I Made These As A Way To Compile All The Geographical Vocabulary That I Thought Was Useful And Interesting

⋆˚࿔ excuse prompts 𝜗𝜚˚⋆

¹⁾ “we were so drunk.”

²⁾ “i was trying to protect you!”

³⁾ “i never thought it would go this far.”

⁴⁾ “this wasn’t supposed to happen, i swear.”

⁵⁾ “he swore he wouldn’t tell anyone.”

⁶⁾ “you’re- you’re never around anymore!”

⁷⁾ “if i’d have waited any longer, the outcome would have been so much worse.”

⁸⁾ “you started this shit, i’m only trying to get us out of it!”

⁹⁾ “i… i just wanted the chance to prove myself to you.”

¹⁰⁾ “yeah, ‘cause you’re all such fucking saints.”

¹¹⁾ “i was handling it fine until you got involved!”

¹²⁾ “i wasn’t thinking, that’s the whole point!”

¹³⁾ “you didn’t give me any other choice.”

¹⁴⁾ “i gave you a pass when the roles were reversed, so maybe a little understanding wouldn’t kill you.”

¹⁵⁾ “if this were anyone else, you wouldn’t be riding them half as hard and you know it.”

¹⁶⁾ “you’ve been under so much pressure… i thought i could take a little of it off you by taking care of it.”

¹⁷⁾ “all i did was put my trust in the wrongs person.”

¹⁸⁾ “if you hadn’t chewed me out so damn hard for asking for your help last time, maybe i would’ve felt safe enough to do it again.”

¹⁹⁾ “do you have any idea what it feels like to be lonely in your own house? of course you don’t, because you’re never fucking here!”

²⁰⁾ “i didn’t think you’d care. nothing else ever seems to make you, so why should this!”

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You are an evil doll. You were trapped under a lake by some kids for twenty years. You planned your revenge—but now, their lives are already so awful you don't need to do anything.

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One of my favourite questions for figuring out a character’s motivations is which qualities they most fear being assigned to them. Are they afraid (consciously or unconsciously) of being seen as stupid? Ungrateful? Weak? Incompetent? Lazy? Cowardly? Intimidating? Like they actually care? etc.

It’s such a fun way to explore into who they are, why they do what they do, what they don’t do out of fear, and how they might be affected by the events of the story. And I love when characters have negative motivations—trying to avoid something (in this case, being seen a particular way) as much as they’re trying to achieve a goal.

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Write a piece about a dollmaker or puppetmaster

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Resources For Describing Physical Things

Setting

Abandoned Mine

Airplane

Airport Check-in

Alley

Amusement Park

Attic

Bakery

Bank

Basement

Bathroom (home)

Barn

*GE* Barn 2 (Dairy Focus)

Beach

Bedrooms

Birthday Party

Bonfire

Bowling Alley

Bridge

Bookstore

Cafeteria

Casino

*GE* Catacombs

Cave

Church

City Park

Classroom

Closet

Coffee House

Courtroom

Cruise Ship

*GE* Cryogenic Sleep Chamber

Daycare

Desert

Diner

Dragon’s Lair

Dungeon (Caution Graphic Description)

*GE* Egyptian Pyramids

Elevator

Farms

Forest

Frozen Tundra

Gallows

Garage

Garage Sale

Garden

Graveyard

*GE* GLOBAL WARMING (dystopian)

Grocery Store

Halloween Party

Haunted House

Herbalist Shop (fantasy)

High School Hallway

Hospital

Hotel Room

House Fire

House Party

Kitchen

*GE* Laboratory

*GE* Laboratory (secret genetic)

Lake

Library

Locker Room

Meadow

Medieval Castle Armory

Medieval Marketplace

Middle School Dance (informal)

*GE* Mindscape (Mind Magic)

Mountains

Movie Theatre

Night Club

Nursery

Ocean/Sea Bed

Old Pick-Up Truck

Pirate Ship

Playground

Pond

Pool Hall

Prison Cell

Pub

Public Pool (Outdoor)

