Snowwritings - Snow Writings

remember guys: pride month gives every lgbt+ person +10 in charisma but a +5 penalty in stealth

---

in animal crossing when it’s raining and u spin ur umbrella and the rain flies off reblog if u agree

---

Very sad news to read. Rest in peace Carl Kasell.

Every weekday for more than three decades, his baritone steadied our mornings. Even in moments of chaos and crisis, Carl Kasell brought unflappable authority to the news. But behind that hid a lively sense of humor, revealed to listeners late in his career, when he became the beloved judge and official scorekeeper for Wait Wait… Don’t Tell Me! NPR’s news quiz show.

Kasell died Tuesday from complications from Alzheimer’s disease in Potomac, Md. He was 84.

He started preparing for the role of newscaster as a child. “I sometimes would hide behind the radio and pretend I was on the air,” he said in 2009, remembering his boyhood in Goldsboro, N.C.

He also used to play with his grandmother’s windup Victrola and her collection of records. “I would sit there sometimes and play those records, and I’d put in commercials between them,” he recalled. “And I would do a newscast just like the guy on the radio did.”

Kasell became a real guy on the radio at age 16, DJ-ing a late-night music show on his local station.

NPR Newscaster Carl Kasell Dies At 84, After A Lifelong Career On-Air

Photo: (Left) Courtesy Carl Kasell; (right) Chip Somodevilla/Getty Images

---

Useful Writing Resources II

Like the last one of these I did, this is a long list of resources for writers to use. Use them wisely:)

Find The First One Here

*** = Separate List Of Resources Pertaining To That Specific Subject

Productivity & Writer’s Block

Ways To Unstick A Stuck Story

10 Outlining Methods For Writers

Things To Do When You Can’t Seem To Write

Ambient Sounds For Writers Masterpost

ZenPen

The Most Dangerous Writing App

Evernote

Writer, the Internet Typewriter

Wordcounter

Character Development

Writing Types Of Characters *** Making An OC ***

Character With Social Anxiety

Female Characters To Avoid

Writing Healthy Relationships

List of 300 Possible Secrets To Give Your Character

Fantasy & Miscellaneous

Myths, Creatures, And Folklore

Helpful Things For Action Writers To Remember

Writing The Opening Scene

Fictional Kisses

Master List of Writer’s Questions Answered’s Posts

Writing Advice Masterlist

The Little Details

How bodies decompose

Wilderness survival skills

Mob mentality

Other cultures

What it takes for a human to die in a given situation

Common tropes for your genre

Average weather for your setting

Free Online Sources For Research

Japanese creatures

greek creatures

creatures organised by type

creatures listed by letter

humanoid creatures

filipino creatures

chinese creatures

cryptids

‘fearsome critters’

angels

beings referred to as fairies

creatures that pretend to be human

a page on therianthropic creatures

shapeshifters

hybrid creatures

extraterrestrial creatures

deities

a page of mythology page links

a section of folklore page links

flying creatures

theological demons

fictional species lists

mythology related lists

legendary creature related lists

Writing Emotional Scenes

Creating Story Structure

What You Need To Hear Before You Publish A Book

Description

Words to Describe Someone’s Voice

An Article About Describing Voice

Voice Types

Vocal Qualities

Panix.com Character Chart

Vocal Impressions

Speech Patterns

Gender and Speech Patterns

Speech Accent Archive

Speech Impediment

What Makes A Man’s/Woman’s Voice Sexy

Synonyms-Antonyms.com

TheCaveOnline

550 Alternative Words for Said

Plot

Subplots

7 Ways to Add Great Subplots to your Novels

The 7 Shoulds of Writing a Subplot

Who Needs Subplots?

Subplots

Knowing Your terms: Subplots

Weave Subplots into your Novel

Understanding the Role of Subplots

Plot, Plot Layers, and Subplots

Plot and Subplot

Subplots - Chicken Soup for your Novel

How Many Subplots are Acceptable?

Subplots by Word Count

Too Many Subplots?

Generators

Appearance Generator

Archetypes Generator

Character Generator

Character Traits Generator

Family Generator

Job/Occupation Generator, (II)

Love Interest Generator

Motive Generator

Name Generator

Personality Generator, (II)

Quick Character Generator

Super Powers Generator

First Encounter Generator

First Line Generator, (II)

Plot Generator, (II), (III)

Plot Device Generator

Plot Twist Generator

Quick Plot Generator

Brand Name Generator

Medicine Title Generator

Name Generator

Quick Name Generator

Vehicle Generator

Town Name Generator

City Generator

Fantasy Race Generator

Laws Generator

Pet Generator

Setting Generator

Species Generator

Terrain Generator

Subject Generator

”Take Three Nouns” Generator

Word Prompt Generator

Color Generator

Decision Generator

Dialogue Generator

Journey Generator

Title Generator, (II), (III)

---

Pros and Cons of Different Points Of View

Objective Point Of View

“With the objective point of view, the writer tells what happens without stating more than can be inferred from the story’s action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer.”

