So I'm trying to write a fantasy story, and I'm a bit hung up on one element of world-building. Language and names. I admit I'm not sure how one goes about coming up with fairly usual sounding names that aren't either a jumble of random sounds or just names from real-world languages. Since I'm not trying to write something with the scope of Lord Of The Rings I obviously don't need to invent new languages, but I'm still unsure of how to proceed. What would you recommend?
Oh man I HEAR you I am shit at names. Total shit at names. I’ve been referring to the names in my Nano story as ‘bullshit fantasy crap’ because I’m sure they will have to be tweaked later. If names are holding you back from the for-real writing stage, make a note that they’ll be changed later and charge on.
In most real world cultures, names have a very important context and are very carefully chosen. Even without that context, most parents spend a great deal of time choosing names for their kids. If you want a fantasy culture that is reflective of Chinese culture, for example, you have to research on what goes into naming children in that culture. Your naming conventions in your story are going to reflect your worldbuilding. Is there a particular religion that’s predominate? Names could stem from that. Or they could reflect on where someone is from, or a syllable is added to show which generation they were born in.
That’s all good and well, but actually creating names from scratch is the hard part. If you’re not a master at creating fantasy foreign languages and names, here are my recommendations
Go for nice, pronounceable sounds. Don’t smash syllables together randomly in order to make it look cool, say it out loud to be sure it’s actually something people would use. Xisdhijbur is lazy keyboard smashing, try to avoid it. If you’re at a true loss, pick a real name (Maria) and change it until it seems both different and believable (Maerai, for example).
Steal blatantly from real life. If you want to get in depth, look at a list of the most common or popular names in different languages and see what they have in common (how many syllables, how common are certain vowels, etc). You can make up different cultures based on these different naming trends.
Avoid excessive grammar in names. There are real languages that use pausing and glottal stops (often indicated by ‘), but please don’t make names that look like Ti’pi’la’b’un. It looks silly and sounds even sillier. If you’re not confident you can use this in a way that would make sense in a language, I would avoid them.
Consider nicknames. A lot of American nicknames favor the ‘ee’ sound - Charlie, Christy, Katie, etc. In Chinese, the most common way to make a nickname is to repeat a syllable - Mingming, Pingping, Xiaoxiao, etc. Anastasia can become Ana, and so forth. If your characters have long, grand names, a nickname is often going to be used (depending on their personality). One thing I’ve almost never seen in fantasy is the tendency of people to often share a common name. This is a good way to do that.
For more:
The Art of Fantasy Names
What’s in a Name?
How to Chose Names for Fantasy Fictional Characters
Avoiding ‘Normal’ Names
Fantasy Writing Guide
Give a man a guitar and he’ll play for a day, teach a man guitar and today is gonna be the day that they’re gonna throw it back to you.
Bragi, probably. (via incorrectedda)
Favourite Movies: Inception (2010)
An idea is like a virus. Resilient. Highly contagious. And even the smallest seed of an idea can grow. It can grow to define or destroy you.
Gender and Harry Potter is such a hydra that just keeps revealing more heads the more you try and chop through it. Case in point: Today I just realized Harry Potter might've been originally intended as a book for boys, which if it was *wow*, way to miss the mark Joanne. Do you think it was actually intended for a male audience? To me it kinda makes sense if it was because of the way most women and girls are portrayed in it.
Bloomsbury Publishing definitely requested that JK Rowling publish with her (gender neutral) initials instead of 'Joanne Rowling' because they were concerned boys would not buy a book with a woman's name on the cover.
My guess is that her British publishers slotted it more firmly under 'boy' than her American publishers did. Harry Potter is 100% a school story, a super established British children's book genre. Historically, there are boy school stories (set in all-male posh public schools) and girl school stories (set in all-female posh public schools.) Hogwarts is of course co-ed, but that fact that it comes out of a literary tradition in which all the characters are the same gender... might help explain why in-universe gender politics seem remarkably absent from the wizarding world.
It actually kind of bugs me, when a canon-compliant fic makes a big deal about male-only inheritance or something, because that's just not something we see. There's one line about "Black family tradition" saying that the house goes to the next oldest guy, but since Dumbledore is worried that *Bellatrix* is about to inherit, it clearly isn't that important.
JKR has made a fantasy society where gender doesn't really matter - Augusta Longbottom and Walburga Black are clearly the powerful matriarchs of their respective families, Maxime and McGonagall are headmistresses, no problem. There isn't the boys quidditch team vs girl's quidditch team, the locker rooms and the prefects bathroom seem to be co-ed, "robes" are gender neutral, there isn't a sense that a specific discipline or type of magic is gendered (we see both male and female Transfiguration, Care of Magical creatures, and Defense Against the Dark arts professors...) There is kind of a sense that the boys are supposed to ask the girls to the yule ball... but multiple girls still ask out Harry. Gender comes up a lot in these books yes, but not so much in the actual worldbuilding. We have gendered bathrooms and dorms, and the rule that the girls can go into the boy's dormitory, but not vice-versa. Ron considers lace a girly fabric. Of the top of my head, that's all of the "gendered" rules I can think of.
But, since the main character is a boy, it makes sense that her British publishers would slot it more into the category of "school story (boy)" and market accordingly. I think it's extremely likely that she was asked to lean more heavily into quidditch, an aspect of the world building that JKR is clearly not interested in. She's said multiple times that she dislikes writing quidditch games - which is why she throws in comedy with the commentary, or makes some magical thing go down, or finds ways to cancel quidditch entirely. The mechanics and tension of the game *itself* are not interesting to her. I think it's also possible this is a reason for Hermione's relatively late intro into the friend group during Book 1? Harry can be friends with a girl, but first we need to establish that Ron is his *best* friend.
But then the books hit America, and the whole "school story" thing didn't read as "boy" as much as it just read "British." There was a sense in American advertising, especially in the 90s, that girl's products were for girls, but boy's products were for everyone. Scholastic Publishing seemed less interested in gendering the book, and more interested in making sure it didn't come off as too high-brow to American children - so we get the name change from "Philosopher's Stone" to "Sorcerer's Stone," things like that.
But then right before the publication of Book 4 the series exploded, and JKR could have just self-published the thing if her publishers didn't behave. So I think that you can see the fingerprints of that marketing push on Book 1, which grandfathered in a number of worldbuilding choices that JKR maybe wouldn't have made later. But pretty quickly it just became JKR doing her thing.
Proud of my city.
I will always remember Christopher Lee as that horrifying moment in the LOTR commentaries where Peter Jackson says he started to direct him on how to act like he’d been stabbed and Christopher Lee goes “no no peter dear, when someone is stabbed like this, THIS is how they look, they don’t make a sound, air just leaves them all at once” and peter jackson remembers in that moment that lee was in the secret service and just slowly backs away.
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