One of my fave bits in Question…? Was how she called them a meteor strike. It was a before and after moment in their lives.
It’s a deep thing when a person does that to you, because life moves on, you move on and yet there are these moments when one little thing takes you back and you reminisce and you wonder..
I always find it interesting that after 1989 when songs were no longer about Harry there were songs that made me think of him so strongly even if they were about someone else… because the way she describe the spark or the heartbreak was one that had a taste of Harry and their story. I always thought that was just me being a Harrie but now… i guess some feelings hit you so strongly that they change you…and color how you see the world after.
And she said it all in Question a year ago. It ended up being one of her more telling songs… 10 years in the making
Meteor strike indeed
i don’t think it takes place in the present day at all! i’m even so far convinced that taylor dove into the body and mind of her 2014 self and wrote the song, how she felt during that time and the things she wanted to say/ask in that period of her life. like i’m pretty sure “you’re still with her” is the same girl that was in style “you’ve been out and about with some other girl”
I'm not fully convinced that Question...? takes place during pressnt day. It's been quite a while and the idea that Harry is still pining over Taylor, or that Taylor believes him to be, seems far-fetched. I feel like it maybe takes place around 2016 before she got committed with Joe (hence the "second-best" line) or maybe up to 2018 or so.
Of course, it definitely can still be present day. It's human to still feel petty about an ex not fighting for you, and bask in the fact that they regret not having you. And the "still with her" line fits the duration of Holivia more than anything else. But I dunno. That's the thing for me. He's been with Olivia for 2 years or so now. What reason would Taylor have to think that Harry still pines? I'm not totally convinced, but it's possible that the song represents her current thoughts. (I do think Harry probably carries *something* for her, though.) You can get a certain vibe off your ex even if you haven't spoken with them, and assume their relationship is shallow or inadequate, but I digress.
I don't necessarily even think it's more likely that the song takes place in the plast, but I don't see many people discussing the possibility.
1989 is not a purely or even mostly happy album and maybe you’ll see that now. there’s a lot of yearning and a lot of truth-telling and a lot of hiding feelings and reckoning with huge life changes and growing up and moving on and crawling back and clinging onto hopes of true love when you have had your heart ripped into pieces but you cut your hair and moved to new york and maybe that’s enough.
can we make a pact to use tayrry for taylor russell and haylor for taylor swift i’m getting so confused 😭
I’ve seen some debate about this matter so I’m posting some of the things I’ve noticed from Taylor’s interviews / Listening Sessions just to clarify this matter. Reposting from my old post with some added quotes.
GLAMOUR UK, NOV 2013 INTERVIEW
Interviewer: So “Harry Styles: The Truth” album is on its way? Taylor: “Well, an album is supposed to be a chapter in a musician’s life…And sometimes you have to wait for the book to be written.”
“I was on a boat once and I came up with the line ‘so its going to be forever, or its going to go down in flames’ and I didn’t use it for about a year until I was writing Blank Space and I was like ‘OH!” - She was talking about that time she broke up with Harry on a cruise in British Virgin Islands.
“There’s “I Wish You Would,” about an ex who bought a house two blocks from hers (whom she implies was Styles)” - Rolling Stones interview, 2014.
“Okay so this is an idea called “I Wish You Would”. It’s kind of about this guy who’s like, he’s driving down the street at the middle of the night and he passes his ex-girlfriend’s house and it’s like, he thinks she hate him, but she’s still in love with him, very dramatic. This track is sick, hope you like this.” - Taylor’s voice memo in the 1989 Deluxe album
“oh, some extra info on IWYW. cant remember if ive already shared this, if i have im sorry, if i havent then here. taylor wrote that after a couple of months after her and harry broke up, and they decided to become friends again, and she said this was the first time she had become friends with an ex to the point where they were comfortable enough to talk about why the relationship didnt work out. and he said how, after they broke up, he bought a house literally one road adjacent to hers. and every day he would drive home, and accidentally turn into her street, and told her how he just wanted to stop at her house and see her, but he never did. and she said this song is about while he was in the car making the decision to get out the car and see her, she was sitting in her bedroom, wishing he would make the move and go back to her and just pitch up at her house. she compared it to a classic movie where both parties want the same thing but neither has the guts to say anything. and that’s why the song has the lyrics of “driving straight ahead”, opposed to taking the left turn to see her.“ - Taylor’s 1989 listening party
Harry bought an LA mansion in March 2014, which is near Taylor’s house (about 7 minutes away). However, he was already staying in LA in 2013 with Jeff Azoff.
