Btw I Have Uploaded To Drive The Digital Versions Of All The Persona Artbooks/guides I Found So Far!!

Dows this mean anything

Just started their story and am liking it a LOT so far :3 have goobers

Hi Kait! So about Saeyoung being parentified, can you share more about that?

Saeyoung Choi was parentified at a young age by his mother and this action left a deep impact on him that plagues him to this day. It does not matter what Route you're playing, Saeyoung reacts to his brother in the way a parent should. His dynamic with Saeran is founded by a bond of brothership, it's more like Saeyoung is the parent and Saeran is a child. It's that way by design, and you can thank Mother Choi for starting this unfortunate cycle.

So, to start off, I should explain what it means to be parentified, huh? Parentification is a form of physical and psychological abuse where a child is forced to take on the role of a parent for their fellow siblings in the house, or even their parents.

There are many kinds of this type of abuse, but two key types are notable in Saeyoung's arc.

Emotional Parentification is when you, the child, take on the role of a confidante or mediator. The child feels responsible for the emotional state of the people around them.

You're handed adult emotions and subject matter well before your pain can process what you're going through, and your mind reacts to this by trying to mend the distress. This can look like comforting your parent after they reveal something deeply distressing, like the details of a divorce, or financial issues to you. This can also look like trying to take care of younger family members when they're upset, leading the older child in this situation to comfort and control the situation in the way the adult should.

Instrumental Parentification is the act of giving a child tasks that are too large for them. That looks like a parent telling you to do grocery shopping, pay bills, cook meals for the family, or take care of a sick sibling, for example.

This is the act of giving a child responsibility in the household that they are not ready for. The adults in the situation expect the child to be capable of understanding adult concepts without failure, and the weight of that stress is more than a child's brain can comprehend. It shouldn't be on a child's shoulders to find food for the family or pay the bills, but that's what happens in this type of abuse.

So, now that I've given a definition of this abuse, let's go ahead and talk about Saeyoung's parentification. I don't think a lot of people in this world want to talk about the effects of parentification because a lot of people have suffered this abuse and don't even know it.

Most people see it as a child "stepping up" in a time of need, but that's not something we should condone as a society.

Saeyoung's first foray into the grown-up world was handed to him when his Mother decided she didn't want to leave the house to get her alcohol. She told him to go and fetch her for her, among other a number of other tasks, like grocery shopping and picking up some medication if needed. He has no choice but to obey her whims if he wants to eat and take care of Saeran, too.

This is how Mother Choi talks about him when he's not there. He was useful because she got double the money for the twins, and because he was strong enough to leave the house, run to escape the threat of anyone looking to kill him, and get the alcohol and food she wanted for herself.

Saeyoung knew everything was going to go to his mother first before he or Saeran got to eat or drink.

Because I don't know if you guys are aware of this or not, but Ray reveals to the player in V's Route that their mother used to only give them white bread and rice to eat. The boys were given scraps and if they got lucky... something hardier because Saeyoung managed to smuggle it.

To the point where he has a strong aversion to the taste of bread now. He doesn't want to eat it. It reminds him of being trapped in that house. He'd eat it if he had to, in the same way, Saeyoung and Saeran can eat anything because if you're hungry enough, trust me, you'll try to do anything to not starve.

I know a lot of people haven't played Rika's Behind DLC, but years into running errands and taking care of tasks for his mother, Rika sees mistrust and fear on his face. She doesn't get it at first, but considering the fact that she also suffers from abuse, it starts to make sense to her the longer she interacts with him. She saw her trauma in Saeyoung... similar to how she starts to see her pain in Saeran, too.

Rika's intentions were compassionate at first as a person who saw her tortured self in these boys.

Do you know what it would feel like for a child like Saeyoung to spend years running errands for his family on a minimal budget that mostly gets spent on alcohol, not only fearing that the money he had wasn't going to be enough but knowing his biological father was around the corner waiting to kill him?

Saeyoung lived in fear every day of his life but he wasn't allowed to be afraid. He had to be a big boy for Saeran and survive the scary places he was sent to otherwise his brother would be alone. Saeyoung knew he had to survive so Saeran wouldn't be alone. That place was bad as it was when it was the two of them, but if they were alone...?

If it was just Saeran alone or Saeyoung alone?

