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Metroid - Blog Posts

6 days ago

Reblogging cuz it was posted as mature content for some inexplicable reason. It’s fixed now though

So… scope creep, huh?

For those of you who may not know, I do have a rewrite of the Metroid Zero Mission manga, as well as most of the games in the series, in the works. However, the manga rewrite in particular deals with some very heavy and intense topics, topics that need time and care to get right. So uh… yeah, I don’t think that’s coming out before Metroid Prime 4: Beyond, save for some massive delay.

However, there is a story in the works that will meet your eyes, and ears, far sooner. This story is based on a premise and the music works of the YouTuber Seregauss. This is the story of his latest album, Metroid Prime: The Great Hunt.

Metroid Prime: The Great Hunt
YouTube
an album for a concept metroid prime hunters sequel

Taking place after the events of Metroid Dread, this story follows up on some of the loose plot threads left by Dread, Fusion, and Other M, and operates as a sequel to Metroid Prime Hunters.

Far from the homeworlds of the lost Alimbic Civilization, the secret technologies of the Alimbics, left buried for millennia, have been reactivated, spurring on a new hunt for long lost power. Samus Aran, now wrestling with her Metroid powers and distrust in the Galactic Federation and Chozo, must put an end to the anomalous rifts running rampant throughout the Collidus Star System. In her journey, Samus will face deadly wildlife, familiar faces, and sinister new foes, all while uncovering secrets new and old.

This is a story I am very hyped to be working on. Seregauss has a lot of my favorite Metroid covers, and The Great Hunt might be some of his best work yet. In addition, I am privy to some inside information as to artwork and designs which will be implemented into this story. I will be posting some of my own artwork soon, including some artwork of a redesign of the Space Pirate Bounty Hunter, Weavel. Stay tuned, and happy hunting!

So… Scope Creep, Huh?

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6 days ago

Metroid Prime: The Great Hunt art dump 1

Today, y’all get some wildlife concepts. After all, the worlds of Metroid feel a lot less lively without an array of critters and beasts populating them!

Metroid Prime: The Great Hunt Art Dump 1

The Icthyosuchus is a marine predator on the planet Collidus III, a world with vast oceans and only scattered islands left above the waves. Think of them like the cross between a dolphin and a mosasaur but with gills. There will be a brief fight between Samus and one of these sea beasts

The “Vigor” is something I thought up while brainstorming wildlife for a tall mountain range. The name is a pun based on its resemblance to a… certain tree dwelling mammal. It is a predator inhabiting the frigid planet of Collidus V, a world experiencing its own ice age.

Metroid Prime: The Great Hunt Art Dump 1

Returning to Collidus III, the War Mantis is based off the concept of having a bigger, meaner war wasp, and thus the carnivorous praying mantis served as inspiration. The War Mantis is huge, with a specimen encountered by Samus totaling about 11 feet in height. Due to this size, they are flightless. However, their abdomens are hollow, allowing them to float on top of calmer waves and catch prey in shallow waters. Their thickly armored underbelly keeps them safe from aquatic predators like the Icthyosuchus.

The Herrahound is a ubiquitous native of Collidus IV, an arid world comparable to late Triassic Earth. These nocturnal creatures prefer to sleep during the day, held off of the heated soil of the perpetual summer by their clawed tails which can cling to trees or the ceilings of caves. Their prehensile mandibles and powerful legs allow them to catch prey effectively. The design of this creature is adapted from a cancelled enemy type from Metroid Prime: Hunters. I was not able to find a name for this creature, so I drew inspiration from its Triassic Environment and resemblance to a creature from the Half Life game series.

Metroid Prime: The Great Hunt Art Dump 1
Metroid Prime: The Great Hunt Art Dump 1
Metroid Prime: The Great Hunt Art Dump 1

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6 days ago
“Better To Put An Idea To The Page And Draw It Badly Than Never Set It Free.”

“Better to put an idea to the page and draw it badly than never set it free.”

The comic begins with a shot of our protagonists from behind.

Raven Beak is a tall, armored Chozo with an ornate headdress and a red cape with embroidered stoles. His pauldrons are flared and his eyes are red. Grey Voice is an old, grey Chozo with an appearance similar to that of a hawk or an eagle. He has yellow eyes and wears brown robes.

Raven Beak speaks first: "Thank you for joining me, old friend. There is a gift that I would like to impart upon you."
Raven Beak kneels, producing a long, rectangular black box with an ornate clasp which he presents to his comrade. Grey Voice looks on, intrigued.
This panel is a top-down shot. The box is open, revealing red velvet lining and a corkscrew-shaped blade with a navy blue hilt.
Grey Voice is astonished. We are granted a view from below, the lid of the box obscuring the bottom half of the screen as Grey Voice's face peeks over the lid. His beak is slightly agape, his yellow eyes studying the weapon in front of him.
Our view is now behind Raven Beak, the back of whose head takes up the lower right side of the panel. Grey Voice is situated on the left side of the panel, holding the now closed box in both hands.

Grey Voice speaks: "Raven Beak, I cannot accept this. It is too precious to your people."

Raven Beak responds frankly: "It is for our daughter. She is of my people."
The "camera" is still behind Raven Beak, but our view shows the scene from the exterior of a hallway, as though the viewer is watching the engagement from outside the room in which it takes place. The characters are backlit, as though the scene's lighting comes exclusively from the open doorway. Raven Beak is much taller than Grey Voice, so the latter must look up to address him:
"I appreciate the gesture, but she is much too young to wield this."

Raven Beak replies: "It is impossible to be 'too young' for a blade, Grey Voice. Kra hul, she is destined to be a warrior."
We now view the pair from the side. Grey Voice offers the box back to his compatriot, looking a little weary. Raven Beak continues to refute the shorter Chozo:
"You could not refuse this gift, even if I approved."

