Latest Posts by taro-rat - Page 10

Shonen authors writing a hetero romance: They bicker... But... They KISS?!?!?! Revolutionary.

Shonen authors writing two male "best friends": They are friends, partners, family. They complete each-other. They've been together for so long it's hard to tell where one ends and the other begins, and they know each-other so intimately that they can predict every action the other will take. They're opposites and yet they go together like a pair of gloves, they're yin and yang, they fill each-other's weaknesses and boost each-other's strength. They wouldn't be alive without one another, they wouldn't want to be alive without one another. Even when they're on different paths, they trust each-other blindly. Even as enemies they are willing to put their lives in each-other's hands. Their life goals involve one-another, all the roads in their life lead to their partner. A part of one will always be with the other, no matter how far apart the fates carry them.

damn,,, these allegations got hands

Hi! I'm super curious, do you have any tips/tricks for drawing hair? Or any archived, since making tutorials can be tedious. I got the shape down and flow, but detailing and shading hair is a struggle- it keeps looking like Polly pocket plastic hair lol

Here I was typing up a whole 4000 word post only to check your blog and realize YOU DON'T EVEN DRAW POLLY POCKET HAIR. Lies!!

As far as highlights go, I try to put them where the hair bends and if I can help it, I try to make them form a larger shape on the top of the head. (Even if they cut out in-between)

Admittedly, I haven't drawn a lot of non-straight hair (not in a very detailed way/recently anyway) and I look up tons of pictures of hair textures/styles I'm not familiar with drawing, so I'm probably not a good spokesperson on how to do that.

growing up as a cis girl the patriarchy told me “you’re a girl because of the way you were born, there is nothing you can do about this, you have no say in your gender” and i hated being a girl because it wasn’t my choice it was a prison and the trans community told me “you’re a girl because you say so, your view of yourself is the most important thing, if you change your mind that would be ok” and it made me proud to be a girl and feel empowered in my gender and i wasn’t trapped anymore and then terfs come along and tell me “you’re a girl because of the way you were born, there is nothing you can do about this, you have no say in your gender (but like in a woke way)” and they somehow expect me to be on their side?

Hello, I've been watching your content for a while. While I quit League a long time ago I still hold partial interest to Runeterra's lore, (such as it is) . In particular I really enjoy Bilgewater in general as well as Illaoi and Ezreal as individual characters and I've enjoyed your takes on said things. (Also fuck Demacia) And I wanted to ask you, after so much dissillussionment from Riot's content, in particular from the latest "cinematic" , how they have always prioritized e-sports and skins over actually giving the lore a proper direction and conclusion or how Legends of Runeterra is getting downsized and unlikely to last much longer, why do you still do League content? You are clearly very critical of a lot of the decisions the higher ups do that affect the output of artists and writers in charge of Runeterra's universe and character designs. And there has not been much sign of improvement since a lot of your points. It's like screaming into a brick wall at this point, so why not move on?

Why not spend your time on something that doesn't lead its fans along with empty promises, breaking them, promising to do better next time and then repeating the cycle all over again for years like an abusive relationship. Beyond doing it because it's what you're most well known for, why stick with content that you know will keep disappointing you?

I'm glad you are diversifying your content but I personally feel your passion for art, animation and writing analysis would be better spent away from League and into more games beyond that (in particularly really liked your take on "Despite everything, it's still you" from Undertale). The indie scene in particular is chock full of incredible and unique takes in terms of character design and narratives I'm sure you will enjoy. League is clearly not worth the time for people who are into the lore, art and setting of videogames anymore. I hope I wasn't too personal or intrusive with my question. Cheers.

So that's a very long question. I'll start with the short and cynical answer:

I am doing League of Legends content because that is what my audience wants, and that is what makes me most of my money.

My channel is a League of Legends channel primarily, the algorithm likes it and pushes it that way, and League of Legends is an absolutely enormous intellectual property with an absolutely enormous player base, which means there's a big audience for my content about the game. A large audience means more engagement, means more ad revenue, more sponsorship opportunities, more subscribers, and so on and so on.

That's the cynical part of the answer. I don't want to sidestep it with some guff about "being passionate about the subject," because the truth of my job is that it is a job. I'm not sailing freely on the oceans of creative impulse pursuing my bliss, I'm trying to pay my rent and my pets veterinarian bills and pay down loans and have enough left over to help my friends when they need it.

I approach this job much the same way I approached being a freelance illustrator - having passion for the subject is a nice bonus, but you don't always need it to do good and valuable work.