Well, we know how Saeran later describes it in the secret ending. It took V and Rika a few weeks to get everything together for Saeran, but in that time, Mother Choi spent hours denying Saeran food and water because she couldn't find Saeyoung. Saeyoung was right to be afraid of those things, but the problem is that he shouldn't have had to have lived that way.

He was a child just like Saeran.

Saeyoung would never acknowledge that fact, though. But, he was a child forced into the role of an adult. There hasn't been a moment in his life where he wasn't playing the grown-up... unless we counted a couple of years where he couldn't walk or talk.

There's a reason why he wouldn't admit he suffered this, though. He doesn't want to ever admit he was hurt because he thinks Saeran's trauma is valid in comparison to his. Sure, he got hurt, but he's the "responsible twin". He is the "grown-up". He is the "big brother". I'm sure Saeyoung's MCs are aware of that because that's why he's so damn resistant to being vulnerable with you!

It's because of this trauma!

I'm not going to dump every example into this post, but I will point out these screenshots in particular to make my point. This is how a child who is aware of financial instability acts.

The next thing Saeyoung became aware of was how important money was. He spent all his time trying to run these errands for Mother Choi, and even if he didn't know how to count on his fingers and toes, he had to learn fast.

If he's only given so much money, he has to debate what to pay for and what he can and can't get. "Mother told me to get the "x kind of alcohol and that costs y, but we need more of this food for us to be able to eat, but the food costs z. What do I do?" He learns faster than anyone that if he wants to get out of that house, they need to get a lot of money, fast. They can't touch whatever Saejoong sends them.

She'd notice Saeyoung taking that money. Mother Choi might not be all there in her later years as alcoholism rots her brain, but if there is one thing she knows, it's that her brand costs XYZ and she better be able to afford that since Saejoong sends the "ZYX" amount.

Money is a serious problem for many families. I can tell you from firsthand experience that being exposed to the money insecurity around me at a young age made me paranoid about the concept of money. Why do you guys think Saeyoung buys those cars? He has those cars because they're easy to get rid of for quick cash if you're desperate. He loves being a mechanic, but it's not just about those cars.

It's about the money.

Every dime he makes from the agency isn't something he considers to be safe. That's why he keeps extra items in his bunker to get rid of if he needs to make quick cash. The game itself doesn't go into detail about how many different bank accounts Saeyoung has or where he stores his money, but it's worth noting that Saeyoung has as much in his pocket as Jumin does, if not more. He just doesn't spend it due to the fear he has.

What if Saeran needs that money?

It's not "What if I need that money?"

It's "What if Rika or V asks me for money to help him and I can make that happen?" and it's "What if the agency explodes someday and I'm free to live with Saeran? I want Saeran to have everything... all of it. I need to be able to have a limitless amount of money so he's never without."

So, he's determined to find another way to make money to help his brother escape. Have you guys ever noticed Saeyoung's language in the game when he talks about escaping? It's never about him. There isn't a moment where he considers his wants or needs. That's due to the fact that he's been trying to care for Saeran first and foremost. It is his job, not only because his mother told him to do it, but because he feels like it's his destiny to protect Saeran as the big brother.

That brings me to what Saeyoung understood as his job from the minute he could understand abstract thought and walk.

The fact that Saeyoung believes it's his job to take care of Saeran's emotional regulation. Every choice he's ever made in his life was to protect Saeran from becoming aware of how much danger existed around them. Every time Saeran cried, Saeyoung took it personally, and he jumped into action to help Saeran calm down.

He spent those days trying to distract Saeran, tell him stories, or he would create games to keep his mind off the ropes on his ankles and the storm in the other room. Of course, Saeyoung was a child just as his brother was, and he wasn't the best at "being the parent".

There were moments when Saeyoung couldn't help himself, and he would cry or scream at Saeran without meaning to. Saeyoung would feel a great deal of shame after it and mask his emotions even deeper to survive as Saeran's caretaker. In fact, I had a bitter chuckle when I glanced through the Secret Ending to grab examples of this fact and a nurse outright called Saeyoung "Saeran's caretaker".

I can clip hundreds of examples where Saeyoung focuses on Saeran's emotional state before his own. This is an example I explained. Where Saeran mentions a time when he tried to argue with Saeyoung about how he felt and Saeyoung screamed at him. Saeyoung wants to make a better world for Saeran so Saeran can be a child... and he just can't accept that Saeran is aware of how dire things are.