Grey Voice starts up with a rebuttal, but is soon cut off:
"Come now, don't be-"
"Such an act would upset the ancestors."
All color drains from the panel. Grey Voice is conveyed in simplistic shapes against a dark grey background. He is completely white. Dead silence fills the air.
Still achromatic, the only thing that changes in this scene is the building sweat dripping down Grey Voice's forehead and the fact that he breaks the silence:
"What."

Raven Beak promptly responds: "They would reconstitute your biological matter in pursuit of vengeance for your disrespect."
Color returns to the comic. Grey Voice and Raven Beak are now depicted very tiny on the bottom left-hand side of the panel, arguing in earnest. The background gradates from yellow to grey.

Grey Voice begins the interaction by stating: "You're giving our daughter a cursed relic."
Raven Beak elaborates: "Not cursed: sacred."
"What's the difference?"
""Curse" implies the retaliatory mutilation is malicious."
Grey Voice is exasperated. "As if it isn't in this case?!"
We are looking at Grey Voice from behind Raven Beak: all we can see of the latter is his red cape cascading from his shoulders. Grey Voice is talking now.
"Though I should not discount the possibility that you are merely yanking my plumes, I beg clarity on the matter... are you telling me that I'm risking my life talking to you because some long-dead warrior is sentimental???"

Raven Beak chimes in: "Don't be rude, now."
We are granted a front-facing view of Raven Beak. The top half of his helmeted face is obscured by the upper boundary of the panel, his face shrouded in shadow. His glowing red eyes break through the darkness. He begins his lecture:

"That is my great-great-great-great-great grandfather you are insulting, brother in blood. Please choose your next words wisely: I am duty-bound to defend their honor by way of a duel if you disdain their legacy... and I would not like to leave our daughter short a father."
The panel takes a very light-hearted tone in terms of coloration, with a desaturated salmon pink background. Raven Beak holds his hand up, eyes closed in a friendly gesture, as though to defuse the situation. He	 is filled completely in grey as opposed to being rendered in full color agaisnt the monocolor background.

Grey Voice inquires from offscreen: "Are you threatening me?"

Raven Beak responds rather casually: "No, I am politely asking you to consider the spirits' wishes. A "threat" would entail me drawing my weapon, pointing it in your direction..."
"...and commanding you to accept this gift before I snuff the flame of your eternal being, drawing upon the embers to light the torch that I will personally use to champion your essence straight across the innumerable stars and back to the yolk of the world-egg."

The colors used in this panel are noticeably darker and more saturated. Raven Beak is leaning forward, his glowering face taking up the entire left side of the panel as the black speech bubble takes the right. His visible eye is glowing fiercely. The text on his speech bubble is white, with the word "personally" rendered in red for emphasis.
The background returns to a fluffy pastel hue: this time, a lovely mint green. We are viewing Raven Beak from behind, as he takes up the bottom right corner. Grey Voice is located center-left, depicted smaller to convey distance. He looks to be in disbelief.

"I can't believe you're doing this to me..."

"What?" Raven Beak replies.
"Threatening me!" Grey Voice shouts. His neck stretches cartoonishly out from his shoulders, his face closing in towards Raven Beak as the commander shrinks back into the right side corner.
The camera is behind Grey Voice now. The background is dark, and we are staring up at Raven Beak's intense form, colored dark grey to communicate extreme tension. It looks like our militant elderly protagonist is about to explode.

"Was my firing arm not affixed to my side during that engagement??"

Grey Voice yells back, "You are impossible. Just give me the damn blade!"
The tone shifts immediately when Grey Voice accepts Raven Beak's gift. The gradient background descends from orange to dull purple as Raven Beak gingerly takes Grey Voice's wrinkled hand in his own, clutching his compatriot's digits within his armored grasp and taking care not to nick him with his pointed talon caps.

A close-up of Grey Voice's face is shown in the top right: an astonished yellow eye and raised, wrinkled brow convey his surprise.
The gradient background descends from wine red to a muted, glowing yellow. Raven Beak's helmeted visage is situated on the left-hand side and lit gently from below. He waxes as he begins transfer of the boxed blade to his cherished friend.

"Many and one, blood of my heart..."
Raven Beak continues his heartfelt speech as we view the pair from the distance, the scene bathed in black and white. Our protagonists appear as dark shadows in the distance atop a grey and white gradient background, the sunrise of their alliance giving hope for the future.

"Across the river of war and toil has this relic come to rest on easy shores... to join us in the hearth of our souls' labor, passed eons from old hands to new, falling roost in our-"
"Yes, yes, my thanks extend across the endless sea of night. Now go back to your ship."

Grey Voice interrupts Raven Beak's bleeding heart and whips around, clutching the box close to his breast as his aging face flushes red. Grey Voice lies on the right side of the screen, walking away from a comically simplified expression of Raven Beak in the top left.

Raven Beak is an individual of science. He's also a sentimental warrior poet who is not immune to superstition. How will his daughter learn to gut her enemies if he doesn't pass down the family heirloom? Also grandma will be disappointed if the sword doesn't go to Raven Beak's first-hatched.

Started late 2023.

Extras:

A sketch writ upon a medium grey background. Raven Beak grips Grey Voice's shoulders with his armored talons, exaggerated sweat bullets visible on the forehead of his helm. Grey Voice is visibly rattled. Raven Beak says, "Grey Voice, I can feel nonna's baleful gaze fixed upon the back of my skull as we speak. Take the fucking blade." The last sentence is italicized for emphasis.

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1 week ago

So… scope creep, huh?

For those of you who may not know, I do have a rewrite of the Metroid Zero Mission manga, as well as most of the games in the series, in the works. However, the manga rewrite in particular deals with some very heavy and intense topics, topics that need time and care to get right. So uh… yeah, I don’t think that’s coming out before Metroid Prime 4: Beyond, save for some massive delay.

