantart.com/tsdra90n

Pokemon Artwork made by Tsukimusha 

"I've got you now Symbol of Peace, no more running, no more fighting"

"cough, hauha couccch, Is that so, Round 4 it is"

"4? What no you can't stand you crazy son of a-"

"Send in Iphicles!"

"Send it WHAT!?"

Another Black Car hooves into view firing of parts towards the two.

"AGAIN!? You crazy bastard YOU CAN'T EVEN STAND!"

"YEAH WHAT ABOUT IT!? If I can crawl, I can brawl!" He crows as the Suit begins forming around him.

"This must be what Tomura calls, the Second Phase"

It’s kinda funny how much 1B got ignored in the final arc, and from a narrative perspective it makes sense not to clutter things up to much but aside from a few brief appearances the arguably best attention they get is for monoma for copying warpgate and eraser. With that being said assuming anyone cared enough what do you think the class B “Iron Might” items would be like?

That just makes me think that All Might just has another car full of tech just for the 1-B kids. All For One thinks he's got Toshinori dead to rights and his second car, Heracles, comes out of nowhere with another suit like it's the second stage of a boss fight.

-Awase: Giant metal pillars that fire out and sear themselves onto the target to deal damage and weight them down.

-Kamakiri: A giant sword. Would it be more fitting to have swords pop out of him? Yes, but I want him carrying a buster sword.

-Kuroiro: A cape-like extension meant to camouflage with it's surroundings to hide the user.

-Kendo: Giant fists. Just a ton of armor all coming together to make a giant set of meaty claws.

-Kosei: Sets of floating plates that act as both platforms and shields as All Might needs them.

-Komori: Sprays that activate a fast growing mold meant to fester in wounds and inhibit breathing.

-Manga: A series of marked grenades around the suit that can disperse various effects, such as a flames or electricity.

-Juzo: A set of drills from the hands that can help him rapidly dig underground.

-Reiko: A series of drones meant to latch onto and control anything All Might sicks them on.

-Rin: A set of tiny, jagged plates that can stab anyone the user grapples and be fire out like bullets.

-Shoda: Pilebunker. Just a giant hydraulics system meant to add some extra punch to his fist attacks.

-Ibara: A series of cables to coming from the back of the suit to tangle and bind with.

-Tetsutetsu: It's a giant suit of armor that helps protect All Might from bigger attacks. It's literally the same as Kirishima's.

-Bondo: A cannon near the upper back of the suit that fires out the same face acting concrete used in the License Exam.

-Sen: Various gyros around the suit to make parts of the armor spin and help improve the damage of the other weapons systems.

-Jutora: An additional layer of armor meant to augment the user's natural strength and give a more beastly appearance.

-Pony: Missiles. Just a bunch of homing missiles centered on whomever is unlucky enough to be in his line of sight.

-Setsuna: A series of small, multi-purpose drones linked up to the suit's sensory system. Maybe they could double as quick replacement parts.

-Kodai: Various pieces of micro tech that's meant to unfold and expand into larger weapons. Possibly used in tandem with ome of the other weapon systems.

-Monoma: An operating system meant to monitor and redeploy the various tools in play, effectively acting as the reserve for all the other gadgets.

A look back at the family in ashes.

MHA has the distinct issue with the fact it's one guy writing it with a few editors chipping in, I think a lot of Manga and Anime could avoid some of their issues with just not expanding and using concepts.

Like there is so much in MHA that could have more done with it, there are more characters then there is time, there are 20 Students in the class, but I don't think we even know the reason they wanted to become heroes, what are the motivations for half of them?

Heroism has become this sort of sport in a way, competitive and there are so many of them, they have a ranking system, from memory, No Other Series Has a Ranking System For Heroes, because they don't need them, all other series have your Listers, A, B, C, D, there is no numerical title, and what the fuck does it mean to be No.1.

See that's what I want to see, why the fuck does being No.1 matter? And who better to ask that question in verse by Shoto, a victim of this sport, him and his brothers breed like Pokémon for their fathers selfish ambition to a title that in the long terms is really meaningless, a target really, what is being No.1 if anything but a status symbol, a don't fuck with me sign, the get out of jail free card. Like seriously did anyone ever explain what the fuck being number one even meant?

Why the fuck do Katsuki and Izuku even want that title, they just want it to be the best?

What I would have loved to see but I am so disappointed that we didn't get was MHA's version of Young Justice's Disordered, a final reflection and dissection's of the characters, the Todoroki's are their worlds version of the Wayne family.