He's been trying for years to keep Saeran in a state of naivety for his protection. Saeran was never naive, though. He knew better, but he saw how hard Saeyoung was trying... he didn't want to get yelled at for telling Saeyoung what he really felt.

Saeran wanted to be just like Saeyoung because Saeyoung was the "strong one". He saw his twin brother being "grown-up". Why wouldn't Saeran start to view Saeyoung as more of a parent? You don't have to call someone your parent to view them as a parent, and that is very much the case for the younger siblings who count on their siblings for that bond.

Saeyoung has a horrible habit of saying: "If I am strong, then you are strong. You're me and I'm you." It was the only thing he could think of to help Saeran when they were kids. It's poetic and thoughtful, but it isn't helpful for Saeran's emotional regulation. It placed the weight of his strength on Saeyoung and Saeyoung alone. Saeran didn't want to do that, but Saeyoung kept doing that over and over again.

Saeyoung was a child who tried his best with what he was given, but again, he was a child who had to throw glue at the wall until he made himself believe something stuck. A major problem with Saeyoung at his core is that he can't see Saeran as anything but a helpless child... he infantilizes Saeran quite often. The last time he saw Saeran, that situation was different.

He was playing the role of Saeran's parent and Saeran depended on him for everything. He has a very hard time stepping outside of that role. Saeyoung plays the role of a caretaker as best he can, but that's a problem. Saeran isn't a child and neither is Saeyoung anymore. He's got to do what's right for Saeran, but Saeyoung continues to think he knows best no matter what because he's Saeran's caretaker.

He can't shut that mentality off. It's going to take a lot of therapy for Saeyoung to confront this fact, but in the Secret Ending, there isn't any moment of time he can spare for that. He's still busy living in the worst nightmare of his life. He won't let himself focus on recovering from the gunshot wound, nor will he work on physical therapy when he needs to. He neglects his needs because he's afraid for Saeran at every turn.

In some regard, we, the players, understand why that is. We know the truth that others don't. If Saejoong finds out about them, they will be killed for it. There is only so much Jumin can do to protect them, and he's already doing more than any average person would.

Saeyoung is aware that the hospital wants to sedate Saeran for the violence he's displayed to doctors and nurses. But, he knows that his brother doesn't want to be drugged again. He is in a crisis of morality for days. What's the right thing to do? He knows Saeran needs to be in the hospital but he can't let that continue.

He feels that he knows better for his brother at the moment.

He knows Saeran will stay in a hospital room to get the help he needs.

But, how long before someone finds out? Even Jumin points out that the risk of his father finding out about Saeran is high. Saeyoung has to make a painful choice. Remove Saeran from the hospital knowing that it's not good for Saeran's mental health or keep him trapped in a psych ward knowing it might get him killed. He did what he thought was right.

It's a difficult question.

But, Saeyoung didn't think twice. He knew he had to make a hard decision to save Saeran's life. He didn't discuss anything with anyone else. He just acted. He acted with the knowledge that he is the only one who understands what Saeran needs. He is the only one who is capable of protecting Saeran. He can't trust anyone else ever again.

He will be the adult, the grown-up, the parent, and the big brother. I have to point at this exchange as a good example of Saeyoung being the one who feels like he has to regulate Saeran's emotions. Look at how he speaks to Saeran, begs with him, pleads with him, and tries to play the parent who doesn't know how bad it was but wants to do something to make it right.

"I was awed there was something in this world I had to protect. I'm blessed to have someone that I need to protect. Thank you, Saeran... for being there so that I can protect you. You existing beside me gives me one more reason to live."

That is the language of a man who has no life purpose but to be a parent to his twin brother his entire life. He says outright that his job was to make sure that Saeran could stay alive no matter what. He is the last person who should be trying to break through to Saeran in this situation about what it means to want to live or die, but he feels that there is no other choice.

What is Saeyoung's purpose if not to be Saeran's parental figure? His caretaker? Even as he starts to heal and learn how to live with his MC in a world that he wants to live in forever... he is going to be grappling with that question.

This doesn't change at the End of Secret Ending when Saeran and Saeyoung have their "breakthrough."

Saeran still looks to Saeyoung for an answer and Saeyoung wants to give one. In fact, the reason why Saeran decides that it's not worth it to kill himself isn't just due to the fact that he realized that Saeyoung would do anything for his happiness, even die.

