Veric’s Situational Husband Might Be Making An Appearance On Tumblr And If He Does Veric Is Gonna Become

The most NSFW Veric will usually ever get is the unspeakable violence he causes on occasion

Trying to maintain a consistent work schedule with a workplace that’s “set your own schedule” is hard, y’all

I'm pretty sure I forgot to mention it elsewhere, but Veric and the Noor family as well are intended to be/based loosely off of his primary world's equivalent of Persians, and it's the same for pretty much every subsequent verse, i.e being Ofiri in his Witcher verse.

by  min seub Jung

Me: don’t come here expecting romance with Veric, he doesn’t often fall in love very easily

Me sitting here at almost 4 am already thinking about romantic or borderline-romantic shipping:

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.

Hawk is gonna kill me for not remembering anything about Dragon Age to be able to make a verse for it but I went ahead and put up a really basic verse page, including his WIP main Witc.her verse. Since his world is already fantasy and can be integrated pretty easily into most universes regardless, the second verse will likely be his default for muses from other fantasy franchises that I don’t give him a specific verse for. I also added a link on the pinned to this blog’s lore tag, so that as it fills up with things about Veric and his primary verses, it’ll be much easier to find information on the off chance someone wants to interact there.

                  Knowing neither life nor death,

                        Therefore, I call thee be this name

                                THOU ART THE 𝐃𝚰𝐒𝐓𝚨𝚴𝐓 𝐎𝚴𝚬

this is an 𝐈𝐍𝐃𝐄𝐏𝐄𝐍𝐃𝐄𝐍𝐓, 𝐏𝐑𝐈𝐕𝐀𝐓𝐄, 𝐒𝐄𝐋𝐄𝐂𝐓𝐈𝐕𝐄, & 𝐋𝐎𝐖-𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐘 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑, created by ori. fandomless, iconless, and based on original lore. please read 𝐑𝐔𝐋𝐄𝐒 before following:

𝐈. I’m selective in following and soft or hard block liberally to curate my space. If you unfollow me, I ask that you soft block me in return, to prevent confusion.

𝐈𝐈. I can plot threads or wing them, but I don’t often do full-para starter calls. The memes I reblog and my inbox calls are often the fastest way to interact with me. There are more relevant details to this in the actual rules page that I recommend you read.

𝐈𝐈𝐈. I read everyone’s rules, but don’t send in passwords. Please understand that I’m human, and rules that are uncommon or out of the ordinary may slip my mind sometimes.

𝐈𝐕. Veric can be a difficult muse to establish an actual emotional relationship with, so please don’t approach this blog with the express intention of shipping with him. Deeper or more meaningful relationships with him are not guaranteed. He’s almost a thousand years old, and he’s kind of an ornery asshole.

𝐕. There’ll be little or no explicit NSFW on this blog, but I still won’t follow muns below the age of 18. Please respect this rule. It’s an instant block if I catch you lying about your age.

𝐔𝐍𝐈𝐕𝐄𝐑𝐒𝐄 𝐈𝐍𝐅𝐎 & 𝐋𝐎𝐑𝐄 𝐏𝐎𝐒𝐓𝐒 𝐕𝐄𝐑𝐒𝐄𝐒