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December 17, 1972 – On the return trans-Earth trip back home, Apollo 17 astronaut Gene Cernan tries a little zero-gravity dining.

(NASA)

Brexit 'will enhance' UK wildlife laws - Gove - BBC News

Any Brexit changes to the UK's wildlife laws will increase - not reduce - environmental protection, Michael Gove has pledged.

The only good thing I can see coming out of Brexit (if they actually deliver beyond a speech)

Genome pioneer John Sulston enters elite club - BBC News

Sir John Sulston is elevated to the Companion of Honour in the Queen’s birthday list.

http://www.sciencemadesimple.co.uk/news-blogs/wendy-awarded-an-mbe

Science getting recognised, and I’m so happy. The second link is Wendy Sadler who is being awarded an MBE. She’s the founding director of science made simple, a Welsh program to help get kids involved and excited by science after they realised our education system tended to have the opposite effect. According to her colleagues, she’s not only an amazing scientist but incredibly dedicated to inspiring a new generation to follow their curiosities. 

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Fusion to Air Special ‘The Naked Truth’ Report on Standing Rock Movement

Special Includes Interview with Actor and Activist Mark Ruffalo

‘The Naked Truth: Standing Rock’ Reported by FUSION’s Nelufar Hedayat Airs Tonight, December 22 @ 10PM

In a new special report ‘The Naked Truth: Standing Rock,’ FUSION takes an in-depth look at the Native American activists who have have been boldly standing up to a large energy company and the government to prevent the construction of an oil pipeline under the Missouri River. After months of protests, as the world watched, the self-described ‘water protectors’ accomplished a momentary victory when the Obama administration announced it will not allow the Dakota Access Pipeline (DAPL) to move forward. Actor and activist Mark Ruffalo, one of the strongest supporters of the #NoDAPL movement, sits down with FUSION’s Nelufar Hedayat to discuss the challenge of transforming a momentary gain into a long-standing victory, considering the potential threats from the incoming Trump administration. “The Naked Truth: Standing Rock” will air Thursday, December 22 @ 10PM on FUSION (channel listings).  

“Corporate and state power has come so close together that people are at a moment where they don’t feel like their voices are being heard. And so the last thing that’s left for us is to assemble, is to gather together and to protest – or protect,” Ruffalo said to Hedayat.

“People think that Bismarck moved the pipeline because they wanted to protect the white people. In fact what I would tell you is that that’s bullshit,” the Mayor of Bismarck Mike Seminary told FUSION. “The city of Bismarck never was involved in the process… ever. We didn’t have a role in it.”

“It’s my home. It’s my water. My home is right there - my house on the hill. My son is buried there. My father is buried there. Who would put a pipeline next to your son’s grave?,” Ladonna Brave Bull Allard told FUSION.

The First Dinosaur Tail Found Preserved in Amber is Covered in Feathers

In early 1971, Kay Brown, Dindga McCannon, and Faith Ringgold gathered a group of black women at McCannon’s Brooklyn home to discuss their common frustrations in trying to build their careers as artists. Excluded from the largely white downtown art world, as well as from the male-dominated black art world, the women found juggling their creative ambitions with their roles as mothers and working heads of households left little time to make and promote their art.

Out of this initial gathering came one of the first exhibitions of professional black women artists. “Where We At”—Black Women Artists, 1971, opened at Acts of Art Gallery in the West Village that June. Adopting the show’s title as their name, the collective began meeting at members’ homes and studios, building support systems for making their work, while assisting each other with personal matters such as childcare.

Influenced by the Black Arts Movement, members worked largely in figurative styles, emphasizing black subjects. While the group engaged politically with racism, their work also spoke to personal experiences of sexism, and members contributed to publications including the Feminist Art Journal and Heresies. Though the group’s mission was not explicitly feminist, Where We At recognized the power of collectivity—empowering black women by creating a network to help attain their professional goals as artists.

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