It's also because he realized that Saeyoung will not let him die. He doesn't want Saeran to die and he won't Saeran do it. That doesn't stop Saeran's suicidal thoughts. He simply becomes apathetic after this. He knows he can't die no matter what he does, what's the point in trying again? He doesn't have a sudden revelation. He just learns that Saeyoung won't quit trying to save his life.

Saeyoung: "Let's go back to how we were. We've survived so much. Our happiness now can shine brighter because of that."

Saeran: "I hated that about you. I hated how you were positive about the future, and yet, I admired it at the same time too. I'll give him the benefit of the doubt this time if only because that's the only choice I have right now."

Saeyoung, my dearest, you can't go back. This sets up how I view the way Saeyoung will treat Saeran going forward until he gets into some therapy and acknowledges what he went through. This doesn't make Saeyoung a bad person, but it does show the player how Saeyoung's unable to stop seeing himself as a child who had to be a grown-up to survive. He needs to accept that Saeran is a grown-up and that he's a grown-up, too.

Saeran should be allowed to do what he wants, and outside of doing the right thing by removing sharp objects and more things like that outside of that bunker, as well as offering emotional support when it is asked for, Saeyoung should learn who his brother is today instead of thinking of him as the baby who clung to him when they were both stuck in that nightmare home.

Just as Saeran should give Saeyoung a chance to show who he is as an adult, too, when he's ready. He doesn't need to see Saeyoung as a savior or a caretaker, and he doesn't want to, but they need time, the both of them, to get out of that place. I think with time, therapy, and the help of MC will do wonders for this.

I know I didn't get into where this would play out in Another Story, but it's the same sentiment. But, in that situation, Saeyoung has no choice but to be forced into seeing Saeran's autonomy as an adult. It's far different than what we're shown in Saeyoung's Route. I know the game doesn't cover this either, but I have to add something else to this.

You know V's murder is something that Saeyoung is going to take the blame for. Saeran is never going to be blamed in Saeyoung's eyes and I don't see that changing even as they get better. He will say it's a sin he committed since he was the one who put Saeran in that position, to begin with.

It's painful to think about but it's the truth.

Saeyoung will gloss over Saeran's actions because he is his brother. That's going to cause issues later on as Saeran takes ownership of his actions. He won't be able to talk about those things with his brother... because Saeyoung will excuse him. "It's my fault. Blame me. I failed you as a big brother. Your actions were mine. They weren't yours. I'm the filthy sinner. I am Luciel. I am Lucifer. I take your sins and cleanse you of them."

Saeyoung became a monster and he feels like Saeran shouldn't be called one when he already took the burden as Saeran's other half. That's a part of what he can't admit to himself. That he feels like a parent who must take care of everything that happened to Saeran as if it were his sin instead.

I feel like this is a part of Saeyoung Choi that a lot of people can relate to, but it's the pain of knowing that he hasn't realized how deep this trauma runs in him.

🌼 poems that set me free in april (even for a short while) 🌼

Stranger, an Armenian folk poem (from “Anthology of Armenian poetry")  

Dawn Does Not Break in the West, Eghishe Charenc (from “Anthology of Armenian poetry")  

Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")

The Rope Looped Itself, Hamo Sahyan (from “Anthology of Armenian poetry”)

The Analysis of Yearning (Garod), Paruyr Sevak (from “Anthology of Armenian poetry")  

I Can Give Myself To Her by Yosano Akiko

“I was thinking…” by Elena Shvarts (tr. by Stephanie Sandler)

Love by Bob Hicok

Note for My Wall by Charles Bukowski

Here and Now by Peter Balakian

The Sound of Trees by Robert Frost

A Kind Of Loss by Ingeborg Bachmann

Excuses For Why We Failed At Love by Warsan Shire

‘One Heart’ by Franz Wright

Mayakovsky by Frank O'Hara

I Have a Terrible Cold by Fernando Pessoa

I felt a Funeral, in my Brain, (340) by Emily Dickinson

Wet Evening in April by Patrick Kavanagh

You Who Never Arrived by Rainer Maria Rilke

For M by Mikko Harvey

“Little Crazy Love Song” by Mary Oliver

It was almost exactly 10 years ago when I first came across this official Dir en grey manga. Back then I was full of hope that someone would one day translate this fierce piece of art for everyone. Turns out no one ever did. And I can’t really blame anyone, because the scans are tiny, the kana are even tinier and the character page is one blurry mess. Who, in their right mind, would do this to themself?! Well… I did. Because today my Japanese is finally good enough that I could translate this.