And with the cynicism out of the way... I also just genuinely love the fucking League of Legends universe. With all its many, many stupid flaws and its garbage corpo owner and its years of systematic neglect and the constant disappointment, god help me, I still love this stupid shit. And when management gets out of the way and lets the good writers at Riot be good at their goddamn jobs, amazing things can happen.

The Ashe: Warmother comic is still such a beautiful short narrative work, with such visual verve and empathy for the characters it's depicting.

It zeroes in so acutely on the idea that Ashe and Sejuani are shaped by their difficult relationships with their mothers, and that THAT is ultimately the difference that drives them apart when they should by rights have had the chance to be sisters. When they become warmothers of their own tribes, it is the memory of their mothers that drive them, and just as the Freljord is divided by generations of strife engineered by Lissandra, the matriarch of the whole region, that generational trauma resonates into Ashe and Sejuani and sets them against each other.

Or Ekko's short story, where he has been accepted to the fancy Piltover academy that's supposed to be his golden ticket out of poverty, his chance to escape Zaun, everything his parents have worked their whole lives to give him, and...

Like, FUCK, you can't just invent these silly cartoon muppets to throw at each each other in your dumb MOBA beat 'em up and then give them INTERIORITY like this??? Apply their silly cartoon powers in way that explores their emotional difficulties and works thematically with their internal philosophies?

god dammit I love this stupid game's universe, I cannot be saved, leave me and go before it infects you too!

Fall into Flying by DragonSorceress22

Chapter 7 makes me feel a certain type of way.. it rly does… I mean the whole fic does but this scene in particular got the blood running thru my veins

“You are hot, Cupcake.”

“Don’t make me get out the handcuffs, Vi…”

caught her in perfect deviantart oc ref sheet pose

he’s not sorry about shooting the gun tho

trans women cute reblog if you agree

Viego.

@intergalactic-iguana

So basically dating Mothman would be great

So basically dating Mothman would be great

Hi TBSkyen, been a subscriber for almost four years now and I just wanted you to know that it was your 2019 League of Legends character design tier list that first introduced me to the world of Runeterra and I’ve been fixated on it ever since despite having never played a single Riot game

You did this to me

Even the grace of God will not forgive the yawning pit of sin I have opened in your soul.

Building a Better Ashe

About a year ago I took a pass at redesigning Ashe the Frost Archer from League of Legends with the help of Ainsworth "Apple_Cork" Lin (https://www.instagram.com/apple_cork/ || https://linktr.ee/apple_cork) who I commissioned for the artwork.

We took Ashe through a number of ideations and various approaches to her character design, which you'll find below the Read More cutoff.

If you want to watch the video version of our design process (it's pretty good!) you can find it here: https://www.youtube.com/watch?v=0fi5fuv1nLs

Goals:

The goal was to create a version of Ashe that puts less priority of simply making her "appealing" or look pretty, and more on doing storytelling for the kind of role she plays in the story of the Freljord.

Ashe as she exists now is basically a riff on the Drow Ranger from Dota, complete with WarCraft 3 style Hot Elven Ranger getup. She's a queen of the frozen north, but she runs around in a miniskirt, thigh-highs and a paper-thin cloak because

this design was originally put together to be running around sunny Elven forests on Azeroth, and got interpolated through Dota into League of Legends without ever really reconsidering the concept

it was designed for League of Legends at a time when worldbuilding and character storytelling simply were not priorities in their character design - characters were broad recognizable fantasy archetypes being thrown together Smash Bros style for a fighting tournament

Late 2000s high fantasy character design in gaming had a default preference for Sexy Cleavage Babes for female character design that permeated the entire design space, especially at Blizzard, whose influence formed the basis for League of Legends

Over a decade later, Ashe has been fleshed out as much more of a real character, with a place and role in the world and cosmology of the Freljord far beyond her original archetype. Now she is specifically constructed as a counterpart to Lissandra's imperious, manipulative, sovereign mysticism and to Sejuani's martial brutality. The Avarosa are the only faction in the Freljord (and one of the very few in Runeterra) who argue explicitly for a softer life with less violence and struggle as the ideal. Ashe wants to reform and abolish the blood-soaked warrior culture of the Freljord and replace it with communal mutual aid and sharing, with tribes pooling their collective resources rather than relying on constant raiding and warfare. She's also a notable champion of the Hearthbound, the "normal" people of the Freljord who are not blessed with Iceborn blood or noble lineages.

The Avarosa have successfully recruited a huge swath of tribes to their cause, and through collaboration and a focus on agriculture and mutual protection have become the breadbasket of the Freljord, able to extend their political reach simply by offering new tribes access to reliable sources of food.

