Hi, Eli here. He/they, ADHD, and very gay, thanks
56 posts
I have never hit the tag limit before hot diggidy dog
Have you ever wondered "Hey, which person is this Hermitcraft fanart actually depicting?" and didn't want to just scroll down to read the tags?
Behold. My magnum opus. The Hermitcraft fanart flowchart! Please click for legibillity.
WAIT you guys don’t know about le poisson Steve…
Il est orange……Il a des bras…. ET des jambes
Data. Data around the clock
The fact that this is 80 fucking years ago but still just as relevant is terrifying.
God this is beautiful
Guys I’m losing my mind over this video
Hi what the fuck
Given that this gifset was one of the reasons I made my whole tumblr account, and in light of current beautiful Star Trek events, I’m reblogging this work of art
Andrew Robinson on playing Garak for the first time.
Something something something Andrew Robinson and Alexander Siddig’s convention performances walked so lower decks could run something something
Also damn, spirk and garashir in like a month? We’re eating so good
Me: YouTube algorithm show me your secrets
YouTube: Here’s Snufkin and Moomintroll being gay, but you can only hear mumbo jumbo in the troll’s voice :D
Me: oh god why
Pure cinema
(HUGE volume and flashing lights warning)
“Can we bam your husband” Jimmy please
It feels like their friend got back together with his ex
“BigB treated me right” what if I lost my mind
The news template has breached containment
Get jumpscared it’s November 5th
(for everyone who got unexpected flashbacks because they forgot the date)
We all know Grian was kicking his feet and giggling over making his friends into Gastropods
Welcome back SmallEtho you have been missed
Reblogging this so I can find it immediately
Bad boys and their loser redstone gods.
Holy shit this is beautiful
🌈
I think I can say I've learned some things in a year or two! (Post with the original versions is here for anyone curious)
Oh boy, you know it’s pride month when Klance takes over your dashboard
hey, don’t cry. one half flour one half yogurt knead into dough and fry for easy flatbread and dip in balsamic vinegar, okay?
when god closes a door (gothcicle) he opens a window (faggy clubcicle)
Oh, this is incredible.
Improv swing dance to a Todrick Hall song?
And they killed it!
ETA *thanks to the people who pointed out my oops. Idk why I said RuPaul??!
how did you make those holy shit!!!
jfjskdk okay I'll take any excuse I get to talk abt this more
Disclaimer: I'm no expert, it's my first time doing this!! All the resources I used can be found online. In fact, here's a playlist of all the youtube videos I followed, in case you don't want to read the whole post. You can pretty much make any facial prosthetics following these steps, not just Cardassian ones.
Plaster bandages, plaster of Paris (a lot more than is pictured here), modeling clay, and liquid latex. You'll also need some things you probably already have around the house, like vaseline (or cooking oil), plastic wrap, wood glue, rubbing alcohol, q-tips, cotton balls, and setting powder (or baby powder).
The goal here is to make a plaster copy of your face that you can sculpt your prosthetics on, by covering your face with plaster bandages and then casting that in plaster of Paris. This is the video tutorial I followed for this step. There are many methods, and you'll find tutorials for all of them on youtube, but this is the easiest way if you're doing it by yourself, and it results in a perfectly useable face cast for our purposes. And, if you're cosplaying Garak like me, it's a great way to get into character by experiencing claustrophobia for the first time in your life!! (Jk it's not actually that bad. I lived.)
The video explains the process better than I could, but here's some tips I learned from doing it! Wear a shirt that you don't mind ruining. Go a bit closer to your eyes than I did here. When you're propping up your mask in a bowl, make sure you're not squishing any parts of it or tilting it! I ended up with a dent in the chin of my face cast because I accidentally dented the mask while I was casting it. And make sure you have enough plaster of Paris! I probably used 2-3 pounds for this part. Here's what I ended up with, before sanding or sealing it with wood glue:
This is pretty self explanatory, but also probably the hardest part. Just use lots and lots of reference photos. I've got a pretty good stash for Garak, if anyone's interested hdjkfhk. I found that gifs made better references than still photos, since they give you a better sense of the 3D shape. You want to make sure you're using modeling clay that doesn't dry. You don't need any fancy sculpting tools! I used my trusty palette knife to get the small details, but you could probably accomplish the same thing with, like, a spoon and a toothpick. It depends on what kind of clay you're using, but you can dip your finger in a solvent to smooth out the surface of the clay and blend the edges into the face cast. I used rubbing alcohol, but I also heard people recommend acetone. Once you're happy with your sculpt, you can move onto the next step!
This step is technically optional. The video I followed also outlines an easier way that skips this step, by simply building your prosthetics directly on the sculpt. But casting negatives allows you to get a lot more fine detail, and a smoother finish on the final prosthetics, so that's what I chose to do. Basically, you pour plaster of Paris over your sculpt, and it hardens into a mold you can use to build your prosthetics on.