Pros

Adds a potentially useful suspense to the events of the story, as the reader cannot predict as easily what will happen next based on the characters’ internal thoughts.

More direct with the events and description of elements of the story, such as setting and the rate at which time passes in the story, which can be muddled in stories in points of view like third person, where these details can be overshadowed by descriptions of thoughts, feelings, backstory, etc.

Descriptions can come across more fluidly and make the actual images and scenes visualize more easily in the readers head. It is the closest point of view to a movie, as films don’t typically focus on what the audience is explicitly being told, but what they see and what they can deduce from the images in front of them.

Cons

This point of view can be more difficult to relate to as readers, due to the story being told and described in a more detached way, rather than being pulled into the story in a way that makes them feel like a character themselves.

You have to really utilize subtext and context with this perspective. You can’t convey the story’s tone through any of the characters’ thoughts or feelings, so you have to rely completely on the pure course of events to tell the story and grip the reader emotionally.

This makes it really hard to connect to the characters and understand their motivations unless the reader is looking really deep into the context and reading between the lines.

Third Person Point Of View

“Here the narrator does not participate in the action of the story as one of the characters, but lets us know exactly how the characters feel. We learn about the characters through this outside voice.”

Pros

This is pretty much exactly like first person narration, but with different pronouns. Instead of “I walked to the store” it’s “he walked to the store” and eliminates the reader’s potential skepticism of the narrator’s reliability while still telling the story in the same words.

You have the potential to divulge more about what other characters are thinking or doing at any point in time because you’re not technically limited to one character.

It’s a pleasing way of telling a story. It doesn’t take too much analysis for the reader to imagine how the perspective could be tainted by emotion in some way. It doesn’t require too much brain power to read. It flows nicely.

Cons

This isn’t as much a con as it is a warning. Your characters need to be rounded and diverse if you’re going to write a story in third person. If they all share the same characteristics and motivations and emotions, your story will fall flat super fast.

Third person has a viewpoint character, typically. If you want to be able to tell whatever you want about whomever you want, then you need an omniscient point of view. Third person usually focuses on a main character and occasionally shares about other characters when it serves the story.

Second Person Point Of View

“Second person is a point of view (how a story is told) where the narrator tells the story to another character using the word ‘you.’ The author could be talking to the audience, which we could tell by the use of 'you,’ 'you’re,’ and 'your.'”

Pros

Your reader feels what you write so much more intensely, because you’re referring to them specifically. It’s a reader insert point of view. You’re speaking directly to them. 

Action and romance are really good genres for this, I imagine, because those are stories where readers often put themselves in the place of the protagonist anyway, so second person would amplify that to your advantage.

There works so well when it’s done correctly, and if you take the time to practice with it and master the pacing and what really makes a reader tick in second person point of view, it will grab that reader and pull them very, very quickly.

Cons

You usually have to be really really vague about descriptions. If your reader doesn’t have blonde hair and hazel eyes, but your character does, this will really put a damper on their experience because every time you describe how their blonde hair blows in the wind, they’ll detach from the story.

Sometimes your reader may feel confused because second person is a very hard point of view to read about at first. It takes some time to get used to. A lot of fanfiction (mainly reader-insert) is second person point of view and I’ll be the (not) first to say that it took so time to adjust to, at least for me.

First Person Point Of View

“In the first person point of view, the narrator does participate in the action of the story. When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting.”

Pros

Is not limited to the point of view of the main character, as displayed in books such as The Great Gatsby by F. Scott Fitzgerald.

A certain connection between the reader and the character can create a sense of authenticity and intimacy between the reader and the story as a whole.

The themes and motives behind the story can become easier to decode, as they are disclosed in a more clear and direct manner.

The character can be easier to understand and relate to, as everything is being told by them, with their bias and interpretation included.

It puts the reader inside of the story rather than having them watch from the outside. The intimate details and description can make put them in a position to experience the story from inside and therefore make the story mirror their reality in a way.

Cons

It may become difficult for the reader to differentiate who is speaking to them in the story, as many sentences will begin with “I” or “we” and create a repetitive narration and lose the reader alone the way.

The reader may become bored with hearing the story from only one’s perspective. The style in which the story is told {the adjectives, the themes, the personality} may not vary enough to keep them entertained. 

Imagery can be difficult to pull off in this point of view because the writer may get into the habit of telling the reader what is happening instead of showing them through smooth interjections of descriptive vocabulary. 

The writer may experience a dependence on dialogue to try to compensate for lack of description of events, and the reader may lose track of story details that may become imperative to events later in the scene/story.

This makes it a lot easier to pull an “unreliable narrator”, as first person is only the perspective of a person, rather than the story told from a purely factual position.

Omniscient & Limited Omniscient Points of View

“A narrator who knows everything about all the characters is all knowing, or omniscient. A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view.”

Pros

This makes it really easy to include details about many characters that you wouldn’t be able to from the perspective of a single person.