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Taylor once said this about Style, a song she definitely wrote about Harry: “I talk about in another song on the record a crooked love, which is kind of like never quite synced up right.”
The other song that she meant was ‘I Wish You Would’ in which one part of the lyrics of the song says: “We’re a crooked love in a straight line down.”
Therefore both ‘Style’ and ‘I Wish You Would’ are about the same person, which is about Harry Styles.
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Harry has also referenced IWYW lyrics in his song ‘Perfect’, written about Taylor:
“And if you like midnight driving with the windows down” to Taylor’s “Windows down, you pass my street, the memories start”.
She tweeted ‘Back In the studio’ days after she broke up with Harry. Taylor then later confirmed on tumblr that she wrote ‘All You Had To Do Was Stay’ at that studio session.
It is hinted that she wrote it when she was still with Harry.
“about how a guy broke up with his girlfriend because he is afraid of how in love he is and he wants to experience the world and date around but then he realizes what he lost and came back for it six months too late; also she said her friends’ boyfriends come and ask her from help when they do this kind of thing, and she says to follow the steps of this song” - Taylor’s 1989 secret sessions, hints at Harry.
“’How You Get The Girl’ is a song about how, you know, when we’re young, which most of my friends and most of my peers are, a lot of the time you’ll take for granted a really good relationship and let go of it and go out into the world and then realise you want it back, and this song is kind of an instruction manual for a guy who has broken up with his girlfriend and let six months go by and the lengths he’ll need to go to to get her back, and it’s not gonna be as simple as just sending a text message. It’s like, ‘S’up?’ ‘Miss you.’ That’s not gonna work (laughs). You need to do all the things in this song.” - GLAM interview, 2015, hints at Harry
This song is the oldest song on the track, and the linear notes described the song with the words “Timing is a funny thing”.
Harry wrote a song about Taylor called ‘I Love You’ around the same time, where he also wrote “Maybe if I got my timing right, I wouldn’t end up alone”. Coincidence? I don’t think so.
“this is the oldest song on the record and is co-produced I believe with Nathan Chapman, and is about how she was kinda with someone who wasn’t ready so they split up but they ended up back together” - Taylor’s 1989 secret sessions, hints at Harry.
“’This Love’ is a song that I wrote fairly early on in this process, and it was the first time I started experimenting with different vocal recording styles. In this case I wanted it to sound kind of haunting, and so I sang this song differently than I’ve sung most of my other songs. I recorded it differently. You have multiple vocals going throughout the entire song. It’s about kind an experience I had where if you truly care about someone and you know they’re not ready to be in a relationship you will let them go, and it sucks to be the one has to let something go and cut someone loose when you don’t want to, but I think you have to be selfless in relationships when you know that it’s not the right time, and if you make that decision and that person is supposed to be in your life they’ll come back, and this was the way that I felt when that came back around.” - GLAM magazine, 2015. This is the only song she wrote alone and it also hints at Harry
“Shake It Off” and “Clean” were the last two things we wrote for the record, so it shows you where I ended up mentally. “Clean” I wrote as I was walking out of Liberty in London. Someone I used to date—it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, Oh, I hope he’s doing well.” - Taylor in Elle magazine interview, 2015
“co-written with Imogen Heap (written when she was in London for the Red Tour and she went to her house which is two hours outside of London and is a single castle turret in the middle of this town with lots of horses and small town) and anyways it is about when she was in London and realized her ex was also there but she didn’t feel the usual sense of uneasiness and instead she felt fine and this is what this song is about” - Taylor’s 1989 secret sessions.
Harry is British, he lives in London.
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Harry has also referenced ‘Clean’ lyrics in ‘Olivia’, a song he wrote about Taylor:
“This isn’t the stain of a red wine, I’m bleeding love” to Taylor’s “You’re all over me like a wine-stained dress I can’t wear anymore”
“The summertime and the butterflies all belong to your creation” to Taylor’s “When the flowers that we’d grown together died of thirst, when the butterflies turned to dust that covered my whole room.”