However, there is a story in the works that will meet your eyes, and ears, far sooner. This story is based on a premise and the music works of the YouTuber Seregauss. This is the story of his latest album, Metroid Prime: The Great Hunt.

Metroid Prime: The Great Hunt
YouTube
an album for a concept metroid prime hunters sequel

Taking place after the events of Metroid Dread, this story follows up on some of the loose plot threads left by Dread, Fusion, and Other M, and operates as a sequel to Metroid Prime Hunters.

Far from the homeworlds of the lost Alimbic Civilization, the secret technologies of the Alimbics, left buried for millennia, have been reactivated, spurring on a new hunt for long lost power. Samus Aran, now wrestling with her Metroid powers and distrust in the Galactic Federation and Chozo, must put an end to the anomalous rifts running rampant throughout the Collidus Star System. In her journey, Samus will face deadly wildlife, familiar faces, and sinister new foes, all while uncovering secrets new and old.

This is a story I am very hyped to be working on. Seregauss has a lot of my favorite Metroid covers, and The Great Hunt might be some of his best work yet. In addition, I am privy to some inside information as to artwork and designs which will be implemented into this story. I will be posting some of my own artwork soon, including some artwork of a redesign of the Space Pirate Bounty Hunter, Weavel. Stay tuned, and happy hunting!

So… Scope Creep, Huh?

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1 week ago

https://www.tumblr.com/nerdy-the-artist/748421128898445312/my-personal-art-refs-for-the-galactic-federations?source=share

Holy shit I fucking loved dragons universe so much as a kid, especially the Alliance figure designs. Just wish my kid self took better care of the actual sets : (

If ever there were a more relatable wish😔


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3 weeks ago

Concept: Kriken is exiled from his home for the usual coming of age planet conquering ritual. He decides to enter the Galactic Federation, ambitious enough to steal a Federation world for the empire. However, he ends up actually appreciating the Galactic Federation and defecting to their side, giving seminars about the dangers of the Kriken’s xenophobic philosophy.


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1 month ago

Samus and AI Adam is just personality swapped Master Chief and Cortana. Send post.


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1 month ago

People on Reddit absolutely FLAMING Sylux for this one😭


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1 month ago
Haruna, Anamahar Hasana. Dara Esen Mir, Muk Atamis. Ana Maril Banta Dosh Sahar.

Haruna, anamahar hasana. Dara esen mir, muk atamis. Ana maril banta dosh sahar.

[Translated from Chozo]

-Live, my tribe. More than that, be yourself. I will try to help.

Happy Trans Day of Visibility to my tribe, anamahar hasana. We have tough times ahead. We’re living in them now. But we must fight. We must protest. And yet, we must never let the gloom poison our sense of self. We are transgender. Never let any voice, inside or out, pry that from your grasp. Hold on to your sense of self.


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3 months ago

Ok so… things are bad… real bad…

But I’m not going quietly. I am not just gonna curl up and pretend I don’t exist. I may not comment on politics much, but a reminder that I’m here no matter what those fucks on Capitol Hill say is political enough, I guess. My name is Natalie. I am me. I am a woman. No executive order can change that.

For Christmas, I was gifted a homemade trans pride pin by my grandmother, a devout Christian I hadn’t expected to support me but turned out being one of my biggest supporters. I will be wearing that as a fixture of every outfit I wear out of the house from here on out. I hope that sign brings some hope to other trans people in my area, that we aren’t gone, that we are still here. I am still here. It may be dangerous, but it is more dangerous for trans people to become something… other, something that is somewhere else, not a part of life. I will stay here and a part of people’s lives as a trans woman.

I am a Metroid nerd at heart, so I’ll leave you all with some Chozo.

Ana maril sarin, ana maril haruna, hem ana maril sahar mir tar anamahar hasana. Ana bahi turuta. Sabalba, ana maril ulu umauka. Ana man ana.

(I will continue, I will live, and I will help those of my tribe. I truly worry. However, I will not submit. I am me.)


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4 months ago

Ya girl is sick and bedridden, so I’m doing some gameplay theorizing. Something I’m curious about for Metroid Prime 4: Beyond is how Sylux’s boss battle will actually function. For how cool Sylux is from his design and mystery, Metroid Prime Hunters’s gameplay loop did few favors in making an intriguing combatant. Sylux had the Shock Coil, an electrical weapon which could drain Samus’s energy to replenish his own, and a secondary form that left trip mines in its wake. This is all well and good, but how does you defeat him? You uh… you shoot him. You just shoot him. In Metroid Prime Hunters, the gameplay loop revolves around precise aiming against moving targets, a mechanic that worked well enough for a DS game with a somewhat limited control scheme. However, Metroid Prime 4 is a very different game. Lock on alone makes this approach tedious, especially with the Shock Coil allowing Sylux to regenerate health. Given his intro cutscene, it appears he will have some allies backing him up, at least in the initial encounter. I wonder if it’s possible that the Shock Coil’s siphoning function could be tied to the Metroids-ahem, Mochtroids he has, tethering the electrical arcs to the Mochtroids in order to actually make the attack replenish his own health. There could also be certain environmental hazards to use to your advantage. I could also imagine some sort of evolving state, requiring different beam types to deal damage, similar to the Metroid Prime in the first game. Alternatively, there could be specific timing windows to exploit, utilizing specific opening to rain hell during. Imagine having a narrow window during his energy siphoning attack where you could stun lock him, prevent the attack, and deal significant damage, but getting the timing wrong could punish you with even greater damage and siphoned health.


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5 months ago

Dim tar Ili Metroid

This is just a short fic I made to flex my voice acting and narrating muscles again. I am transgender, and have been voice training for a good couple of months now. I have bigger plans, but I’d like to do something small before jumping into the really good stuff that I wanna really get right.

