Team Impossible: Wrong, But Also Right (Redux)

Would you say Kim was better in the last season? How much did she grew as a person?

Hmm...tough question. My answer may not be the most popular, but...

On the one hand, Kim's competitiveness seems to have died down, so I'll give her that.

On the other hand, I mentioned that it was a bit unfair of Kim to keep expecting Ron to pay for nice dates to expensive restaurants without coupons and not offer to pay for them herself, or how annoying it is that she not only had the job handed to her, but Monique literally begged her to take it. ("The Big Job")

And, while I can somewhat understand her jealousy of Yori, she shouldn't have let that interfere with a mission. Nor was she sympathetic towards Ron about being forced out of his room for a baby sister he didn't even know he was getting. ("Big Bother")

It wasn't cool of her to be hassling Monique to break an NDA when Kim herself likely already knew what the consequences would be for Monique if she did, nor was it cool to have Wade look over the contract for loopholes. ("Fashion Victim")

And she's still rude and judgmental about Larry's interests, which happen to be interests that Kim knows Ron shares. ("Larry's Birthday")

So, while Kim's competitiveness seems to have died down, her need to control everything is still an issue, and she's still unnecessarily judgmental about other peoples' harmless interests.

So I guess Kim improved a bit, but still has some issues to work on that aren't fully addressed.

Sorry if that's not the answer you were looking for.

Okay, it's not that I hate Rainbow High. It's just that...who thought "future influencer" was a good career goal to give a teenage girl?!

Especially in a franchise geared towards children?

There are so many stories about what's wrong with influencers that I wouldn't make that a goal at all.

There are so many other things you can do with a Digital Media focus than influencer.

Or, if they didn't want to keep that, Violet has won at least one award for her photography.

Or, as we learn later, she used to paint.

Either of those would be acceptable.

Far better than influencer, the most unhealthy and toxic lifestyle you could pick for a Digital Media focus.

And they think one of their main characters should have that as a career goal.

Good grief.

Not sure if you considered this, but does Ms. Bustier's partner agree with her teaching methods, given how supportive she was in canon?

I imagine Giselle gets a very...biased reimagining of what happens in Bustier's class. She's only got Caline to go off of sooooo...

Thoughts on Yori and do you ship her with Ron?

I actually really like Yori and wish we had seen more of her.

She was unfalteringly, unconditionally supportive of Ron. And he definitely wasn't getting a lot of support back home at the time.

She wasn't jealous of Kim, ever. She was happy for Kim and Ron, even if meant Ron was no longer an option.

If things were different, Ron/Yori would have been a great couple, and I do like to imagine it sometimes.

But, for all her support, Yori wasn't a sidekick. She was extremely skilled, fiercely powerful, unafraid of combat, and willing to face danger to do what's right.

A lot like Kim in those ways, but supportive and patient towards Ron where Kim isn't.

I wish we had seen more of Yori because I feel like she could have helped Ron work on a lot of his issues, like his lack of confidence, and led to some great character development for him. Even if they had never ended up being a couple, their friendship would have been amazing as well.

Ron Deserved Better

Ron deserved better, from a narrative standpoint. Ron was capable of being more than just Kim's sidekick, and it would've been great to have that emphasized more.

In "Tick-Tick-Tick" Ron is the one who comes up with the idea of using hot sauce to short out the tick and a straw to remove it.

In "Bueno Nacho" Ron figures out how to work the laser after messing around with it for less than a minute.

In "Attack of The Killer Bebes" Ron is the one who made the connection that Kim's dad was the next target, came up with the plan to protect him and find out who was behind it all, and made an extremely convincing disguise in less than a day.

(I know Kim wasn't aware of any of this because she wasn't around, but Kim walking off the mission because she was mad isn't a good look for a hero. However, that's not the point of this post.)

In "Sink or Swim" Ron displays stealth, cunning, quick-thinking, improvisation, resourcefulness, and bravery. Even Kim acknowledges this, but only this one time.

In "Animal Attraction" Ron figures out that getting Rufus to eat corn dogs would make him heavy enough to press the button to release them. Simple? Yes. Effective? Also, yes. And most importantly, a plan that Kim had failed to come up with on her own.

In "Royal Pain" Ron manages to use a mini golf prop to stop a bad guy, aimed in such a way that Prince Wally, who was being held in the bad guy's grip at the time, wasn't harmed.

In "The Twin Factor" Ron manages to not just evade Kim and Shego, but trick Shego into undoing his bindings and lasts against them long enough for Jim and Tim to finish their silicon-phase disruptor.