Show me why Shoto is the better version of Endeavour, not just in power but who he is as a person, someone better, he wouldn't want anyone to endeavor what he and his family went through, he is MHA's Dick Grayson so desperate to become nothing like his father, taking the best parts of him making himself better, stable not one to create his own legacy through a child. He doesn't want another him, another Natsou, Fuyumi or Touya, he doesn't want another Endeavour as that name isn't a symbol of Enji's desire to become No.1 to Endeavor through everything that life throws, but no.

Endeavor isn't his title, it is badge of shame, it's not his. Endeavor is the title of the family, to hold out against him, Rei was endeavoring so much pain from seeing her family burn around her, eldest burning.

Fuyumi was holding out for the hope of a normal life, one she could enjoy and share with her family.

Natsou was holding out for the day he could leave to become his own person as far away from his family as he could.

Shoto Endeavored to even become himself he lost his childhood, but you can't lose something you never had.

And Touya, that poor boy so wide eyed and simply wanting his fathers love, his father to save him, but he burned his father frozen watching him, only to be saved by a demon who walked out of the flame.

This is MHA's Batfamily, and Touya has so much in common with Jason it hurts, they both just wanted their Father to save them, but they burned, Bruce tried to save Jason but he couldn't Enji froze, the two were brought back by demons, and had no qualms about murder, to kill to get that attention after they lost a portion of their lives.

But they never explore that, Horikoshi has had several chances to ask, how does it feel to die and be revived, to lose that time, but he never has.

If he had a few other writers to conifer with, you'd get something truly interesting, MHA needed more time in the oven, it has the hallmarks of a truly interesting story, but really didn't get the time to develop, so much was left unanswered, unwritten and unresolved, the status at the end of the series is the same, yeah it gets slightly better, but does it.

We still have people wanting to become heroes, we still have the rankings we still have people gunning for first, and what's that going to do?

Create another Todoroki family, and with Quirk Singularity that oversight of Hubris is going to start festering again, it may not be from the demon in the shadows, but rather the man in the mirror repeating the same mistakes that one man driven by the selfish desire for first made.

And this time they won't be facing Touya with an equal, but they might be facing Magneto with no answer.

He is the best Good Boy

any peter sam hcs ?

*calls a 9 ton machine a "good boy" repeatedly*

Sidenote, apart from the asks I still have to answer, I’m calling a lid on these questions. Hope ya’ll understand!

He’s always had a knack with charming coaches, both on the MSR and SR. Trucks, barring that one accidental time, hardly act up with him either. On both railways, he took it upon himself to name every truck that wanted a name. (Spoiler alert: You’ll hardly ever find a truck that prefers being anonymous. And how can you blame them?)

Impressively, he seems not to have forgotten a single one. In 1955, several ex-MSR trucks were bought by the Skarloey Railway Preservation Society from Marthwaite Quarry. Peter Sam first brought them onto SR metals, and eagerly crowed his whistle for the other engines to meet “Ax, Ginny, Scrag, Chocks, Cobbles, Princess, Warpy, Whippy, Teahouse, Froghead, Twobits, Snappy, Alex-Vander, O’Tool-“ you get the point.

Peter Sam, then named Stuart, got along with his last driver on the MSR so well that said driver applied to the Peel Godred Works Railway to keep working with him. You should’ve seen his face when Driver Shaugnessy first turned up at the Aluminum Works with his rags and tools, it’d bring tears of joy to your eyes. They recrossed paths and worked together again when Shaugnessy was later a volunteer on the SR. I’d say his continued presence during those tumultuous years wherein Peter Sam moved between railways twice was a huge, huge boon to the little engine’s mental health. Shaugnessy retired from the footplate in 1976, meaning he was still around to see Peter Sam and Sir Handel reunite with their Granpuff.

I am jumping all over the place-

What happened? Don't ask. If you're wondering what fnaf character I'll draw next, it's Nightmare Fredbear, the random number generator has cursed me yet again.

On another note, Mina and Shoto came out well. Planning to do all of Class 1-A and maybe 1-B after. Who knows.

Bakugo, screaming in the common room whilst everyone's there: STOP PUTTING THE DISHES IN THE FUCKING WRONG PLACE YOU DICKHEADS

Bakugo, leaves:

Class 1a:

Bakugo, returning: I forgot to ask, do you guys want pancakes?