Rainforest/Jungle

Ranch

Restaurant

River

School Bus

School Office

Shopping Mall

Sleep-Away Camp

*GE* Spaceport

*GE* Spaceship

Stands at a Sporting Event

Storm Sewer

Subway Station

Swamp

Taxi cab

Teacher’s Lounge

Toolshed

*GE* Trailer

Treehouse

*GE* Tropical Island City

Urban Street

Video Arcade

Waiting Room

Waterfall

Water Slide Park

Wedding Ceremony (Church)

Woods at Night

Zoo

Weather

Air Pollution

Avalanche

Blizzard

Breeze

Clouds

Dew

Drought

Dusk

Dust or Sand Storm

Earthquake

Eclipse

Fall

Falling Star

Flood

Forest Fire

Frost

Hailstorm

Heat Wave

Hurricane/Typhoon

Lightning

Mirage

Mist or Fog

Moonlight

Mudslide

Rain

Rainbow

Sky

Sleet

Snow

Spring

Summer

Sunrise

Sunshine

Sunset

Thunderstorm

Tornado

Vortex

Wind

Winter

Color, Texture, & Shape

Color

Black

Blue

Brown

Gray

Gold

Green

Orange

Pink

Purple

Red

Silver

Spotted

Striped

Transparent

White

Yellow

Texture

Bumpy

Barbed/Spined

Crackled

Crumbly

Crusty

Foamy/Spongy

Fuzzy

Gritty

Pitted

Powdery

Prickly

Saw-edged/Serrated

Slimy

Smooth

Sticky

Shape

Arch

Circular/Sphere

Crescent

Heart

Oval & Oval-like

Rectangle

Spiral

Star

Square

Triangular

Tube

Wavy

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Queer poetry? Both modern and historical please!!

Queer poets from history to look into:

Yona Wallach

Ifti Nasim 

Langston Hughes

Assotto Saint

Anderson Bigode Herzer

Yosano Akiko

Sappho

tatiana de la tierra 

Walt Whitman 

Sophia Parnok

György Faludy 

Jalāl ad-Dīn Muhammad Rūmī

Modern poetry books to check out:

I Hope We Choose Love: A Trans Girl's Notes from the End of the World Kai Cheng Thom

God Themselves Jae Nichelle

IRL Tommy Pico

Homie: Poems Danez Smith

Sacrament of Bodies Romeo Oriogun

Disintegrate/Dissociate Arielle Twist

I Would Leave Me If I Could: A Collection of Poetry Halsey

Nepantla: An Anthology Dedicated to Queer Poets of Color Christopher Soto

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how to write creepy stories

over describe things

under describe things

short sentences in rapid succession build tension

single sentence paragraphs build dread

uncanny valley = things that aren't normal almost getting it right

third person limited view

limited expressions

rot, mold, damage, age, static, flickering, espsecially in places it shouldn't be

limited sights for your mc - blindness, darkness, fog

being alone - the more people there are, the less scary it is

intimate knowledge, but only on one side

your reader's imagination will scare them more than anything you could ever write. you don't have to offer a perfectly concrete explanation for everything at the end. in fact, doing so may detract from your story.

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Want simple tips to heavily improve your skills with character voice??

(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)

I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!

When writing character voice, there's a list of things that you should take into account:

Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.

Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.

What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?

Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.

Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.

How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.

That's all for now and happy writing!!

Other tips for writers: previous | next

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when a powerful figure is reduced to kneeling. when the lord is forced to bow. when the exile stumbles into an unwelcoming bar. when the “beast” is chained by their horns. when a god is dragged behind their enemy’s chariot, a captive and trophy. when the loyal “guard dog” character is muzzled and the silver-tongued thief falls silent in horror.

that’s the shit

it’s about the contrapasso. the reversal of roles and the sudden, plunging terror of being unable to hide.

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The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

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