So here it is. Dir en grey’s Deadly Claris manga, book #1. (I have never seen the other ones and I am pretty sure they don’t exist; haha.) I genuinely hope you’ll enjoy reading it! <3

Book: Deadly Claris 1 Written by: Satou Yoshinawo || Drawn by: DADA Published: July 2003 Pages: 129

Notes: ● There are a few references to Dir en grey songs in this. The Demon Kingdom is actually the well-known “Rasetsu Koku”. (More accurately “Rasetsu” stands for “Rakshasa”; a man-eating demon in Hinduism and Buddhism.) Kaoru’s special attack is called Sin & Punishment - “Tsumi to Batsu”. And Kyo used the Blue Moon incantation - “Aoi Tsuki”. ● I’ve resized the pictures from 450px to 500px wide. ● I’ve included all the SFX, because I am out of my mind obviously. ● You do not necessarily have to know the band to read and enjoy this manga; tbh. Give it a try! The art is insane! (Scanlation & optional download link below.) 

Afficher davantage

Hey! I'd love to hear your opinion on two things of the Halloween Mystic Messenger screen

First of all what do you think of Rika in the Dirndl (germans traditional women clothing) I think she looks quite snazzy, the colors are unusual on her but she looks gorgeous either way

Second of all, do you think Rika is Hänsel, Gretel, or the witch cause I am not sure. Like for the role she plays in the game, the witch would make a lot of sense, but she only gets out of her house after the children started eating her house, so I doubt it. And I forgot who was the one wanting to eat the house first of the siblings so I don't know 😭 I tried gaining understanding by looking at MC's clothes. But I have no idea what she is wearing, so I am at a loss and would love to hear your take on it!

Sending lots of love, dear <33

Hi! Thank you so much for such a in-depth ask, it was a ton of fun to sit and muse with my thoughts and ideas on Rika's birthday CG we got.

So, first of all, I gotta agree with you there: that's definitely a form of dirndl she's wearing! The designs look awfully similar for it to be a mere coincidence to me. These dresses can come in so different designs so it's a very versatile type of clothing to work with. Here are some examples of what I mean:

And here's Rika's dress up close for comparison:

Personally, I adore dirndls and their rustic yet elegant look. Never knew the specific term for such a dress, but now I do! It's not a sophisticated dress per se, but the simple beauty it brings out makes me super happy. If you think about it, it does fit Rika quite well. While she certainly loves to dress up every once in a while, her day-to-day style is quite modest in its nature. She's not wearing any dark colors in this cg, but it's not the pure white dress we saw on her two years ago either. To be honest, this color palette of green and blue on her makes me smile. It's not black or white, there's no darkness or light. At least, not in a way that would get your attention right away. She's not trying to embody the darkness or the light here. Instead, it's such a peaceful and soothing combination of colors, and I think it fits her very well. I also really like the yellow apron she's wearing! Is it, possibly, a callback to the dress we see on her in the game and the past she's trying to forget, only for it to remain by her side in one shape or another? Who knows, but it's a fun theory. Though, it should be noted that her outfit is still done in a cold color palette. It's certainly a way more colourful look on her than we're used to seeing, but in spite of all that, there's a certain type of deep melancholy surrounding her, even with a gentle smile brightening up her features.

Okay, now that we're done with her dress, let's talk symbolism! I'm gonna put up the whole CG now:

I'll be completely honest and say that it's been a while since I've read Hänsel and Gretel, so I had to quickly reread it to get a good feel of the story. It's very easy to assume that Rika's the witch leading MC away with the alluring promise of endless sweetness, only to trap them the moment they let their guard down. After all, the castle of Magenta sure does fit the sweet and inviting exterior of the witch's candy house pretty well. At first, it seems like a dream come true to the hungry and tired children, up until the very moment they finally get inside and see the ugliness hidden within these candy walls. That's what I thought of at first too! But, after rereading this story for your ask, I actually got another idea all together.

