I wanted to type up a little rundown of quick n dirty writing tips based on things I see a lot in fic/ amateur original manuscripts, and, uh, it turned out that they all revolved around POV. Nailing point of view in fiction writing is both crucial and one of the least intuitive building blocks of writing to learn: an understanding of POV has been the only useful thing i took from my college creative writing classes, and god knows how long I’d have stumbled along without it otherwise.
So! I am saving you, baby writer, the trouble of slogging through a miserable writing class with a professor who’s bitter as FUCK that genre fiction sells better than his “sad white man drinking” lit fic novels. Here are some assorted writing tips/ common mistakes and how to fix them, as relating to POV:
(this turned into a WALL OF TEXT so i will be using gifs to break it up)
> “I watched the ship tilt” “he saw the sky darken” “she noticed flowers growing on the rusted gate.” no. If the character who felt/saw/noticed etc is your POV character, whether in first or third, then this is called filtering and it takes the reader out of the story by subtly reminding them of the separation between the POV character and themselves. in most styles of writing, this is bad, not to mention it unnecessarily complicates your prose. try again: “the ship tilted.” “the sky darkened.” “flowers grew on the rusted gate.” Readers will instinctively understand that the POV character is witnessing the story happen, they don’t need to be told it.
I’m not telling you to never refer to your character “watching” something, of course: “I watched the birds dart around for hours,” isn’t filtering because watching is a notable activity, here, rather than an unnecessary obfuscation of the “real” thing happening. But understand how phrasing can jar readers momentarily apart from the character viewpoint, and use it with intention.
> Close Third Person POV still requires you to be mindful of your POV character. this is a rookie mistake i see allllllll the time. “Josh cried stupid tears at the beautiful display by the dancers,” is a sentence in Josh’s POV. “Stupid” tells us how he feels about the tears, “beautiful” tells us how he feels about the display. ok. all good so far. BUT.
“Josh cried stupid tears at the beautiful display by the dancers. It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography. Martha had to suppress a fond smile at his reaction; he was always so sweetly emotional after the curtain fell.”
Do you see what’s wrong with this paragraph? The first two sentences are Josh’s POV, and then the third one suddenly becomes Martha’s. A lot of amateur writers don’t even realize they’re doing this, which in its most egregious form is called “head-hopping,” but it’s disorienting and distracting for the reader, and makes it harder to connect with a single character. In multi-person close 3rd POV story, the POV should remain the same for an entire chapter (or at least, for an entire scene/ segment,) and change only between them. If you’re new to POV wrangling, watch your adjectives/ interiority (we’ll get to that in a second) and think “which character am I using as a lens right now, and am I being consistent" every once in a while until you get the hang of it.
> Related: let’s talk about interiority. Interiority is a more sophisticated way of thinking of a character’s “internal narration,” IE bits of prose whose job is not to advance the plot, set tone, or describe anything, (although it CAN do any of those things as well, and good prose will multitask) but to give us a specific sense of the character’s internal life, including backstory, likes, dislikes, fears, wants, and personality. In the above example paragraph, the middle sentence “It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography” Is interiority for Josh. It tells us that not only did he love the show, he’s very familiar with this art form and thus had expectations going in; likewise, listing the technical components is a way of emphasizing his enthusiasm while pointing out that it’s informed, implying that Josh himself is intellectually breaking down the performance even in appreciation.
“That’s a lot for a throwaway sentence you made up for an example.” Well, yeah, a little interiority goes a long way. Interiority is what creates the closeness we have to POV characters, the reason we understand them better than the non-POV characters they interact with. It’s particularly key in the first couple chapters of an original work, when we need to be sold on the character and understand the context they operate in.
If readers are having trouble connecting to or understanding the motivations of your character, you might need more interiority; if your story’s plot is agonizingly slow-moving (and you don’t want it to be) or your character is coming off as melodramatic, you might need less. It’s not something you should necessarily worry about; your amount of interiority in a WIP is probably fine, but being able to recognize it for what it is will help you be more mindful when you edit.
(Fanfic as a medium revels in interiority: that’s how you get 10k fics where nothing happens but two characters lying in bed talking and having Feelings. Or coffeeshop AUs that have literally no plot to speak of but are 100k+ long.)
