Flow State Permits Beautiful Things To Happen.

Coeur tambour, Scholastique Mukasonga

The cover image of this book is beautiful. This luminous woman holds a bowl, bearing the colors of the moon that gives its beauty to the early morning sun, thus revealing the splendor of sacred objects. When the drum beats, the story of Africa beats. It is first the story of Queen Kitami then that of Prisca, a little girl from a village in Rwanda, whose myth resonates in the Caribbean and America. This book seems magical to me, and I’m just looking forward to reading it, it fits perfectly into my research themes.

Dans le vodoun ayitien, on dit que chaque humain marche avec son kò kadav = le corps matériel, son nanm = l'âme, son tibonanj, son gwobanang, ses lwa têt, ses mystères et ses anges. Le kò kadav est, entre autres, l'expression physique et actuelle de tout les ancêtres qui nous habitent. Quand je travaille sur les objets je me sens connectée à un tissage ancestral. Les objets sont plus que de simples ustensiles ou décorations. Ce sont des productions culturelles qui expriment des perceptions philosophiques, scientifiques, esthétiques et qui surtout témoignent de vie humaine !

Comparing perceptions of race in Latin America and the United States, the fundamental question posed is "why did Latin America not have black movements... [or] racial 'pride' that could spur such movements?" The common explanation is that state ideologies around racial mixing have served as a mechanism through which to deny the existence of racism.

Tatiana Flores, "Latinidad Is Cancelled: Confronting an Anti-Black Construct" (2021)

Oduduwa Hall of Obafemi Awolowo University, ile -ife, Nigeria.

Tomorrow I'm going to become a teacher, I'm going to do my first class. I can't wait! I have prepared everything. 

It's a big step for me. Once my thesis is finished, I want to become an anthropologist and historian of Caribbean societies. My dream is to do research, write on many subjects, transmit knowledge, make cultural films and many other projects!! 

I have so much gratitude to all those who have accompanied me and who are still with me.  Future.

In the 1970s, excavations at the Newton Slave Burial Ground uncovered the grave of a man believed to be a healer or spiritual figure. He was buried with powerful objects: metal jewelry, an iron knife, and a short-stemmed clay pipe likely made in Ghana.

Among his burial items was a necklace made from a mix of beads, some with fascinating origins.

One glass bead, made with European powder glass, was probably crafted in Ghana.

Another, a cylindrical carnelian bead, came from Cambay, India ; a region known for carnelian bead production since the first millennium. These beads were traded through East Africa, across the Sahara, and into West Africa.

Other elements of the necklace could have been acquired in Barbados, but together they reflect a deep continuity of African cultural traditions in the Caribbean.

Scholar Jerome Handler used ethnographic sources from West Africa to interpret the necklace, and strongly argued that the man was likely seen as an obeah or healer by the enslaved community at Newton.

This burial is one of the most powerful archaeological cases for the survival of African spiritual identity through the horrors of the Middle Passage and slavery.

more indigenous created spaces online and in person to archive our truths and stories as they were lived !!!!!!!

Working on The Sacradness of the Mother and her Child give me joy !

Calao, oiseaux à cornes, production du peuple Sénoufo présent en Côte d'Ivoire et Mali.