See, in the story, Gretel was wearing an apron. Not sure if she was wearing it from the very beginning, or after they finally freed themselves from the witch's clutches, but it's definitely there! And what do we see Rika wearing? That's right! An apron. Furthermore, I decided to look into the way Gretel is portrayed visually. To my surprise, she's often seen dressed in a classic dirndl. Which is actually not that surprising, since this story was published in 19th century in Germany, but hey, I didn't know that before :D Gretel was also the one leading Hänsel to the candy house, if I'm remembering it correctly.

So yes! Everything actually points to Rika being Gretel instead of a witch. Which means that MC is definitely Hänsel. This opens up a whole other possibility from a narrative standpoint. I wonder who the witch is then, though... But, I must admit, I REALLY like the idea of Rika initially helping the witch, albeit reluctantly and through her own tears, only to eventually find enough courage inside herself to break free and trick her, saving MC with her own hands. It's a nice parallel, considering that Hänsel (MC) was initially the one leaving pebbles and breadcrumbs to make sure that they'll return back home safe and sound. MC was also the one caring for Rika and promising her that everything will turn out okay.

Though, Rika still very much could be the witch, and I'm just looking way too deeply into this '^^ But, I must admit, I like the idea of her being Gretel much better. I want her to be happy!

Perhaps, Mika is the witch here. She's the one that first planted the idea for Mint Eye in Rika's head and she's the one telling her what to do for a short while. Mika playing the role of a witch that lured Rika and MC into her candy house only to force Rika to do her bidding does kinda fit the story. Maybe she locked MC up, because they were trying to warn Rika not to listen to her. I always loved the idea of MC knowing Rika before the start of the game, and how that would change up the narrative all together. I'd say that the father they return to in the end of the story is V, since he was the one genuinely caring for the kids, however his kind heart still did not stop him from unknowingly leading them to their doom. It does fit him quite well, I think. He's a good man doing his best and failing in the process, like we all do sometimes. Though, I have no idea who should be the evil mother... She's the one that quite literally abandoned Hänsel and Gretel in the middle of a forest, so... I don't know. I could go for a literal route and choose Rika's mother, but it's still feels kinda iffy and on the nose for it to make sense.

“Trauma, Obsession, Conflict and Reunion” 🌙☀️

I love Xue Yang

devil

(tw for self-harm. this is extremely self-indulgent. read at your own risk.)

Devil.

Her core, her soul, the very depth of her being, was a creature that had no right to see the light.

Usually, she could fight it. Usually, she could resist it. Usually, she could deny it.

But nighttime was when her demons were strongest, and she couldn’t always resist their allure. It was so easy to give into those voices, those whispers at the back of her mind that assured her that these actions were necessary for her survival. The devil inside of her had kept her alive for this long, so why would it ever try to deceive her now?

Nevertheless, as Rika looked down at the blood welling on her soft, thin, porcelain skin, she slowly came to realize that for once, her devil might have grown a little too strong.

A sharp wail escaped her lips, and the offender dropped from her hand to the floor with a clatter. She immediately clamped her free hand over her mouth, trying to muffle her cries. She couldn’t, shouldn’t, wouldn’t accept this. She could brush it off. She could pretend it never happened.

She hadn’t ever imagined that her devil would take a tangible form, but it had left a kiss on her wrist that she couldn’t ignore.

“Rika?”

A voice sounded from outside the bathroom door, followed by a sharp knock. The sound managed to strike Rika’s core, piercing even through her foggy mind and her shaky body. Hastily, the blonde ran her hands underneath the sink, eager to wash away the evidence. Rinse, rinse… Maybe a splash of soap, to ensure she was effectively clean. She needed to scrub away the darkness that she tried so desperately to keep hidden.

But as she pumped the soap onto her tender skin, the stinging that resulted made her whimper despite herself.

“Rika?” the voice called again, a little more frantically this time. “It’s me, V. Are you okay?”

Rika began to scramble through the drawers and cabinets, knowing that somewhere, somehow, the couple must have had a first aid kit in here. V was cautious—almost overly so—and every time that Rika complained she felt ill, whether it was a physical or emotional pain, her lover always seemed to be able to withdraw some sort of medicine to soothe her, some sort of bandage to patch her up.

She usually refused, not wanting to mess with her mind or body in the slightest, but for once, she was willing to accept the fact that she needed assistance. Normally, she wanted to keep that devil alive and well, strong enough to defend her from whatever the world may throw at her.

This time, though, that savior inside her had betrayed her, and she needed to bring it back within her power.