> try not to describe the facial expression of a POV character, even in third person. rather like filtering, it turns us into a spectator of the character when they’re supposed to be our vessel, and since it’s *their* POV, there should be other ways available to communicate their emotion/ reactions. There are ways of circumventing this, (the example sentence where “Martha had to suppress a fond smile” is an example) where their expression is tied up in a physical action, or something done very deliberately by the character and therefore becomes something they would note to themselves, but generally, get rid of “[pov character’s] eye’s widened” and “[pov character] smiled.”
so that’s what i got! go forth and write with beautifully deliberate use of POV.
Subplots: the spicy side quests of your main narrative. They deepen your world, flesh out your characters, and keep things interesting. But if you’ve ever added one and ended up with a story that feels like it’s running in six directions at once… yeah. Let’s fix that.
Don’t just throw in a romance arc or a secret sibling reveal because it’s fun (though it is fun). Ask:
- Does this subplot challenge the main character’s goals?
- Does it echo or contrast the main theme?
- Does it change something by the end?
If it’s just a cute side quest with no real impact, it’s fanfic material for your own story. Cool, but maybe not plot-essential.
Bad: your subplot exists in a bubble, running beside the plot but never touching it.
Better: your subplot interacts with the main plot. Maybe it complicates things. Maybe it supports the MC in a moment of crisis. Maybe it explodes everything.
Example: your MC is hunting a killer, and the subplot is their failing marriage. Good subplotting means the stress of the hunt affects the marriage, and the marriage affects the hunt.
Your main plot might hit its midpoint twist at chapter 10. Have a subplot hit a *smaller* emotional beat around chapter 7 or 13. It keeps pacing dynamic and gives your readers something to chew on between big moments.
Side characters are more than background noise. Give them wants. Give them stakes. Let their stories *collide* with your MC’s. That’s when the magic happens.
Not every subplot needs a 3-act structure and a dramatic finale. Some are small. Some fade out naturally. Some just shift the perspective enough to reframe the main plot. If you’re tying up subplot #6 with a bow in the epilogue, maybe ask yourself if it really needed to be there.
It helps to map out how every subplot connects to the main story. Literally. Draw lines. Make a chaos diagram. It doesn’t have to be neat—just make sure those threads touch.
Subplots are great. Subplots are juicy. But they’re not decoration—they’re infrastructure. Weave them into the story’s bones or risk writing 3 novels in one.
I have no idea who translated these. They were extras with the season one DVDs.
The Origin of Britannia Part 1
Lelouch: So here’s the first session. Suzaku: You haven’t changed, Lelouch. I don’t think people will understand what this session is for. Lelouch: I don’t need those who don’t understand. You can only learn if you’re prepared to learn! Suzaku: I’m not sure about those Zero-influenced lines… Oh, but you were always easily influenced as a child. You used to imitate superheroes. Lelouch: Stop talking about something so long ago! Suzaku: But aren’t we talking about history today? We have to talk about long ago. Lelouch: Urgh… being a smart aleck? I’m leaving. Suzaku: Sorry, so sorry. I’m ready to learn, Professor Lelouch. Lelouch: Good. Then tell me. Do you know when Britannia was formed? Suzaku: Of course. This year is 2017 of the Imperial Calendar, so it was 2017 years ago. Lelouch: Wrong. Suzaku: What? But the Imperial Calendar — “a.t.b.” means “Ascension Throne Britannia,” meaning “the year Britannia assumed the throne,” right? Lelouch: It seems you did your homework. I’m impressed. Suzaku: It’s common knowledge. Besides, I was tested during the Honorary Britannian appointment. Lelouch: Then, the grounds of the ascension? Suzaku: Um… I think it was triggered when Julius Caesar tried to invade… Lelouch: That’s right. And one of the Celtic tribal kings who resisted is said to be the ancestor of the Britannian Royal Family. He gained freedom from Rome and was coronated — although it was more like becoming a chieftan — that year is the first year of the Imperial Calendar. Now, what’s the name of this king? Suzaku: Um……… I give up. Lelouch: Hey, Suzaku! You don’t have this simple information!? It’s on the next test! Suzaku: Well, I was busy, so… Lelouch: Then look it up by the next time we meet. Got it?