Keep reading
Taylor performing “You Belong With Me” at the Eras Tour, Glendale
what’s with m4ylors wanting m4ylor to be like haylor so bad 😭 first trying to steal our songs and now twin flame
A few comments (with some likes) on that reading you posted about TF are saying it's ratty. what's with all the maylor shippers 🤢
He’s not an air sign lol
May 20th - date of significance? Yes.
Harry released Harry’s House on May 20, 2022. After waiting many months to release Fine Line on Blondie’s 30th birthday, and after writing the bulk of this album in mid 2020, we can assume he chose this date for a reason. Here’s my proposed reason why.
But first - this requires acknowledging that the official, public Haylor origin story of 2012 is incomplete. Yes, they met in late March, eventually took a break, and picked up again in the fall. But based on Harry’s random flights, their mutual habit of vanishing simultaneously (no photos, fan or otherwise) and the lyrical information they’ve disclosed over the years - there is way more to the story.
Let’s call May, June, and very July of that year the Cruel Summer of 2012.
A bunch of stuff likely seemed to have happened in early May (that’ll be a future post about how the Sweeran origin story is also contradictory). But here we are, mid May.
Taylor is living in LA and mostly in the studio. There’s a stretch mid-month where she seems to disappear. Recall - this is the summer where she rents the house in Hyannis Port for many months.
On May 20th, 5 boys and their crew are spotted at the airport in London, flying to Boston Logan to embark on a couple months touring/doing promo in North America. Take a look at young H:
He is CARRYING ON an acoustic guitar, which he can barely play, rather than sending it ahead with all their other instruments and luggage.
The band lands in Boston; 4 guys head to the Mohegan Sun in CT (where they will play a concert soon) and are photographed by fans. And this guy? Vanishes.
Recall the secret message for Everything Has Changed, which Taylor brought to Ed almost totally done for recording on May 27, 2012:
This song, if you’ll recall, talks of a green-eyed smiling man whose eyes “look like coming home”.
Red was finalized at the very beginning of June; Taylor met the Kennedy grandsons on July 4th weekend. The timing does not work, especially since it was recorded in late May (with pap photos of Taylor and Ed outside the Santa Monica studio that day).
But MORE that that, something else occurs that day. It’s described in a 2014 song by Alex and Sierra written by Harry, and outlined in greater detail by Taylor on folklore. It’s a day described in august:
And…ah…perhaps this was also the date for some of the other events described in august?
And lest you think the whole thing wasn’t significant to Harry…by May 27 or 28, the boy gets his second tattoo. It’s a small capital A on the inside of his left elbow, seen for the first time here:
In an interview given by the boys in early July, Harry is asked about the tattoo (which had been drawn by Zayn, our OG Haylor). I cannot link directly to the interview - search for One Direction Granada TV interview on YT. And at 2:30, Harry is asked the significance of the tattoo.
Harry: oh, it’s for my….ah…ah..it’s for me mum.
Boys: laugh heartily at him
Louis: No it’s not! No, it’s not! It’s for a mystery blond!!
Reader, recall that Blondie publishes all of her songs as Taylor A. Swift.
Ten years later, on May 20, 2022, Harry’s House is released.
And on May 20, 2023, during a rain show at Boston’s Gillette stadium, Taylor Swift tells the crowd “I’ve never been so happy in my life in all aspects of my life…my life finally feels like it makes sense.” And that she will play them “this song, which brings me a lot of happy memories”: Question…?
ETA: Want to know what his next two tattoos are? He has them in this late June photo
- the word “Hi” (“all I know is we said hello, and your eyes looks like coming home)
- the (misquoted) lyrics from Temper Trap’s Sweet Disposition, which happen to be the line which follows *the secret message for Treacherous*. Which he starts kissing while singing love songs starting the day after he gets the tattoo.