The power and rhetoric of the Avarosa thus rests on

A rejection of martial warrior culture in favor of a culture of nurturing and mutual care

Embrace of vulnerability and "weakness"

The promise of plenty, of full food stores and protection from failed harvests and the bitter winter cold

So, the design goals are:

Contrast Ashe visually with both Lissandra and especially with Sejuani, who is her most direct opposite.

Tell the story not only of Ashe herself, but of the faction she represents, and represent its values in her design.

Make her unique and recognizable against the lineup of other League of Legends characters in a way that currently she simply isn't.

Early ideation:

Here we start by identifying silhouettes and the basic ideas of costuming that we want to run with. Since League of Legends women also generally have a bad case of Chronic Sameface Syndrome, we also explore a bunch of different face shapes and ideas for distinguishing Ashe physically outside of costuming and body shape.

Refinement:

We pick out a smaller number of variations to play with, and Apple_Cork explores various options for the costuming.

At this point we've settled on two main ideas: a "Warrior" Ashe, who is characterized by the hard life she's had to lead. Her struggles and suffering, especially the loss of her mother and the betrayal of Sejuani, are the emotional impetus that leads to her reaching the ideals of the Avarosans as an antidote to and rebellion against the Freljord's bloody history. We decide to use the A2 and A3 variation as a base for this, with addition of details like scarring and a somewhat bulkier musculature. This runs the risk of making her physically quite similar to Sejuani, which is a trade-off that might be worth it since the two of them are repeatedly positioned as sisters (even if not by blood) in their stories, and are very alike in their experiences and traumas, even if they've reached opposite conclusions from it.

The other idea is "Warmother Ashe." The Freljord is organized around matrilineal tribal leadership, with a significant emphasis on the social role of motherhood, with the leader of the tribe conceptualized as its primary mother figure. Most Warmothers we've known are hard-bitten, violent and domineering matriarchs, emphasizing the war bit of the name, and since Ashe represents a decisive break with that tradition, we want to create a design that puts emphasis on the mother part of the idea.

So an Ashe who is visually soft, associated with typical traits of nurturing motherhood and who visibly rejects struggle, deprivation and violence as part of her identity. The C1 and C2 variations form the basis for this character.

Both designs are intended to provide a strong visual contrast to the stark black-and-blue statuesque angularity of Lissandra, as well as the armored, hard-shelled, segmented look of Sejuani

A note on body politics and character design

It is generally Problematic™ to equate any one body type with any one set of personality traits, whether positively or negatively. A lot of common character design associations and shorthand is based on body stereotypes, and on a systemic scale, they can reinforce existing social bigotries.

The most common example: character design often employ the idea that good people tend to be beautiful and evil people tend to be ugly, and that a person's inner moral character can be read in their physical traits.

This is a trope with an extremely bad history, especially when it intersects with the politics of beauty, with eugenics and with racial caricature. Whiteness and the constructed features of whiteness are often used as the basis of beauty ideals, while traits and features associated with non-whiteness are considered ugly or undesirable, and thus in visual storytelling these traits can become markers of moral degeneracy or evil. Disney villains do this all the time, to various degrees of Problematicness.

I bring this up here because we decided to use a fat body-type on one of our Ashe designs specifically to code the design to be associated with softness, kindness, motherly nurturing and so on. These are positive traits, and it is meant to establish her as a contrast with Sejuani who is hard-edged, muscled and brutal. But also, yeah, fat bodies being associated with those traits is a reductive stereotype, just the same as associating highly trained, skinny and fit bodies with emotional coldness, lack of kindness and violence is reductive.

Character design is a tightrope walk between using available associations and stereotypes to create coding and shorthand so the audience can easily read the design on the one hand, and trying to redefine and re-associate traits in creative ways to create better storytelling on the other hand. League of Legends is a game that relies very, very heavily on existing and known archetypes, and we redesigned Ashe on those terms as well. It is fair to criticize our redesign for those trade-offs, within reason, and within the context of the problems of the design it is intended to improve upon. League of Legends as a franchise is generally unwilling to allow fat bodies to exist in ANY positive context, and especially not in women, whose visual priority 9 times out of 10 is to be conventionally beautiful and skinny above all else.

Final designs:

Warrior Ashe This design hews closer to her original design, employing the skirt, waist-wrap and thigh-high boots, albeit updated to look more appropriate for the fashion culture and environment of the Freljord.

The emphasis here is on Ashe as a war-leader and fighter, and we've added facial scars and her design generally features more hard and sharp lines and metallic accents to give her a more hard-bitten and warlike look. This is an Ashe who has led a heard and difficult life, marked by fighting and struggle.