The Origin of Britannia Part 2
Lelouch: So Suzaku, I’m assuming you did your homework. Suzaku: Of course, Lelouch. Here. Lelouch: Alwin I, eh? Yes, you’re correct. You pass! Suzaku: But people won’t understand what we’re talking about just from this! Lelouch: I, Lelouch, order you. If you want to know, buy the first volume of the DVD! Suzaku: You’re so easily influenced. Anyway… Alwin I is known to be the ancestor of the Britannian Royal Family. He gained freedom from Rome and became the first chieftan, and that year is the year Britannia was formed. I’m right, aren’t I? Lelouch: For now, yes. Then can you tell me who was the Emperor of Rome at the time? Suzaku: … I give up. Lelouch: It was Augustus. Remember that. Now, this Alwin I is only a figure from a legend and there is no proof that he existed. The history of the Empire, the “Britannia Chronology,” indicates that he really existed, but this chronology was created when the Holy Empire of Britannia was founded. So when they founded the empire is when they stuck on the legacy of the Royal Family’s blood as an afterthought to assure their ascension. It’s common in kingship and imperialism. Suzaku: So when am I supposed to recognize when Britannia was founded? Lelouch: I guess you can regard Britannia’s beginnings to be when the descendents of the Tudor family line who went to the New World ended and the Duke of Britannia started the imperial regime. The Imperial Calendar was established then too. It extended back in history and set the first year as a thousand and a couple hundred years ago. Suzaku: I see. Lelouch: Now, do you know when that year was? And who was the emperor who was coronated? Suzaku: Imperial Calendar 1813. The Emperor was Ricardo van Britannia I. Lelouch: Correct. It looks like you studied hard. Suzaku: Yeah. Cecile helped me too. Lelouch: Cecile? Who’s that? Suzaku: My superior of the department I’m in. Lelouch: A woman, eh? You’re good at debauching as always. Suzaku: Debauch… that’s not true! Lelouch: You were always good at getting older women to like you. Suzaku: I’m not doing it on purpose! Besides, why are you bringing up the past like that? Lelouch: Huh? You said it first. That we’re discussing “history.” Suzaku: Urgh…
The Virgin Queen Elizabeth
Milly: What are you two doing? Suzaku: Oh, hello. I’m learing Britannian history from Lelouch. Milly: I see. But if it’s history, you should ask me. You know that my character’s description is “has a great knowledge in history and will cooly observe the changing world with Zero’s presence.” Lelouch: That description is way old. There’s no hint of it anywhere. Milly: Oh, Lelouch. You are so cheeky. Don’t you agree? Suzaku: Uh, um… I can’t say much there (sweat). Milly: Oh well. Even without that in my description, I’m good at history. The Ashford family has nobility in its line, after all. Lelouch: Formerly, you mean. Milly: Oh, shush. Whose fault do you think that is? Lelouch: Urgh… (sweating heavily). Well, anyway. It’s a good opportunity to ask the president if you have any questions, Suzaku. Suzaku: Let’s see… then can you tell me about the era of absolute monarchism — about the Elizabeth I from the Tudor dynasty? She’s called the Virgin Queen, but isn’t it weird that she has a chld? Milly: That names comes from the fact that she was single for her whole life. There’s her famous line, “I have already joined myself in marriage to a husband — my country.” Suzaku: But she has a kid. Was it Henry IX? Milly: Yes. Bluntly speaking, it was an illegitimate child. Elizabeth I didn’t marry, but she had many lovers. The Earl of Leicester, Earl of Essex and the Duke of Britannia are among the possible fathers. She switched between lovers all of her life. I’m a little jealous. Lelouch: So she was an Amazon. Like someone we know. Milly: What was that, Lelouch? What are you trying to say? Suzaku: I think he meant that you are similar to Elizabeth I. Lelouch: Hey, Suzaku, shut up! You idiot! Milly: I see. By the way, Vice President, did you finish the documents I asked for? Lelouch: No, I’ve been busy lately… I’ll have it done by tomorrow’s deadline. Milly: I changed my mind. I want it now. Lelouch: That’s high-handed, President! Milly: Call me Queen!