In "Job Unfair" Ron used sneezing powder on Drakken, which managed to take both Drakken and Shego out of the fight. Simple, effective, and clever.

In "Naked Genius" Ron's mangler was actually a fairly decent weapon, especially considering he was just throwing random things together. And his idea to use it against all the armor was brilliant.

In "The Fearless Ferret" Ron actually makes a decent hero at the end, despite the fact that his mentor was a delusional man.

In "Exchange" Ron manages to kick a tree, that then splits cleanly and falls over. That is not a normal amount of strength. He also manages to make his clothes disappear during Bo practice, which, though embarrassing, is also a bit of an impressive feat.

In "Hidden Talent" it's stated that Ron proved quantity was better than quality, but Ron was actually good at half of the acts he performed; tap dancing, ventriloquism, and water glasses.

In "Return to Wannaweep" Ron figures out how to use his new beaver-like mutation and his surroundings to defeat Gil, and figures it pretty quickly.

In "Partners" Ron and Monique manage to build a donut-launching system relatively quickly, and it proves extremely useful in distracting a mutant dinosaur.

In "Oh Boyz" Ron manages to help the Oh Boyz escape by having them use their dance moves to throw off the motion-detecting lasers. He also taught himself their dance moves just by watching them.

In "Triple S" Ron actually did a decent job of staying on the tray and holding the umbrella. I'm not surprised people thought it was a new sport; an average person doing that on accident wouldn't have been able to stay on it at all.

In "Bad Boy" Ron builds dangerous and powerful devices, and has the foresight to track the Kimmunicator's frequency. And the only thing he switched with Drakken was morality, not intelligence. Thus, it's reasonable to assume that Ron is extremely intelligent, he's just not trying.

In "Overdue" Ron goes on several missions alone to retrieve a library book.

In "Stop Team Go" even Shego acknowledges that Ron turning evil again is very bad. And he sends a bunch of Wegos flying through the air immediately afterwards.

And, of course, Ron's powers come into full bloom in "Graduation".

TLDR: Ron was capable of being more than a sidekick, a solo hero in his own right, and it would've been nice if the narrative hadn't treated him as Kim's inept and clumsy sidekick, even when he's being amazing.

Bonus: In defense of his clumsiness, and less than stellar grades, Ron mentions in "The Fearless Ferret" that he has "a slight stigmatism" but that his doctor says he shouldn't need corrective lenses. As someone who needed glasses at Ron's age, and someone who had astigmatism, I can say this; Ron's astigmatism may not be bad enough that he is legally classified as visually impaired, but even with slight astigmatism, it can still make things blurrier than they should be and mess up his ability to see detail, read, and screw with his depth perception.

In other words, Ron isn't horribly clumsy or stupid, he just can't see.

About the "kwamis as mentors" angle: Interesting to read and analyse, yet I can't help but feel they were not necessarily meant to be seen as mentors. At least to me, they seemed to be kind of whacky mascot characters who are tied to the lore, who have a personality to crack a joke or point something out or cause a little situation or be cute, but nothing more.

They are rather naive magical entities chained to jewelry (a fact they don't seem to mind that much or think about at all except for Plagg) and all that talk about "being around for 5000 years" and having seen many holders before is just there to make them seem more wise than they actually act like. From what I've seen on the show I would even assume there's a threshold to how much they can even mature emotionally and understand humans. Sometimes Tikki and Plagg even come off as indifferent and egoistical towards their holders (like an example you gave with Tikki, or Plagg's fixation on cheese over Adrien at times).

So...sorry if I missed it, but why do you view them as mentor characters? You made an interesting post about rom-com vs magical girl and the magical girl part is exactly why I always viewed them just as critters to appeal to kids, but nothing more. I can see that the show's writing is so inconsistent that sometimes they are portrayed as wise but more often then not they are just background noise to get a little interaction on screen so that the characters are not talking to themselves about miraculous stuff or to point something out for the audience.

The show's writing is pretty weird, so there are elements that are hard to get a clear read on. The Kwamis are one such element. When they're one-on-one with their chosen, they often feel like mentors to me. When they're all together, they almost always read like "critters to appeal to kids" (mostly because there are too many of them to let them have individual personalities when they're all together). So while I think that they're supposed to be mentors, it's not like that's the only canon-accurate read.