To those who do not know, this story utilizes the actual Chozo language! Sparingly, at least. The title, Dim tar Ili Metroid, translates to DNA of the Metroid. Tanumar, is the Chozo word for leader, one which I have taken to using as an official designation of rank. Hasana, as well, is the Chozo word for tribe, which I have used as the actual term of their societal groupings. Has means yes, and ulu means no. Raven Beak’s voice is a doozy to get right, largely due to the large amount of voice modulation. I have dumbed it down to be more in line with some of the effort/chuckling sounds in his boss fight, both for ease of editing and ease of understanding. Lastly, as for the voices themselves, I tried going for an accent based on how Raven Beak and Quiet Robe speak within Metroid Dread, with the rolled R sound, for example.

Hope you all enjoy! Sol ata (thank you)!


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5 months ago

Just a sound design concept for Raven Beak’s Hyper Beam I whipped up in CapCut.

I felt the sound of his primary weapon didn’t fit the sheer power its visuals evoked. To that end, I used the buildup noise of the BFG 10,000 from Doom Eternal plus the firing sound of the Focus Rifle from Halo Reach, pitched down to evoke a massive beam. I love the trail off of the Focus Rifle, and it fits the Hyper Beam so damn good.


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5 months ago

The world needs a Metroid show where Pyonchi sounds like this


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5 months ago

Ok, I need your guys’ opinions on something.

So, Metroid Zero Mission’s manga has several Chozo characters. We all know Grey Voice and Old Bird, but a character that gets very little spotlight is Platinum Chest.

Ok, I Need Your Guys’ Opinions On Something.
Ok, I Need Your Guys’ Opinions On Something.

He is quite the old looking Chozo and suffers particularly from the Manga’s art style giving them sagging features that start to no longer resemble a bird. I am basing each of the Chozo’s appearances off of specific birds, a parrot for Grey Voice, a finch for Old Bird, a raven for uh… uh…

Now I’ll put it up to you guys. Which bird should Platinum Chest be based off of?


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5 months ago

Why did ZDR explode in Metroid Dread?

From the moment that many defeated Raven Beak and his X clone in Metroid Dread, many have wondered why the planet of ZDR went on a self destruct sequence strong enough to turn the entire planet into a debris cloud. Honestly speaking. I can see two main reasons for this, though they are, admittedly, mostly conjecture.

First option, and the less satisfying, is the accidental option. The exploration throughout Metroid Dread involves not insignificant amounts of redirecting magma and thermal energy from different areas of the planet in order to safely progress through various areas. One such sequence involves the X copy of Experiment Z-57 jamming the entire system, freezing vast swathes of ZDR into an unforgiving tundra. It’s possible that through the rapid back and forth of magma flows and geothermal energy from throughout Artari, Cataris, and elsewhere caused a chain reaction that lead to a complete collapse of the derelict, Mawkin infrastructure, especially without the Central Units to modulate the shifts.

The second, and more motivation driven option, is a plan from Tanumar of the Mawkin himself. Raven Beak isn’t an idiot by any stretch. He was able to contain an X outbreak into Elun in quick enough time to prevent a full scale infestation of the planet. While he is arrogant, self centered, and cruel, he is not without any care for the well being of the universe. While he is willing to subdue the Galaxy by force, I doubt he is willing to allow even a single X parasite to escape ZDR. His plan is to bring order to the Galaxy, after all. It is likely that, once the X were unleashed, Raven Beak got to work on a plan for blowing up the planet. We explore very little of the Itorash within Metroid Dread, so it is possible he had all of the equipment needed for his cloning operation within his ship, so he could escape the planet, destroy it, and carry out his plan. For all we know, that countdown had started the moment Samus entered the Itorash, but only started showing effects once we get our own timer.


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5 months ago
Just Finished Up Metroid Dread. Absolutely Loved This Game. Raven Beak’s Boss Fight Was Extremely Fun

Just finished up Metroid Dread. Absolutely loved this game. Raven Beak’s boss fight was extremely fun and challenging. I think I’m gonna make a post tomorrow about why ZDR explodes at the end of the game.


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5 months ago

Batta, the Culture of the Zebesian Space Pirates

The Metroid Prime series has introduced the internal workings of the Space Pirates and expanded on it in subsequent entries. However, it is largely agreed upon by groups with the Metroid community (myself included) that the Space Pirates are a faction made up of many species. After all, the biology of the different enemy types in the Prime series alone is wildly different from game to game, aside from a bipedal, hunched posture. It can be assumed, therefore, that any discrepancies from game to game when describing the inner workings of the Space Pirates to simply be the culture of those individual species. For instance, the Urtraghians have far more brutal forms of punishment than the forces seen on Tallon IV. Now that then begs the question.

What about the culture of the Zebesians?

Batta, The Culture Of The Zebesian Space Pirates

This exploration will, admittedly, be full of conjecture and fanons that I enjoy, but I hope you will enjoy either way.

The name Zebesian seems a bit strange to those who know the inner workings of Metroid lore, specifically about the Chozo, who were the residents of planet Zebes before the Space Pirates stormed the planet. The two big schools of thought as to the name from a Watsonian perspective are either that the Zebesians were driven off of Zebes in years past during the Chozo’s warlike past or that the name comes from their settlement upon Zebes that essentially became the way most of the Galaxy thought about the planet.

While I prefer the latter explanation, the former explanation does have some basis to it. Some of Dread’s many murals depict Mawkin soldiers coming into conflict with the Zebesian Space Pirates and defeating them. It is certainly possible that this is how the Chozo first settled the world. There was once a time when the Thoha Chozo were on good terms with the Mawkin.