Sakuradite and the Age of Exploration
Suzaku: Unh… Shirley: What’s wrong, Suzaku? Are you constipated? Suzaku: Yeah, I feel so bloated… Hey, what are you making me say, Shirley? Shirley: Hee hee. I’ve been hanging around the President too long. But I’m surprised that you could kid around like that. Suzaku: Lelouch trains me well, doesn’t he? Shirley: You guys are really close… I’m so jealous. So, why were you groaning? Suzaku: This. “In (a)’s ‘Description of the World,’ he describes a country known as Jipang, meaning Japan, and that it is a golden island. But it is foolish to think that this country was rich in gold; rather, it was rich in (b). At the time in Europe, research that was inspired by © led to the discovery of an energy source but there was not enough of it, and this hindered the progress. (a)’s 'Discovery of the World’ moved the people to explore the world and eventually led to the discovery of the former United States, currently the conquered territory of Britannia.” Shirley: Let’s see… “Fill in the blanks. If you can.” What is this? Why does this worksheet sound so condescending? Suzaku: Lelouch made it. All of his worksheets are like this. Shirley: Oh, Lulu… (laugh) So the answer to “a” is “Marco Polo,” b is “Sakuradite,” and c is “alchemy.” Suzaku: Wow, you’re good in history! Shirley: No, I’m ot. But I’m good with minerals and geosciences. My father is a geologist. He works in the bureau and he goes around investigating geological conditions. Suzaku: I see… Shirley: But this worksheet really shows Lulu’s personality. Suzaku: Yeah, but I wish… it would show a little more love. Shirley: What are you talking about? It shows a ton of love! Lulu would never do this for anyone he didn’t care for. I’m really jealous now. Suzaku: Why don’t you tell him that you like him? Shirley: Well… huh!? How do you know that I… Suzaku: It’s actually quite obvious. I think the only one who doesn’t know is Lelouch. Shirley: I’ll tell him myself eventually! So please don’t tell him. Promise? Suzaku: Of course. Shirley: Thanks!
The Rebellion of Washington
Lelouch: ~~ ♪ C.C.: You’re in an awfully good mood. Humming, eh? Lelouch: !! Oh, I didn’t know you were there, C.C. C.C.: Why are you so flustered? … Huh? What’s that? Lelouch: It’s none of your buisness. C.C.: Let’s see… “Write the reason why the Rebellion of Washington in the Colonies ended in failure in 1770 a.t.b. in 1,200 words.” Is this homework? But it’s odd that you’re making the worksheet… Lelouch: It’s for Suzaku. Just go away! C.C.: The Rebellion of Washington… that was a long time ago. It’s easy. It’s because Ben betrayed the Continental Congress. Lelouch: Ben? C.C.: Oh, sorry, I mean Benjamin Franklin. Lelouch: Why can’t you just call him the Earl of Franklin? Yes, it’s true that Franklin went to France to ask Louis XVI to support their independence and failed. But that’s not the main reason they lost, is it? C.C.: Well, Louis was willing to help. But when Ben went to France, he met the Duke of Britannia. And he was offered a title and some land in the Colonies, and fell for it. Ben is the type who prefers research to war… he was a kind man. No, too kind. If Ben had asked Louis for support, Louis would’ve given them an army and the Continental Army wouldn’t have lost in Yorktown. And George — I mean, Washington — wouldn’t have died and America wouldn’t have become territorialized. Lelouch: The Duke of Britannia was involved!? That’s not in any of the history materials! C.C.: But it’s the truth. Lelouch: … You talk as if you saw it happen. Could you have possibly…!? C.C.: I’m C.C. I know everything. For example, I can name the song you were just humming. Lelouch: !!!!! C.C.: Was it from 8 years ago? The special effects fighting show that aired on Sunday mornings in Japan. Lelouch: Okay! I got it! Shut up! Sheesh, you’re such a… C.C.: You’re still naive, Lelouch. You can’t beat me in a thousand years. Lelouch: Do you mean figuratively? C.C.: Hee hee. Who knows?
The Humiliation at Edinburgh Lelouch: Good. Good. Damn. Good. Suzaku: Lelouch, can you stop correcting my worksheet out loud? Lelouch: No. Suzaku: Why not!? Lelouch: It’s fun watching your reaction when you get something wrong. Suzaku: Lelouch, you’re a sadist. Lelouch: Okay, 85%. You did pretty good. Suzaku: Because I have a good teacher. Lelouch: Hmph. Flattery won’t get you anything! Suzaku: I’m not flattering you. I really think so. Thanks, Lelouch. Lelouch: … Anyway, today’s session… Suzaku: Um, we’re at the end of the 1700s, when the citizens were starting a revolution. Lelouch: That’s right. Ahem. At the end of the 1700s, all of Europe was facing rebellions that were triggered by the French Revolution. That was when Napoleon started gaining power, was crowned, and had a hold on almost all of Europe. He looked to expand to the British Isles, won the Battle of Trafalgar and held naval supremacy. He then took his 120,000 men and landed on British soil and thereafter advanced to London. The queen at that time, Elizabeth III, was chased to Edinburgh where she was captured by the citizens who supported Napoleon. She was forced to abolish the monarchy in a.t.b. 1807, which is known as the… Suzaku: “Humiliation at Edinburgh.” Lelouch: Right. And the one who saved the queen is Ricardo van Britannia, the man who eventually founded the Britannia Empire. Suzaku: So his existence was important to history. Lelouch: Not so fast. That’s why you’re so naive. You forgot an important person. He will later be featured in many novels, plays and movies: Ricardo’s right-hand man and best friend, and the strongest knight. He was the head of the Knights of the Round, the “Knight of One” — Sir Richart Hector. Suzaku: Oh! I think I’ve heard of him! I think I saw the movie, too. Lelouch: Then there’s no problem. Without Richart, the escape from Edinburgh to the New World wouldn’t have happened. Suzaku: I see… Lelouch: Then next we’ll talk about the founding of the Britannia Empire. Make sure to study! Suzaku: Yes, Professor Lelouch.