You are writing as yourself. You are the author, you have all the information to give the reader, and you get to give it in the least convoluted way you could ever desire, and in your own words. In any other point of view, you are pretending to be somebody else, even in third person, so this allows you to really demonstrate your unique voice as a writer and express your own style.

You can write fast paced scenes without the reader questioning what an individual character is feeling all the time. You can slip in whatever information you want at whatever point you wish and it just sounds natural to the reader.

Cons

Plot twists are ten times more difficult because there’s no reason why anything would be a surprise. Your reader technically has access to all information and foreshadowing required to predict what will happen next, so if you’re planning a big surprise, prepare for a challenge delivering it.

Keeping the focus on one subject is more important when you’re writing for younger, less experienced readers. You have to have a protagonist and a linear story for them to follow, which can be tricky with omniscient point of view. It’s important to keep your audience in mind if you’re going to choose any point of view, but especially this one.

These pros and cons are subjective, depending on what you are intending to convey in your story. Please consider this with a grain of salt and take the detail and unique qualities of your own work into account when using this resource. Not all pros and cons in this piece will apply the same to every story, and that is something to keep in mind. I hope this will be useful to you all. Cheers! 

Ext. Sources ~ x x x x 

Support Wordsnstuff!

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee. 

Request Resources, Tips, Playlists, or Prompt Lists

Instagram // Twitter //Facebook //#wordsnstuff

FAQ //monthly writing challenges // Masterlist

MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)

---

Tips On Screenwriting

– Yay! The first of the beginners’ series on writing! I hope this is useful to those of you who requested advice on screenwriting. I have a few more short articles coming out about screenwriting in the future, but for now, here’s a general list of tips.

Parentheticals (Directions) ~ Don’t overdo it with the acting directions. Let the actors do their jobs and interpret the characters and the script. If it’s absolutely necessary that you specify how you want something said, then do so, but for the most part, allow the actors and director some creative freedom.

Cliches ~ Research movie cliches and avoid them. Here’s a fabulous article that lists a few of them.

Dialogue ~ Avoid doing pages and pages of dialogue in one scene. 

Opening Scene ~ Start your script in a strategic place and with strategic tone. Make an impression.

Archetypes ~ Use them. Mold them. Make them your own. Archetypes, however, should never be confused with stereotypes. 

Description ~ Screenwriting is minimalist. Describe what is necessary, leave room for interpretation, and leave much detail to the imagination.

Subtext ~ Utilise subtext by showing instead of telling. It’s a screenplay after all. Show us that the dog was barking instead of having a character yell “the dog is barking!”

Format ~ Know the format. Get to know the style of scriptwriting and use it correctly.

Length ~ 1 page of a script is usually about 1 minute of screentime. Most film scripts are about 120 pages long and therefore 120 minutes of runtime. Most tv show episodes are from 22 minutes to 42 minutes. be wary of page count, as time is an important factor in filmmaking.

Support Wordsnstuff!

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee.

Request Resources, Tips, Playlists, or Prompt Lists

Instagram // Twitter //Facebook //#wordsnstuff

FAQ //monthly writing challenges // Masterlist

MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)

---

Send me the most memorable thing I've said. Whether it was just in general or personal.

I wanna know haha😂😂

---

pick-me-ups for writers

for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Don’t think of your writing as terrible; think of it as preparing to contribute something great.

for the self-conscious late bloomer: Look at old writing as how far you’ve come. You can’t get to where you are today without covering all that past ground. For that, be proud.

for the perfectionist: Think about how much you complain about things you love—the mistakes and retcons in all your favorite series—and how you still love them anyway. Give yourself that same space.

for the realist: There will be people who hate your story even if it’s considered a classic. But there will be people who love your story, even if it is strange and unpopular.

for the fanfic writer: Your work isn’t lesser for not following canon. When you write, you’ve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all. 

for the writer’s blocked: It doesn’t need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.

for the lost: You started writing for a reason; remember that reason. It’s ok to move on. You are more than your writing. It will be here if you want to come back.

---

I personally have no issues with the LH MCs. Although I feel that is partly due to the fact that I have chosen a different MC for the three stories they have been used in. I suppose PB is hoping that that is what most players will do, which is a bit silly if so. So I can completely understand that it is annoying and repetitive for players who chose MCs that reflect themselves. I can only hope that as the company continues to grow, they are able/willing to afford/hire artists to create unique sprites for every new series going forward.

Sent by anonymous

‘I don’t understand all the hate for the lovehacks faces. Yeah, they’re overused at this point and I’d much prefer new ones, but honestly they look a lot better than the ilitw, hss, or rcd faces.’

POST/CONFESSIONS DO NOT REFLECT THE MOD’S PERSONAL OPINIONS!

---

I had a baby with Shale in camp and I cried.

Gee, I wonder why 😅

Dragon Age Story Generator. @a-shakespearean-in-paris & @kagetsukai thought you’d find this fun!

---