Still, from both a Watsonian and Doylist perspective, I prefer that the Zebesian name comes from their takeover of Zebes, likely the latest conquest of many. From throughout the series, the Chozo are not seen to have been particularly active in galactic politics during the age of the Galactic Federation, mostly being relegated to advising more public figures. They are rarely mentioned after their demise, outside of their ruins. Therefor, with the Chozo mostly being dead and buried, their world conquered by the feared Space Pirates, the limelight would then be cast onto that world as the source of the Metroid threat, thus leading people to call them the rulers of that world. It’s not exactly how I will be situating things in my own rewrite of the manga, but it does fit better from a purely canonical perspective. Furthermore, from a Doylist perspective, there is evidence to posit this same position. (Special thanks to @sepublic for pointing this out) The internal data for the Zebesian sprite refers to them as Batta, the Japanese word for grasshopper/locust. While this can be attributed to their hopping behavior, it also fits to see them surrounding a planet, consuming its resources, and leaving barren rock behind, with Zebes being their latest, and most successful, operation. The manga displays them descending onto worlds, massacring populations, and enslaving the survivors. The origin of Samus Aran’s adoption into the Chozo comes from them massacring the population of a colony in order to steal its main export wholesale.

The individuals we see in the manga are spiteful, remorseless, and cruel, happy to kill a child for fun. They also show fear and cowardice in the face of armed resistance from Federation officials, and Mother Brain describes them as inclined to capitulate to the highest power present. This cruel, despotic leadership style appears to be an inherent trait to Zebesian culture. Furthermore, the Space Pirates are displayed as having genetically altered themselves to withstand Zebes’s environment very soon after securing the world, suggesting an avid fascination with genetic manipulation, a trait that gets taken to the N’th degree in the Prime series, along with a fascination of mechanical augmentation. From Meta and Proteus Ridley, to the grafted metal implants of the Tallon IV pirates, to the exoskeleton apparatus used by the Urtraghians, the Space Pirates as a whole seem to love cybernetically augmenting themselves and their underlings.

One of my favorite fan interpretations of the Zebesians comes from @dappercritter and the fanfiction piece “No Other”. Quite frankly, I have to include the paragraph wherein the description of the Zebesian race lies.

“The chimeric splice-junkies who had the nerve to call themselves ‘Zebesians’ she wasn’t surprised by. Those ‘settler colonists’-a term which they use to feign altruism and keep the GDF from assaulting their new base, had always been a thorn in Samus’s side since they tried to take her and the Chozo’s old home by force. Of course, they’d come back for more at some point, even if they deserved every other beatdown.”

The Zebesians are described as “chimeric splice-junkies”, a term which I absolutely love for its descriptiveness and color. These guys love to juice themselves up on whatever science team has cooked up. They love genetic modifications, cybernetic implants, and anything to make themselves stronger and give them an edge in combat. The main villain of this story, Ganzer, is the apotheosis of a Zebesian. He has replaced his lobster claws with metal claws, he has wings on his back, chainsaw blades grafted to his arms, a shoulder mounted cannon, a visor in place of his eyes, extra armor over his exoskeleton, and even a reptilian tail. Additionally, there is an explanation here for the name of these Zebesians. These galactic jerks are not just genocidal maniacs, they are something far worse: lawyers. They have lawyered their way into exploiting the Federation’s rules of engagement. After all, orbital bombardment on a colony is illegal. So, as any good lawyer would do, they have designated their most valuable planet as their residential colony world. Doesn’t matter that they breed Metroids, produce weapons, and store their fleets there, cuz that’s where the children grow up, at least on paper.

Furhermore, given their distinctly crustacean design, I can imagine that their “splice-junky” lifestyle comes into play during a specific recurring period of their life; molting. When a crustacean molts, the new shell is soft and malleable for a time, in which time they are extremely vulnerable. Defensive claws and stingers are effectively useless, leaving them defenseless until their body hardens. This time could be perfect for Zebesians to how in the infusion tank to get ‘roided up on whatever DNA infusions they choose/have chosen for them, or to have cybernetic implants grafted into them, where the shell will then solidify and seal the implant on. You can just imagine some excited Zebesian chittering about how they ordered the new model of targeting armature, lamenting that they have to wait until the next molt to get it installed. It honestly opens up some room for a bit of downtime in their culture which I think could be explored further some time.

Hope you all enjoyed this one! I may make a similar post for some of the other Space Pirate varieties. I do have some unique fanons for the Urtraghians that could be cool to share. Let me know if you have any suggestions or fanons of your own!


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6 months ago

Merch idea: Remote controlled morph ball that works like those remote controlled BB-8 toys from way back when.


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6 months ago

It’s my blog, and I get to nerd out about Metroid fan covers if I want.

Track 10: Power

I swear, I love this track so much. I was never a fan of the original Raven Beak theme. The percussion felt lacking, the vocal element didn’t seem to match the gravity of the situation, and the overall track just seemed discordant and lacking pattern. However, “Power” absolutely improves upon the base track in almost every way I can possibly think of.

The entire album returns a lot of old leitmotifs, from the iconic Brinstar depths, to the chase theme of the SA-X. Most importantly to “Power” is the eerie loop of the Super Metroid save room. It appears elsewhere in the album, but it is actually the first leitmotif within the final track. Its inclusion is brilliant. Raven Beak has been spying on us, lying to us, and manipulating us through the Network Station save rooms. To hear this leitmotif turned sinister is a perfect display of the realization that we were never alone, and NOT in a good way. The track then transitions into Samus’s theme, then Raven Beak’s leitmotif in a monologic fashion, perfect for Raven Beak’s declarations and ordering of Samus to capitulate. The almost vocoded vocal element really excels here as a low hum in a moment of intermission. You can imagine Raven Beak pacing about his thrown room explaining the necessity of his schemes, and his justifications.