The Formation of Britannia Nunnally: Oh, I didn’t know you were here. Suzaku: Yeah. Lelouch was teaching me. Nunnally: When you’re done, would you like to have dinner with us? They’re preparing it now. Suzaku: Thanks, I’d love to. Lelouch: Then Suzaku, we’ll move on to the formation of Britannia. Did you study for this? Suzaku: Leave it to me. So Elizabeth III and the aristocrats who followed her went to the New World and set up a capital on the East Coast. They started conquering America, but Elizabeth III died without leaving an heir. Lelouch: Yeah. And normally they would choose one from among the relatives, but Elizabeth appointed her lover, Ricardo van Britannia I, as the heir on her deathbed. And that is how the Holy Empire of Britannia came to be. Suzaku: It’s an unbelievable story. She’s known as the “Queen who lived an eventful life for love,” right? She might’ve been nice as a lady, but I’m doubtful about her as a ruler. Lelouch: Woah! Stop, Suzaku! Suzaku: Huh? Nunnally: I see… you don’t like Elizabeth III? You don’t think she had what it took to be a ruler? Suzaku: Huh? What’s going on? Why do I feel so cornered? Nunnally: I see… Excuse me, I must go. Suzaku: What happened? Did I say something? Lelouch: Nunnally is a fan of Elizabeth III. When she was younger, she read a highly innacurate story that depicted her as a tragic queen. Suzaku: Oh, I see. I’m sorry. I didn’t know. Lelouch: Well, it’s not anything new that you can’t read the atmosphere. I’m glad you didn’t bring up the theory that she assassinated Napoleon, because the damage would’ve been even more severe. Suzaku: You mean, the theory that Napoleon died on his way back to France after the loss at Waterloo because of poison in his food put in by Elizabeth’s men? Lelouch: Yeah. “I will never forget this humiliation.” It’s a famous quote from her last testament. Nunnally: Lelouch! Suzaku! Dinner is ready. Lelouch: !! Oh, thanks, Nunnally. That was quick. Nunnally: I helped a little, that’s why. Suzaku: Thanks. I thought you’d be mad. Nunnally: Of course not. It was I who invited you. “I will never forget.” Suzaku:/Lelouch: …!!! Nunnally: Please, eat up!
Arrival of the Black Ships Lelouch: So the democratic revolutions continued and the aristocrats from all over Europe, especially France, advocated the release of slaves and the war that started in the southern states became the Civil War. Any questions? Suzaku: None, I get it. Oh? I hear a knock. Come in! Kallen: Oh, Suzaku, Lelouch. What are you two doing? Suzaku: I’m having Lelouch teach me history. Lelouch: That’s right. So if you don’t need anything, you’re in the way. Get out. Suzaku: You don’t have to kick her out. I don’t mind. Come on, let’s continue. Lelouch: Sheesh, you’re too nice. Fine, let’s continue. Britannia worked on stabilizing the country while also looking at foreign opportunities, especially in the Pacific. And finally in 1853 they crossed the Pacific and arrived in Japan. Japan had an isolationist policy and realized that they’d fallen behind the rest of the world. “The denkisen awakens the Pacific slumber; just four cups and we cannot fall asleep.” Are you familiar with this? Suzaku: Of course. I’m Japanese. Lelouch: Oh yeah. Well, it’s obvious but this is a haiku describing the black ships of Britannia arriving at Japan. Suzaku:/Kallen: …! Lelouch: What’s wrong? Suzaku: Oh… just continue, Lelouch. Lelouch: …? Fine. So the denkisen refers to the Britannian ships with outer rings that were operated with electric motors. It must be a phonetic equivalent. They should’ve written it with the kanji for “electric boats,” but since Japan didn’t have the technology for electricity, they used different kanji… Suzaku:/Kallen: … Lelouch: Okay, if you gusy have something you want to say, just say it! Kallen: You’re wrong, Lelouch. That’s not a haiku but a parodied tanka. Lelouch: …!! It’s something similar! Kallen: No, it’s not. And the denkisen actually refers to the expensive tea that was loaded on the boat. Green tea has a lot of caffeine, so the four cups making people not fall asleep is referring to the fact that a commotion was made with just four ships. Lelouch: What!? Is that true, Suzaku!? Suzaku: Umm. Sorry, Lelouch. Kallen is right. Lelouch: Urgh! Kallen: I’m sorry, Lelouch. You were enjoying your rolse as a professor, but I guess I ruined your day. Lelouch: Shut up, you. Perry ship!!