To dig into what I mean by the one-on-one writing, let's look at this exchange from Feast:

Master Fu: See, Wayzz? If Marinette had kept her Miraculous, the sentimonster would have swallowed her right up. Wayzz: Or she would have transformed into Ladybug and fought it. Master Fu: Sometimes fighting is futile, Wayzz.

And then later on we get this:

Wayzz: Master, look! Ladybug and Cat Noir, despite their ridiculous costumes, they haven't let you down! Wang Fu: That's impossible! They don't have their Miraculous! Wayzz: Master, it's obvious it's them—who else would do something so crazy? Cat Noir (Adrien): Hey, have a taste of this! Some exploding banana split from Bananoir! Ladybug (Marinette): Much tastier than any Miraculous! Wayzz: Look, Master, there's no use in running! Your disciples never give up the fight, no matter what! With or without their Miraculous, they are Ladybug and Cat Noir!

That's some pretty active mentoring right there.

Wayzz is probably the character that feels the most like a mentor to me. When he's with Fu, he feels like Fu's partner or adviser, which is why I think that the Kwami's aren't supposed to just be cute critters. They're regular ol' Jimmy Crickets meant to act as a conscience that the characters can talk to since this is visual media and you want a way for the characters to talk through their thoughts instead of having them do it all internally.

I also present this exchange from Desperada as evidence:

Adrien: Plagg, Ladybug needs me. She needs "Adrien"! Plagg: If you asked me, this whole idea is worse than cheese in a can. Adrien: She thinks I'm the perfect guy for this mission. Plagg: You can't be Cat Noir and another superhero at the same time! Which means that you're not the perfect guy for this mission. Adrien: The Lucky Charm told her I am. Plagg: That's not how it works. Why am I bothering? You're not even listening.

We then get Plagg reiterating that this is a bad idea through multiple loops, ending with this:

Plagg: Ah! At last, you've come to your senses. Adrien: I'm not sure Ladybug will have very fond memories of her experience with "Adrien Agreste". Plagg: Then make up for it as Cat Noir.

See? I told you Plagg can be a good mentor when he wants to! Tikki, take notes!

I'd even call this bit from Sapitos some quality subtle mentoring from Trixx:

Alya: Oh please, Ladybug! We'd make a great team! I could help Cat Noir and you every day! Ladybug:(her earrings ring) I'm about to transform back! Hurry! Alya: Please? Ladybug: I have to go! I'm trusting you! (opens a nearby door and goes inside, so she can detransform) Trixx: You're absolutely right, Alya. I'm sure the three of you would make quite the team! You have all the makings of a true superhero. You're strong, brave; but most of all, you're trustworthy.

Way to both build Alya up and reminder her of her duty, Trixx. Gold star. Quality mentorship!

So are the Kwamis supposed to be mentors? Who knows! I just see them fill the role often enough to feel comfortable judging them through that lens.

Miraculous also isn't the only magical girl team show to make the cute critters into mentors. That's a pretty standard path even though it's also common to see the critters used to sell merch/appeal to kids and nothing more. In terms of classic magical girl team shows, I'd say that the Kwamis are written way more like Luna and Artemis from Sailor Moon than Mini Mew from Tokyo Mew Mew.

I actually have a lot of opinions about Totally Spies, but I won't get into those right now.

I will say, I noticed that there aren't a lot of fandom spaces dedicated to discussing Mandy and her friends.

(Or, if there are, I haven't found them yet.)

So, if that's something you're interested in, I suggest checking this out.

M.i.G. is LIVE, PEOPLE!

There's an actual Facebook group called M.i.G. (Mandy is Great) that's accepting members. If you want to extoll the virtues of the real star of the show, join at the link below:

https://www.facebook.com/groups/2596797444042145/?ref=share&mibextid=NSMWBT

Also, unlike the M.i.G. in the show, this one's open to all!

You know, now that you mention it...

The girls at my elementary school had crushes, but definitely not on adults. Teenagers were the oldest they had crushes on. The boys were the same.

Adults just seem so old at that age, so Jimmy's mom, Beautiful Gorgeous, and Princess Quin Shi "Peggy" Sue should've just seemed old to them, not hot.

I mean, they are attractive, to adults. And teenagers. Prepubescent children, not so much.

And, while I'm sure 11-year-olds were allowed some freedom, "One of Us" has Cindy returning from a competition out of town, and she exits the bus alone. That's an amount of freedom Cindy wouldn't have been allowed for legal reasons.

Not to mention, "Men at Work" has them getting jobs, despite being 10 at that point. Again, legally, this would not have been allowed.