“Rika!”

“I-I-I… I need…” She tried to sputter out some words, some sort of answer to V to let him know that she was alive and well.

Was she really well, though?

“… a m-m-moment,” she stammered at last. She thought the sentence came from her, anyway; that voice sounded like it belonged to her, but in her dazed mind and through her ringing ears, pounding with the vibrations of her intense heartbeat, it felt so far away, as though it were coming from somewhere else.

V didn’t respond to that; he fell silent, finally, and all that Rika could hear was a soft exhale. He must have been relieved that she had answered, as distorted and shaky as it was, and so he was willing to give her the space she needed until she was ready once again. He was always so considerate of her, always trying to appease her darkness and bathe her in a glowing light.

Normally, her devil resented that light, that glow, that searing heat… but Rika, for once, was grateful to know the sun was right outside her door, ready to banish away the demons that had overpowered her.

A little bit of pressure was all it took to stop the bleeding, and finally Rika allowed herself to crack the door open. She waved at him with her dominant hand, keeping the other one tucked behind her back. “I… I saw a bug.” Some woman’s voice was trying to excuse the shrieking that had taken place, and deep down, Rika knew that this feeble fib would never convince him. She wanted to be hopeful, though. She didn’t want anyone—not even V—to know the extent of her struggles.

But as V’s minty gaze flickered to her hidden hand, to the razor on the floor, and finally to the swelling around the young woman’s eyes, he looked as though he’d managed to piece together exactly what had taken place in here.

“It’s okay.”

How could two simple words break her down?

Rika at once leaned forward and buried her face in his chest, sniffling and sobbing. Her tears were soaking into his shirt, but he didn’t seem to mind. The young man just ran a hand through her soft curls and pulled her in at the waist, massaging little circles into the small of her back. “You don’t have to be strong for me, Rika.”

With a whimper, she lifted her head and gazed up at him with tearful emerald eyes. “I… She… I…” Who should she blame? Was this the doing of Rika, or of… something else entirely?

No, this was Rika. This was a part of her that she tried so desperately to keep hidden. The part of her that V had tried to kill, time and time again, by trying to force her to expose it and unravel it.

But right now, Rika was willing to throw herself into his arms, if only to hear the words she so desperately needed to hear.

“I love you, Rika. Nothing you do will ever change that.”

Could she trust his words?

At this moment, did she have a choice?

“Let me see.”

Immediately Rika leaped back, cowering away from him, clutching her wound in her good hand and turning away so that he couldn’t get even a glimpse. “It’s fine…” she murmured, but as she removed her hand from her wrist and saw the little specks of blood that splattered her fingertips, she couldn’t fight back the sob that followed.

“Antibacterial cream and bandages,” V suggested softly, his voice barely above a whisper. “We have some in here.”

The blue-haired young man withdrew a small tube of ointment and a box of bandages from one of the drawers, and Rika cursed herself silently for not being able to find them sooner. Begrudgingly, she held her arm out to him, and upon seeing the subtle raise of his eyebrows and the softening of his gaze, she felt tears begin to brim along the corners of her eyes again.

“V, you need to promise me something,” she whispered as he began to rub the ointment into her skin. The pressure against her wound made her flinch, but she bit her lip and tried to keep herself steady. “You won’t tell anyone, especially not the RFA. Not even Jumin.”

Concern and doubt flickered across his eyes, but V nodded slowly. “You don’t want them to see you like this,” he guessed.

“I’m their sun, V.”

“Sometimes there’s a solar eclipse, Rika.”

Their silence coated the air for a moment as V gently stuck the bandage onto her wrist, careful to ensure he could cover the entirety of her injury. It was small, but significant. It was dainty, but deep.

Rika couldn’t fight back the gasp that slowly seeped out of her lungs as her lover gently applied his lips to the surface of the bandage. “You are my sun,” he whispered as he pulled back, and he gently took her hand in both of his. “Nothing you do will make me stop seeking your light.”

Light… even like this? Was there any light in her at all?

“I don’t understand you,” she grumbled. “I don’t understand how you could love a devil like me.”

“I’m not asking you to understand,” he told her simply. “I’m asking you to trust me.”

With a nod of her head and a dull ache in her chest,

Rika leaned into V’s warm, comforting embrace.

With the power of love, and after a quick rest,

Maybe, her demons she would be able to face.