Reasons To Move Out Of Home

cdream got kicked out of the vriska poll (characters who have a shit ton of discourse for being morally grey) because............. he had too much discourse

it's hilarious how if you do any amount of research into life or death melee combat the prevailing themes that emerge are that

you're gonna get tired very quickly

tired leads to injured, injured leads to tired, tired leads to—

you're not gonna be as composed as you expect

humans are more fragile than you think and also more durable than you think. both are true and neither stop them from dying of an infection later (DO NOT GET BITTEN)

DO NOT GET STABBED (generally good life advice)

DO GET A SPEAR

knights are faster than you think

Hello.

I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?

Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.

This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.

(Adding a cut here, because this goes on a bit...)

In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.

So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for it—not obsessively, just persistently, a couple/few times a week—using the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.

Additionally: I would start politely, but repeatedly—again, maybe once or twice a week at least, and not stopping—tweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.

I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.

And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.

After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)

...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blink—if sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.

As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.

...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)

ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.

dream finding tommys discs by calculating the distance and direction he walked by sound only was real right

Anyone by @gentrychild

Imagine a world where your quirk determines your path and your worth. A world that has no place for a quirkless boy.

Despite that, Izuku is determined to become a hero. Until he realizes no one will let him.

So he accidentally creates a helpful (criminal) organization.

And he (not so) accidentally steals One for All.

May contain Izuku technically becoming a villain but still helping people, All Might running around like a headless chicken to find his stolen quirk, and All for One refusing to just go away.

the full version of my animatic for gentry’s fic

come n get it 🗣

a story with that cyberpunk theme of “are you really human if you modify your body to gain power“, except the body modification is just strength training.

Oh and quick note for writers:

One difference between this strike and the last one is that there are a lot more fellowships targeted at early career tv writers than there used to be (there have always been some, but the fellowship model is way more commonplace these days)

Studios are about to make a ton more of these opportunities and advertise them widely as a way to break into the industry, and they will be very specific about the fellowship not technically counting as a writers room or a tv job

THIS IS A TRICK TO GET YOU TO SCAB

Sharing any written content with a studio (even if they route it through a 3rd party "foundation" or development org or something) IS SCABBING

What you do in regards to the strike is your business, but the WGA has been very clear that anyone who scabs will be BANNED FROM JOINING THE UNION FOR LIFE. That means even if you get hired, that's no health & pension and no union protections for your entire career. This shit is serious

So please please double check and dig into any new submission opportunities you see in the next weeks. Playwrights especially be careful - many studios are finding their writers through play scripts these days so be very careful about how and where your work is being shared

No writing going to the studios means NO WRITING of any kind

(if you see suspicious fellowship stuff being passed around let me know, I'd love to keep an eye on that for my peeps)

writers shouldn't need to go on strike – but when we do, we're funny as fuck.

some of my personal faves, taken from a longer twitter thread by jenny yang. learn more about the strike here.

On w*ndigoag:

W*ndigoag/w*ndigo are sacred Algonquian spirits that have spread to other Anishinaabe cultures. They aren’t worshiped or whatever, they are feared.

They’re the physical embodiments of evil, the result of a person falling into the trap of greed and cruelty, usually in the form of cannibalism. Our fear not only stems from the spirits and the danger they pose to others, but also their implications and the constant reminder that anyone can become a monster if they allow themselves to.

They are not bipedal deer and I have no idea where that concept came from. Most traditional depictions show them as humanoid giants made of ice, usually with the body of the person they came from encased inside.

In some stories, they’re killed by people, usually via fire. In others, they can only be killed by luring them to a body of water and getting the attention of a water spirit to fight it.

There’s very, very few stories where the person can be saved. The transformation into a w*ndigo is not a reversible one, and the only real way to save someone from that existence is to free them with death.

We censor their names because, traditionally, we’re taught not to say them out loud in case we get the attention of one or summon one. This is especially important during winter or at night.

They are not benign spirits. They are not kind. They are not rational. They are evil and cruel, and their only desires center around killing and eating. They’re as rational and logical as a wild raccoon in the late stages of rabies.

You cannot work with them. They can’t be bound, and they definitely can’t be bought or sold. Do not trust any spirit who claims to be a w*ndigo and do not trust any spirit worker who tries to sell you one.

W*ndigoag are Algonquian and Anishinaabe spirits. Algonquian people are the authorities on them, other Anishinaabe people less so. Non-Anishinaabe Natives cannot say that appropriation of w*ndigoag is okay because that isn’t their culture and it’s definitely not their decision to make. You cannot give someone permission to use something that isn’t yours.

The use of w*ndigoag in non-Native media is appropriation. The only exception to this is in when the creators work with Algonquian people to make respectful and accurate depictions. You’ll be very hard pressed to find cases of this.

W*ndigoag are not cryptids because they are sacred spirits. Abrahamic angels are not cryptids. Japanese yokai are not cryptids. Vodou loa are not cryptids. Respect indigenous beliefs as legitimate spirituality instead of reducing our cultures down to bastardized stories.

If you aren’t Anishinaabe, you cannot be “wendigokin”. Appropriation of indigenous spirituality isn’t suddenly okay because your ~soul~ is an indigenous spirit. You are not entitled to our cultures or spiritual beliefs. Jfc.

“Wendigocore” is also bullshit, what the fuck is wrong with you all? Our sacred spirituality is not your ugly ass aesthetic.

(Left those uncensored because it’s a summer afternoon and I want people in those tags to see this. Fuck off.)

Anishinaabe people are not obligated to share our SACRED STORIES with outsiders in order for them to be respected. We don’t want you to make your depictions of w*ndigoag in your stories more accurate. We just want you to leave our cultures alone for once.

Now please stop sending me messages about w*ndigoag. I understand you all just want to learn but I am so fucking tired. I’ve answered these questions dozens of times and I need a break.

Don’t start discourse on this post. I am not in the mood for it.

If any Algonquian or other Anishinaabe people have corrections, hmu.