Then as the actual battle portion of the song begins, we see that the pace is slower than the original, allowing the Raven Beak leitmotif to really shine and draw itself out. The save room leitmotif is carried over, as well, adding some variety and vigilantly reminding us of how well our enemy knows us. The full vocal rendition of his theme just fits so damn well with his overwhelming power and technology. We actually get a bit of the heroic part of Samus’s theme as well, perhaps to mark a significant set of blows. Then a brief interlude of the darker first half of her theme, no doubt signifying Raven Beak losing one wing and tearing off the other himself. The final act of the song shows a distinct level of desperation on the part of both combatants. We can imagine that they are both running out of resources, and the looming threat of planetary destruction. The finale showcases Samus’s theme and closes very upbeat. However, we all know that victory doesn’t quite happen as Samus anticipated.

It’s My Blog, And I Get To Nerd Out About Metroid Fan Covers If I Want.

Though it does come in the end

This track has given me several ideas for my own rewrite of the Metroid saga. I constantly had the idea of the throne room being heavily damaged throughout the fight, cuz, I mean

It’s My Blog, And I Get To Nerd Out About Metroid Fan Covers If I Want.

Look at that massive beam. There is no way he isn’t at least singing the banners. However, “Power” makes me think more into it as symbolism for Raven Beak dismantling Chozo society and morals in order to fit his own insane agenda and ideals. I could even see the towering Chozo statues tumbling down onto him during the final phase of the fight, as if their likenesses are throwing themselves upon him, begging him to cease this madness, to stop attempting to kill his own daughter. I also imagine both of them losing weaponry and tools throughout the fight as well, further amounting to their desperation as they run out of power bombs, super missiles, miniature suns, and other critical ammunition. I also like to think of Raven Beak using a spear like other Chozo warriors, but being disarmed of it throughout the fight, showing that he is no rightful heir to their legacy. There are so many ideas floating through my head on the matter.

In any case, Sam Dillard did excellent work here. And you should ABSOLUTELY check out the album! The link for it is in the video description.


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6 months ago

Happy Halloween!

Halloween has been my favorite holiday for as long as I can remember. Granted, that may be in part due to my birthday also falling on October, but nevertheless, I still love it. It’s a holiday of pure fun and celebrating the macabre. Alas, I haven’t been feeling it this year. Between politics (blech), quitting my current job, searching for a way forward in life, and a lack of new spooky content, I’ve just not felt drawn into the Halloween spirit. I’m also waist deep into the process of writing for my Metroid rewrite, and have very little to show at the moment. Still, Halloween is calling my name and I must not deny it, plus I really wanna get some more of my ideas out there. So here’s a quick post to at least get the ball rolling on some ideas for a rewritten Metroid Fusion, the game the cemented Metroid in the minds of many as suspenseful and horror adjacent.

1. Waking up

As opposed to the drawn out process of “go to SR-388, get infected, fly off, go comatose and crash into an asteroid field, get taken in and healed by the BSL station, leave the BSL, head BACK to BSL”, I’m simplifying it down. Instead of being called back to the BSL station due to an explosion on board, Samus wakes up on the operating table in the middle of the X-Parasite outbreak, similar in part to Doom 2016’s opening. However, she’s not thrust into action immediately from the onset, having some time to wake up and get a feel for the new/post surgery suit.

2. X-Parasites Science

I want to dive a little deeper into the details of the X-Parasites. Firstly, their scientific nomenclature is Anomalomimus Volans, roughly translating to “Strange Mimic which Flies”. Furthermore, I want to play more into the fact that it is an intelligent hivemind. Perhaps not Gravemind levels of intellect, but still enough to strategize and make complex decisions. However, their mimicry has a catch. They can only repeat phrases they’ve already stated. They can form new sentences, but it is difficult, and strains the limited mental capacity of each individual X.

3. X-Parasite life cycle

There is a variety of different levels of mimicry the X take on in the Metroid games. We have heard of them blending in with their prey, utilize the unaltered bodies of their prey, and even mutate into hideous new forms in order to gain an edge in combat. I have been able to come up with a few stages for a hypothetical Anomalomimus life cycle. First is the amoeboid stage, where we see their multi colored, amorphous forms floating through the air, searching for a creature to consume. This stage is temporary and, without food in time, they will disintegrate and die. Second is the mimic stage, where the X will attempt to blend in and retain its form, assessing the safety and viability of spreading in a given situation. The assessment is not exactly clinical, but it does take into account obvious factors like weaponry and escape routes… and, ya know, Metroids. If their cover is blown, they will react violently, killing all witnesses, and find a safe location to move onto their third stage. This stage can also be used in combat to aid in overwhelming and consuming a resisting population such as the Chozo. Lastly in their standard life cycle is the budding form, where their visage breaks down into amorphous slop as they begin to reproduce more X parasite offspring. I don’t have full details on this, or how the Core X fit into this, but this is where I’m at currently.

4. Scan Logs

Prime time, baby. We doing scan logs. In addition to the typical written logs and notices, I am going to be employing the Doom 2016 style holograms to relay events from the past. While I understand why they are not present in any of the Prime games, I do think they are a tool that make for some interesting storytelling opportunities, (especially in a show or movie, but that’s a discussion for another time). I will try to keep extensive scans sparse as it can be easy to oversaturate the inclusion of logs in a written story when the format already allows a window into how Samus deciphers situations around her.

5. Stakes

I will freely admit to not knowing a great deal about Metroid Fusion’s plot beyond the general outline of things. Some people may then find my reworking to be a bit dishonest in some ways to the source material. With that said, the stakes will be laid out from near the start, and the clock will start ticking. The X parasites have overrun the BSL Station, with near free rein over all of its systems. There are still some guard rails, but it’s only a matter of time until they find a way to send the station toward a well populated planet and spread. Samus, in addition to finding the truth of what was happening on board this station of doom, must ensure the X Parasites can never travel to another star system. If they do, all life in the galaxy is at risk.