Again, the video explains it better, but some tips! If it's possible with your sculpt, do it in small pieces instead of the whole face at once. I did the chin, nose, and forehead separately. If you try to do the whole face, there's a greater chance of it getting stuck or breaking. Of course, if you were doing, say, Odo, then it might not be possible to do it in multiple pieces. Another thing to watch out for:
If your underlying face cast has any "undercuts," or places where it's, like, concave, then if plaster gets into those areas and hardens, your face cast and your negatives will lock together, and you won't be able to use either of them. For me I was worried about the sides of my nose and under my bottom lip. As long as those parts are filled in with clay, then you should be fine. It's okay if your clay sculpt has undercuts! You can see in the (shamelessly stolen) diagram that their sculpt has a lot of undercuts, but that's okay because the clay is soft and won't lock with the plaster, it'll just come off. The video I got the diagram from was also pretty helpful, even if it's meant for casting with different materials than I used. Here are the completed negatives:
Now you have negatives! Your sculpt may or may not be intact, but if your negatives turned out okay then that's fine. This step is also covered in the video for step 3. Using a stippling sponge, foam brush, or q-tip, stipple thin layers of liquid latex onto your negatives. I found that a q-tip worked best, even if it took longer to cover larger areas. Make sure the edges are very thin, so you can blend them into your skin when you apply the prosthetics. Wait for a layer to dry before adding more latex on top of it, or you'll end up with fucked up results like I had:
(Left: first draft, where I didn't let it dry enough before layering more. Right: second draft. Much better!)
Build up bulky areas with pieces of cotton balls, then cover the cotton with a thin layer of latex. Emphasis on thin! It'll take forever to dry if you saturate your cotton with too much latex. This step mostly involves a LOT of waiting. When the latex is fully dry, brush everything with a liberal amount of setting powder or baby powder to prevent the latex from sticking to itself as you peel it out of the mold.
And now you have your prosthetics! You can tear away some of the excess latex at the edges to make it fit your face better. I ended up tearing away almost all of the edges around the eye ridges, so it would blend better and I wouldn't have to get adhesive so close to my eyes. Tear, don't cut! It'll result in a more natural edge that's easier to blend. This video shows how to apply prosthetics. Use whatever prosthetic adhesive you want! I used spirit gum because it's what I had on hand.
Now you can go forth and live out your lizard alien dreams!!
Was not expecting AOT to feature in TMNT MM but here we are
Okay so I saw atsv recently and while I love reading everyone’s takes on the art styles, I have to bring up the music
I’m a pretty basic music nerd with minimal theory study, but I’ve taken to just playing the soundtrack. (I’m referencing specifically the Metro soundtrack, I prefer songs with lyrics, but I’m positive this will apply to the other soundtrack too, the crew of spider verse are that amazing) And in doing so, I just need to bring up how carefully these songs are constructed??
See, backing track songs need to be subtle. That’s what (in my experience) can make them boring or difficult to compose - how do you make something interesting but able to blend in? But these people, they’ve just - pulled back layers?? And spread them out???? Rarely is there more than about 3 things happening at any one point in the songs, and it means they can pack so much into them. And more than that, it gives them room to give every song a style, a reference and a character to link them to!
Take ‘Hummingbird’, for example: it’s the song that plays when Gwen opens the portal above Miles’ bed. Then compare it to ‘Sunflower’, from the original movie. The artists are completely different, the tone of the movie has changed entirely, but the songs mirror each other!! The way the vocals have a little flick (flick? Reach??) at the end, the bass and trap in the background, heck, even the emotions they convey! Miles, in each instance, is at a turning point, whether he is aware of it or not.
But the composers haven’t just decided to mimic Miles’ song from the original song - they’ve dampened it to fit the tone of the movie. The trap beat and pulses are muted, and the vocals are slightly subdued. And of course, the lyrics are very different. They are both about love, but one is optimistic, and one is resigned. GOD these people!!
And it’s like this with basically every song I’ve come across! While a lot of the characters have less (or nothing) to compare to, the composers have put bits and pieces in to make the characterisations and emotions peak through. Just look at the percussion in ‘Link Up’ (a mixture of the clicking from ‘Self-Love, which kinda was Gwen’s theme in the album, and the percussion from ‘Silk & Cologne’, which I think is supposed to be Miles’ family and their party (?)) which I took as showing Miles’ split between Gwen and the Spiders, and his family.
Just, this soundtrack has som much care and love stuffed into it. I don’t know how much this makes sense (It’s 3 AM), but I didn’t see anyone talking about it and that is a CRIME
Intrusive thoughts about how the Apollo cabin would totally perform Epic the Musical for camp