Occupation of Japan
Lelouch: So this is the last session. Suzaku: You’re as abrupt as usual. But isn’t this a bad place to end this? Lelouch: What are you talking about? This is just as I planned. I can’t talk about the a.t.b. 1900s because it’s related to the main plot. I’ve been told not to say anything. Suzaku: Really? But this is the last DVD volume, isn’t it? Lelouch: Urgh! It’s the end but not the end! Anyway, here’s the last session! We’re going to skip to a.t.b. 2010!! Suzaku: You don’t have to yell. Oh, 2010 is the year we first met. Lelouch: Yeah. At that time Japan took advantage of how the Chinese Federation and Britannia were on hostile terms and stayed neutral. They used the sakuradite card, manipulated the distribution, and created a three-way standoff between the Chinese Federation, the EU, and Britannia to enjoy economic prosperity. Suzaku: And no one thought that Britannia would break the balance using military force. Lelouch: That’s right. The common assumption in international relations at the time was that it was taboo to attack Japan. Because once a fire started, all the other factions would follow suit and a full-scale war would break out. But the one who broke the rule… Suzaku: … Was Charles zi Britannia. The 98th emperor of the Holy Empire of Britannia. And your father. Lelouch: That man’s preparations were complete. As a blindside he sent all of the Knights of the Round to Africa and Inda, and the flagship ship, the Great Britannia, to the Indian Ocean; and while others were looking away from the Pacific he seized Japan quickly. The situation was practically decided in the first 24 hours, and by the time the Chinese Federation and EU tried to act, it was too late. And what happened after that… is not necessary to say, I guess. Suzaku: Yeah, you’re right. Lelouch: Now starting tomorrow, I’ll talk about the history of other countries. Don’t forget to study. Suzaku: Huh!? But you said this is the last session. Lelouch: It’s over as in what’s going to be in the DVD booklets. Your class will continue. We’re starting with the Chinese Federation. Suzaku: Why the Chinese Federation? Lelouch: “It’s not the end of the story” is a hint. Suzaku: Sigh… I guess there’s much more… Lelouch: Are you unhappy with that!? After all that I went through to teach you!? Suzaku: No, I’m very grateful, Professor. Lelouch: Very well. Then that’s the end of today’s session!
If you're a writer you're supposed to write a lot of bullshit. It's part of the gig. You have to write a lot of absolute garbage in order to get to the good bits. Every once in a while you'll be like "Oh, I wish I hadn't wasted all that time writing bullshit," but that's dumb. That's exactly the same as an Olympic runner being like "Oh, I wish I hadn't wasted all that time running all those practice laps"
morning after dialogue
"Please, don't make this awkward."
"Did you know that you snore quite a lot?"
"We don't have to talk about it."
"You stole my blanket and fought me for it."
"I need to use the bathroom, could you let me go please?"
"See? That was alright, wasn't it?"
"Never thought you would be a cuddler."
"You're seriously like an octopus."
"How did you sleep? I slept surprisingly well."
"I can't feel my arm anymore, you were laying on it all night."
"You are like a furnace, I felt like I needed to get my clothes off."
"Has anyone ever told you that you talk in your sleep?"
"I couldn't leave, you were lying basically on top of me."
"When did you decide that I was the pillow?"
"Can we delay getting up for a few minutes more, please?"
More: bed sharing scenarios + only one bed dialogue
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I call upon the fan fic writing gods to bless you with the perseverance to finish one of your unfinished drafts.
May your fingers dance along the letters upon your device with ease, may the devil of distraction stay far from you, and may your work not need much editing.
I pass this blessing upon every fan fic writer out there.
Happy Star Wars day! May the Force be with you! @swsource Star Wars Week: Day 6
STAR WARS VISIONS S2 IS SO GOOD
fanfic writer | current fandoms: ASoIaF, Star Wars, Code Geass
52 posts