6. The SA-X

The SA-X has been an extremely iconic villain due to its stalking behavior and sheer advantage in power over our recovering hero, in addition to being a demented, dark reflection of her. That being said, I think the mutated design for the SA-X feels a bit… uninspired? I simply feel that it just doesn’t add much to the design in its current form. However, the idea of the SA-X mutating is one I’ll keep. Instead of… whatever we have in canon, these mutations will come in the form of the SA-X attempting to keep cohesion with Samus’s spliced DNA and growing more Chozo traits, but deformed and uneven. Half a beak here, a featherless wing there, some mismatched eyes. It will exceptionally uncanny for Samus, given her relationship to both humanity and the Chozo.

7. Neo Ridley

There will be no Neo-Ridley… kind of. I feel like the years have really dulled the effect of having another clone of Ridley, so I will not be including one. Instead, BSL station will house the only other member of Ridley’s species known to the Galactic Federation, an individual named Neo, who provides insight into Ridley’s origins. His copy, Neo-X, will also feature some inspirations from Dread, including a ranged attack of black muck instead of fire, and mutating his wings into additional arms, alongside twisting its head 180°, allowing it to crawl along the walls and high speeds.

Hopefully, this turned out to be an interesting view into how I plan to bring my own spin on Metroid through a different storytelling format. My first project for this rewritten Metroid series is going to be a modified version of the Metroid Zero Mission manga. Stay tuned for updates on that! (If I ever get around to them>.<)


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7 months ago

Learning to tuck yourself into a tight ball is not strictly necessary for the Morph Ball, but you will kinda transform into an oblong egg shape if you can’t tuck yourself in enough when the transformation happens.


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7 months ago

Nerdy the Artist’s Metroid Fanfic Spotlight part 2!

This is something I’ve been needing to do for a hot minute now. As I said last time, there are so many talented writers, artists, and musicians in the Metroid fanbase. The level of creativity and passion for the series is just astounding. Today we will be taking a look at some of the many fanfictions out there. I’ve read these stories myself and can personally attest that they are well worth your time to read. From the cute and fluffy to the grotesque and violent, these stories have earned their place on my recommendations. Without further adue, let’s start this thing.

1. Mostly Just a Power Suit

Link: https://archiveofourown.org/works/17637701

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

This story, written by Planet_Bryyo, is short and sweet, diving into a fan favorite but rarely explored character of Weavel from Metroid Prime Hunters. In spite of his fan favorite status among the hunters, up there even with Sylux, you’ll be hard pressed to find many fics featuring him. This story shows off his reaction to being transformed into a Non-Zebesian form during his cybernetic reconstruction. The story also spends a great deal of time focusing on the reactions of other Space Pirates seeing this fallen commander, now a lone wolf who is more machine than… man? Alien terminology, ugh. In any case you can see their reactions to this loose cannon in a bar setting. Side tangent, the idea of a Space Pirate bar is actually really unique. We don’t see much of Space Pirates at rest anywhere, so this is actually a welcome touch.

2. Fallen from the Nest

Link: https://archiveofourown.org/works/53675155/chapters/135874063

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Going all in on Bounty Hunters this spotlight, I suppose. This story, written by PuriKuma, is much longer than Mostly Just a Power Suit, though still digestible. This is part of a larger series that I do recommend, but I’ll stick to talking about this entry for now. Keeping with the Hunters appreciation, this story depicts a shared mission between Samus and Noxus, the Vhozon Bounty Hunter from the same game as Weavel and Sylux. The mission brief is simple; a criminal organization called the Ashlings, lead by the physically imposing Andron, have taken hostages, including a Federation Senator, to barter in exchange for a precious and expensive ore. Samus is to go after the Ashling secret base while Noxus intercepts the hostages so that the criminals are not rewarded for their efforts. However, what gives Samus pause is the identity of one of their members. From there, the story takes plenty of intriguing twists and turns. The ways in which Samus and Noxus play off each other in this story are extremely entertaining and interesting to watch. It also adds a fair bit to the latter’s character which I have yet to see anywhere else, a sarcastic playfulness in his attitude that bounces well off of Samus’s stoicism. He’s able to taunt and poke fun at the emotional core behind the front that Samus puts on. Their interactions alone would be worth a read, but the plots twists and mysteries involved really take this story to the next level. This story, and the series it’s a part of, are an instant classic for me.

3. A Win

Link: https://archiveofourown.org/works/48254998/chapters/121695439

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Sometimes, we all just need a reminder that we’re doing good, that we aren’t a burden, that we are worthy, that our actions have helped people. This story, written by orphan_account, is that for Samus Aran. Taking place after the events of Metroid Dread, Samus is in a bit of a slump after feeling like she’s only seen as a threat or a tool for higher powers. To attempt some soul searching, she journeys to one of the few game settings that is left better than when she arrived; Aether. She wanders through a reinvigorated and rehabilitated world, free from the influence of Dark Aether and Space Pirates, seeing how the world has healed in her time away. Granted, I am not too familiar with Metroid Prime 2, so much of the reader’s catharsis is likely lost on me. Still, even as someone who has little prior knowledge of the past of Aether, this story still is a nice, sentimental journey, with an appearance from some old friends.

4. Hatchling

Link: https://archiveofourown.org/works/29039376/chapters/71275923

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Now, back to where it all began. This story, written by MetroidReploid, is a retelling of an old tale we all know, the story of Samus Aran losing everything. This retelling focuses more on Samus’s life as a child, going into detail about the life she lives, so that when the Space Pirates take it all away, we understand what exactly she’s losing. There’s also some further fleshing out of Adam here as well. He shows up as a young, bright Federation Officer with a preexisting connection to Virginia Aran, Samus’s mother, a connection which has strained her relationship with Rodney Aran. Unlike the simple housewife we see in the manga, Virginia is portrayed as a working mom, leading a security firm tasked with guarding K2-L. Rodney, by contrast, is a bitter, angry man who takes his public image, and that of his company, very seriously. It’s a story full of a lot of angst, but it does its job fairly well in terms of adding some reason to why things happen and when.