Warmother Ashe This design pulls away hard from the original design, with only really the hood and cloak and white hair as identifying feature of the old version. She wears a lot of fabrics and furs, and is generally designed around stoutness and visual softness, and does not share the hardness or angular facial features of Warrior Ashe. Her clothes are finely embroidered with her tribe's iconography and she has pendants and trinkets associated with the various tribes that have been integrated into the Avarosa, or perhaps gifted to her by allies or friends.

She still has leather chest armor, albeit covered up by her cloak, and a shoulder pauldron, but it's ringed by fine feathers making it more of a showpiece. Same with the archery bracer, which is ostentatious and the bright brass makes it contrast with the rest of the design, which is meant to give the vibe of "this is a thing she puts on when necessary" but not a natural, integrated part of her fashion. Compare and contrast with the bracers on Warrior Ashe above.

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Please follow Apple_Cork on Instagram: http://instagram.com/apple_cork

what’s a girl got to do to be a guy around here

little cenozoic guys

(hyaenodon, langstonia, smilodon, dromornithidae, stegotetrabelodon, glyptodon, moropus)

drew a constant mood on the mind

Art Help

I redid this list because broken links 💀

General Tips

Stretch your fingers and hands

Art is for fun

Never too late to start/improve

Using a tablet

Editing software: pictures & video

Moodboard resources

Comic pacing

Watercolor

Coloring

Color Theory (not children's hospital)

Resources: coloring things a different color

Gold

Dark Skin undertones

Dark Skin in pastel art

POC Blush tones

Eyes colors

Human Anatomy

POSE REFERENCES

Wizard Battle poses

Shoulders

Tips for practicing anatomy

Proportional Limbs

Skeletons

Hair Directions

Afro, 4C hair

Clothing

Long skirts

Traditional Chinese Hanfu (clothing reference)

CLOTHING REFERENCE

Sewing information

Animals

Horse -> Dragon

Snouts: dogs, cats, wolves, fox

Foot, paw, hoof

More

Drawing references sources

Art tutorial Masterlist

Another art tutorial Masterlist

Inspiration: father recreates son's art

Inspiration: Lights

ART BOOKS

Plants/flowers: North America, Hawaii, Patagonia

Here is a round-up of all eight of the free digital brush packs that I’ve released so far for Photoshop CC, Clip Studio Paint, and Procreate!

You can download them on this page (click) Type in “0″ for a free download or tip any amount you so desire!

All my brush packs are totally free (tips optional but always very appreciated!) and can be used freely in any work, including commercial work that you profit off of, with no license or credit required. My goal with these brush packs is to make digital painting feel more achievable and accessible - especially painting environments, something I now LOVE but that used to intimidate me, & felt much more approachable with the right tools! Many of the packs also come with tutorial video content. I hope you enjoy!

and a happy last minute valentine from your neighborhood horrors in STEM ❤️‍🔥

(this is a print!)

touya might have endeavor’s eye color but he has his mother’s kind eye shape 💗

Aha, heroes! While you were building your LAME and PATHETIC found family I was building a COOL and EVIL found family!! AND WE ALL WEAR EYESHADOW!!

i think too many people forget that gojo is actually insane

legit advice yup can confirm it works

rescinding my right to pass moral judgements after I killed a random guy who was just chilling on a bench so that I could sell his organs for a shmowder at the dead item shop. it was when all my kids got sick at once so you see I had to do it. his name was goose and his sacrifice shall not be forgotten

body horror in robots is a concept that needs to be explored more i think. there's a lot of potential there

here's an example

so imagine you're a robot that works at a grocery store. your life is pretty standard, not much different from any other grocery store robot

but one day you're restored from a backup and now everyone's acting a little weird and sad around you. you have no idea why because your backup was made yesterday morning

eventually you find out that your old body was found laying in a river with its hard drive and motherboard and a bunch of other stuff removed

you were essentially killed and your corpse desecrated and you will probably never find out what happened

now that's bad enough right? but THEN

a whole year later, you've mostly gotten over this whole thing, and you approach a customer who is a fellow robot

you scan them as a Standard Robot Greeting and

they have the same type of hard drive as you

same serial number

you realize that that's YOUR hard drive in the other robot

they have your brain

they have your old brain, and they are using it

WHY do they have your old brain.

and then suddenly the other robot drops everything and BOLTS it out of the grocery store and you never see them again

that would fuck you up a little i think

EDIT: hello this is part of my OC's backstory (they are not the grocery store bot) so please don't take too much from it :')