It's a cartoon, not everything has to be accurate, I know. I'm not asking for accuracy, I'm asking for shows about children to remember that the main characters are children.

The show had some great plots that make sense for 11-year-olds:

Jimmy's upset at being the shortest in class

Jimmy's upset over not being athletic

School science fair

Candy-selling competition

Trying to make the perfect candy

Sheen's afraid of being held back (again!)

Jimmy doesn't want to pick up his clothes

Sheen's action figure goes missing

And more

But as the show went on, the romance aspect got emphasized a lot more. Of course, by that time, most of us were invested in the main ships, but looking back, it seems weird how much romance they put in the show.

I don't hate romance, but it feels weird to make it a central plot element in a show about elementary school-aged children. Especially when some of those romantic feelings are directed at adults.

Not to mention having it be such a flip-flop, back and forth, will they won't they thing.

The show would have been fine if the romance aspect wasn't so heavily emphasized at the end. Even though we liked the main ships, they weren't why we watched the show.

Well, time for another opinion! This one's about an older Nickelodeon show, Jimmy Neutron! It's very simple: the show would've made way more sense if the characters were teenagers instead of 11-year-olds. Things like:

Jimmy being allowed to fly around the world in a homemade rocket

Jimmy being allowed to fly into space

Jimmy being allowed to work in his lab unsupervised

Pretty much anything Jimmy does

The kids routinely go places like amusement parks or Cafés by themselves

The boys developing crushes at the drop of a hat

Cindy & Jimmy flip-flopping back & forth on their feelings for each other

Carl's crush on Jimmy's mom (still creepy, but makes more sense if he's a hormonal teenager)

The boys' brief crushes on Beautiful Gorgeous

These are all things that would make sense if the characters were teenagers. 11-year-olds just don't act like this. Trust me, I was 11 when the show was airing. I was in that age group, no one at my school acted like that. Crushes were only on classmates or teenage celebrities, we weren't allowed to go out by ourselves, and we would've needed supervision just to cook, nevermind the kind of science Jimmy was doing.

This level of drama, romance, and personal freedom, would make more sense for teenagers than children. Shows about kids can be fun, but you need to remember to have them act like kids.

Also, even Ghoulia's texts were in "zombie", which isn't actually a great representation of non-verbal people.

The non-verbal people I knew, keeping in mind they were nowhere near as intelligent as Ghoulia, were still able to type and write.

G1 Ghoulia didn't have that. It sucks that there's no non-verbal representation, but g1 Ghoulia wasn't a great representation.

And the creators acknowledge that. So they changed it. Because they want to do a non-verbal character authentically.

One of the show runners even stated that this was the reason.

And, I still believe Ghoulia does represent some kind of disability.

In "Growing Ghoulia" she talks about how difficult it is for zombies to earn points at monster high because they're not as fast as other monsters.

That sounds familiar...

In "Flaunt Your Skeleton" we learn that Ghoulia has anxiety tics and, in "Dawn of the Dread" her anxiety manifests as a monster.

So, Ghoulia might not be non-verbal anymore, but she's still a good representation of disability.

People can be upset that she's no longer non-verbal, but she's still a great character.

And here's hoping that, when they include a non-verbal character, we love them as much as we love g1 Ghoulia.

Alright, time to share some thoughts. This is going to be about Monster High g3, specifically Ghoulia.

Now, I understand why people are upset that she can talk in this generation as there's now no representation for nonverbal characters, but I do love that they veered away stereotypical zombies that are super slow and can only communicate with grunts & other noises that aren't recognizable as words. But, more importantly, she wasn't intended to be representative of nonverbal people.

Now, I'm not saying that nonverbal shouldn't relate to her, that's not something anyone has control over. What I'm saying is this: the writers for the new generation likely decided to give her the ability to speak so that they could explore her character more, and so that when they eventually do add a nonverbal character, they can be sure to do it right & consult with nonverbal people about their lived experiences.

For example: when the live-action movie came out, I related to Frankie's struggles with social situations, but the creators said they're not autistic. (And my twin explained that Frankie's only 2 weeks old & it's hard to diagnose autism before 3 years). I was a little heartbroken, as they were the only character I sort of related to. Note: were.

And then g3 Twyla made her debut, and then had an episode about growing up, and it was like someone put my lived experience on the screen. I felt so seen & understood, as did many autistic fans of the show.

So, while I understand that the current lack of nonverbal representation is frustrating, I'm sure(ly hoping) that they will make a nonverbal character, and that they're just making sure they can make them accurate and not written as a harmful stereotype.