5. “Sammy”

Link:

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Now, if you need a break from all the angst and dreariness, SeleneLawfulGood has you covered! This story is a short and sweet fluff story, featuring a young woman named Thae’Lia finding a tired but very attractive woman at a bar named Sammy. I think we all know the twist so I won’t beat around the bush. It’s really cute (and with some mild lemon toward the end but you didn’t hear that from me) and displays a rarely seen aspect of the series; how do the citizens of the Galactic Federation view Samus Aran? We rarely, if ever, see non-combatant intelligent life in any Metroid game, so we don’t really get much of that. It also gives a view into what the life of a Bounty Hunter is like. It’s a very lonely, tiring existence that, while it pays well when you save the Galaxy, like, 5 times, needs an extra aspect to be fulfilling. For Samus, it’s the moral obligation she feels. It’s a very cute read, and if you need something sweet, this’ll do the job. Also, trans Samus solidarity.

6. Let Me Tell You How Much I’ve Come To Hate You

Link: https://archiveofourown.org/works/45854323

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Getting back to Space Pirates, doorstopQuiet has delved into an aspect of the series that even Metroid Prime itself largely glosses over; Ridley’s reconstruction into Meta Ridley. In truth, it was largely not his idea. As the highest ranking survivor of Samus’s rampage on Zebes, Ridley got lobbed with the blame for the cataclysm. The only reason he had survived was a great shame for the Cunning God of Death. He played dead. He let himself sink into Norfair’s magma, slowly burning away his flesh, but at least he had some chance to survive. He was crippled, mangled, burnt to a crisp, but at least she would not kill him. Still, High Command’s punishment, their loathing of the failed god, was almost worse. He would not command armies, he would not have the same autonomy he once did. He would become a machine for their empire, reconstructed as a tool. It’s a great short story, filled with colorful language and allusions to his past to hammer home the gravity of how far he’s sunk. There are also plenty of references and quotations from Man on The Internet’s Ridley theme vocal cover, which I do find entertaining. I find this to be an excellent read, and really reimagines Meta Ridley in Metroid Prime as a fallen god, stripped of his authority, and sent after the one who felled him.

7. Independent Contractors

Link: https://archiveofourown.org/works/40993332?view_adult=true

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

This story, written by ifThen_doWhile, shows off Samus in a post Fusion Federation, one that has grown far more wary of her. They still have need of her, however, and so an agent of the Federation is sent to hire a Samus who has not been returning digital requests for her services. The agent, named Aiden, is sent in with top of the line weaponry in case things go south, alongside surveillance of the Hunter’s activities. Upon finding her, Aiden is in for a big surprise. This story really hammers home how heart poundingly nerve racking it is to approach the Hunter who has destroyed 3 planets, especially when tensions are running hot. Samus is portrayed as pragmatic but quiet, her demeanor easily misinterpreted as callous indifference, a guise she leans into at times. It’s a very good, suspenseful story that I highly recommend.

8. Metroid: No Other

Link: https://archiveofourown.org/works/59261113

archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

This story, written by @dappercritter , is actually my most recent read. What’s this? An actual Tumblr link? For once, yes. I saw the announcement post on Tumblr that it was out and jumped at the opportunity to read it. It’s quite good, but quite long. Don’t let the 1 chapter limit fool you, you might not finish it in 1 sitting. In any case, No Other starts off with something of a trope among fanfictions; Other M as an in-universe film. I still find it amusing. However, as this story follows on after Dread, Adam comments on Samus not taking care of herself properly, not addressing any of the trauma from ZDR, avoiding social events, and generally withdrawing from the world around her, prompted by an increasing distrust of the Federation, and the Galaxy as a whole. We also see that Samus does not seem to trust Adam, both due to his origin as an AI made to spy on her, and increased by Raven Beak’s mimicry of him. It’s an angle I haven’t seen anywhere else and is a welcome change of pace. In any case, Samus further withdraws from Adam and into what she does best; Bounty Hunting. However, shortly after her arrival to planet Ohma-984, a new threat emerges, intent on bringing out her dark side. Without going into spoilers, the antagonist’s design is absolutely badass, and I might actually draw him some time. The action sequences in this story, likewise, are absolutely brutal and well thought out. There’s a lot of noticeable influences from other franchises like Godzilla, Metal Gear Rising, and Doom that feel well at home in this story and don’t take away from it at all though that may be me simply being a fan of those series. DapperCritter mentioned specifically Shin Kamen Rider, though I’m not a fan of that series, so I can’t attest to how prominent the influence is. Regardless, it’s a thought provoking story with plenty of brutal action packed in as well, plus I love the original character designs, which take from canon while tagging on further additions.

Honorable Mention: Kanden Story Pitch

Link: https://www.tumblr.com/sepublic/759167079922417664/kanden-debut-pitch

Tumblr
Per the title, here’s a pitch for another hypothetical Metroid episode; One debuting Kanden. I’ve already done the basics on a debut episode

I’m putting this as an honorable mention as it is meant as an outline for a story, so it may not scratch the same itch for some people as a fully written out story. This outline, by @sepublic is meant for a hypothetical Metroid animated series, similar to the original Clone Wars series (not THE Clone Wars!) by Genndy Tartakovsky. This one off features another under appreciated Bounty Hunter, Kanden, facing off against Samus over a Metroid which could give him true power unrivaled. It’s an excellent read, though, once again, if you’re looking for something more completed/traditional, I can understand if this doesn’t suck you in as well. However, I am currently working on a storyboard of this story. I won’t be animating it in full, but there will be sound effects, music, and voice acting. So uh… stay tuned for that!

As I said at that start, these stories are great, and really show off the passion these writers have for the series. However, there are plenty more out there. In the comments, share some of your favorite Metroid Fanfictions you’ve read. I can always do with expanding my Metroid reading list and I’m sure some of you feel the same way.


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