So it goes tells the story of the 2014 Victoria Secret After Party: ''All eyes were on Harry and Taylor when they turned up. [...] The drinks were flowing until 3am, when they snuck out of a rear exit five minutes apart to avoid being pictured together." In context of the 2015 timeline 1989 (I know places established they wanted their relationship to go private) and 1D’s Four (with Stockholm Syndrome) had just been released. They were photographed the after party:
This was a pivotal night:
this outfit from that VS Show is also at 3 mins in I don’t wanna live forever (and cardigan refers to this sequin smile) and
In Only Angel Harry says he doesn't have eyes for the VS angels “She's an angel, My-my-my only angel”
So it goes has only been played live 8 times and not yet on the Eras tour. The last time it was played was in the last Rep show in Tokyo, (9:38) with 2 other rare songs for the Rep Tour: I Know Places and Wildest Dreams. Harry Styles was in Japan that month and wrote Little Freak before he left Tokyo.
[Verse 1] See you in the dark All eyes on you, my magician All eyes on us You make everyone disappear, and Cut me into pieces Gold cage, hostage to my feelings Back against the wall Trippin', trip-trippin' when you're gone
The first verse sets the scene, similar to the articles Harry and Taylor are the focus of many, drawn to each other and wanting to keep their connection secret.
'Gold cage, hostage to my feelings' refers to being trapped by love. Similar to Stockholm Syndrome, which was released only 2 weeks before the VS party, Taylor is trapped in a gold/gilded cage (a luxurious prison) by love.
[Pre-Chorus] 'Cause we break down a little But when you get me alone, it's so simple 'Cause, baby, I know what you know We can feel it [Chorus] And all the pieces fall right into place Getting caught up in a moment Lipstick on your face So it goes I'm yours to keep And I'm yours to lose You know I'm not a bad girl, but I Do bad things with you So it goes
So it goes is a lyric in Style. In the chorus Taylor lets us know that when they are away from others they have great chemistry. She also refers to lipstick, referred to in many 1989 songs. Taylor is described as a 'bad/good girl often, she talks about it in Miss Americana and also in:
Style: And I got that good girl faith and a tight little skirt
Question...?; Good girl, sad boy
Only Angel: That she's gonna be an angel, just you wait and see, When it turns out she's a devil in between the sheets
[Verse 2] Met you in a bar All eyes on me, your illusionist All eyes on us I make all your gray days clear And wear you like a necklace I'm so chill, but you make me jealous But I got your heart Skippin', skip-skippin' when I'm gone
The afterparty was in Basement bar. The illusionist/magician references are enjoying knowing that she and her muse will leave together without others knowing. 'Make all grey days clear' tells us the muse is British.
[Bridge] You did a number on me But, honestly, baby, who's counting? I did a number on you But, honestly, baby, who's counting? You did a number on me But, honestly, baby, who's counting? Who's counting? (One, two, three)
The bridge tells us more about her relationship with her muse, they have a history, have hurt each other before and are wanting to move on. Though she says she is letting it go she is also keeping score. At this point the events of Red, 1989 and most of the one direction songs about TS had transpired between them.
tbh i can see this being the way haylor ended but i think they broke up and didn’t try again because they never found the right timing and always went in circles with no improvement. i think they both gave up because of outer circumstances and they were at their wits end the last time they “tried”/crossed paths again. i think the song “two ghosts” explains pretty much how it ended and how they were both exhausted from trying to make it work and how they didn’t feel like “them” anymore. they both felt the same way but it’s clear that deep down, taylor wished harry fought harder for her, even if she also gave up.
well i have settled on a full story of haylor’s end. like not a “here’s a couple ideas but we’ll never know the full story.” question gave me the whole story
in january after the party, she asked him to try again. for real. because she was in a better place and she wanted to try, she didn’t want to live her life the way she had resigned herself to only having casual hookups.. she wanted to try something real again. And he basically said that he couldn’t. that he was willing to be her “good time guy” (stealing phrasing from private practice). And she was like “I want more than that” and he was like “I can’t,” which is where we get Perfect. He might never be the guy who is there for something real, but he can be the guy who can deal with the camera flashes and the songs for some troubled fun confined to the liminal spaces of hotels. And then she was like “okay well no” and then he didn’t think she would move on………… but she did. and fast, even. and that’s why calvin was so devastating for him. Because he genuinely thought he was calling her bluff. and then there’s this song where she’s like “you know what you little twerp. you healed something in me for half a second and I saw colors I’d never seen before and not seen since. I thought we had something. but when it was too much for me, you let me walk out, and then you never fought even when I wanted to try again so where do you get off getting upset that there was no bluff to call? I hope it feels nice to settle, because you chose this.”