Latest Posts by libraryidealist - Page 11

rncpoems / Johnson 4/20 @2009 by NEA, Inc. / pencap / iloveskies / Hafiz / Unknown /  Sunlit. Oil on linen , Gunter H. Korus / silentthevoice, louisamayanniecat / Unknown / Atticus

Hiroshima

Der den Tod auf Hiroshima warf Ging ins Kloster, läutet dort die Glocken. Der den Tod auf Hiroshima warf Sprang vom Stuhl in die Schlinge, erwürgte sich. Der den Tod auf Hiroshima warf Fiel in Wahnsinn, wehrt Gespenster ab Hunderttausend, die ihn angehen nächtlich, Auferstandene aus Staub für ihn.

Nichts von alledem ist wahr. Erst vor kurzem sah ich ihn Im Garten seines Hauses vor der Stadt. Die Hecken waren noch jung und die Rosenbüsche zierlich. Das wächst nicht so schnell, dass sich einer verbergen könnte Im Wald des Vergessens. Gut zu sehen war Das nackte Vorstadthaus, die junge Frau Die neben ihm stand im Blumenkleid Das kleine Mädchen an ihrer Hand Der Knabe, der auf seinem Rücken saß Und über seinem Kopf die Peitsche schwang. Sehr gut erkennbar war er selbst Vierbeinig auf dem Grasplatz, das Gesicht Verzerrt von Lachen, weil der Photograph Hinter der Hecke stand, das Auge der Welt.

--Marie Luise Kaschnitz

oh, these blue-eyed boys, these firestorm boys with constellations in their teeth, these back alley boys with bloody knuckles and painted smirks, these snowfall boys with quiet rage and quieter hopes.

pity these blue-eyed boys gave mercy on these blue-eyed boys because the world will have no mercy for them and they are born with almost etched in their bones.

he almost loved him. he almost kissed him. he almost held him.

he almost followed him. he almost stopped him. he almost caught him.

he almost saved him. he almost made it. he almost came home.

he almost—      he almost—           they almost—

they almost had a chance.

“tell me a story. i don’t have any to tell. (you wouldn’t believe me if i did.) you always have stories. you already know all the good ones. (the only good ones i have are the ones with you.) then tell me an old one. but you already know how it ends. (i wish i could forget how this one ends. i think i was happier not knowing.) i don’t care. it’s no fun if you know the ending. (you should care. this tragedy is a fairytale without it.) can’t you make one up? i just want to hear a story. fine. i’ll tell you a story. (i’ll tell you a lie. that’s all i have left to give you.) okay. i’m listening. once upon a time, there was a boy with fool’s gold for hair. (and i couldn’t save him.)”

— but I swear I tried. I did. ( j.p. ) || insp. by @noxalnoesis

bread so tasty. bread so nice. toast it once. toast it twice.

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”

“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.” 

“I can’t help it,” said the scorpion. “It’s my nature.”

___

…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.

“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”

___

…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.

“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.

“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”

“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”

___

…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”

“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”

“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”

“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.

The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”

The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.

___

A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.

They reached the other side of the river, and parted ways as friends.

___

…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.

The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”

The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”

“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”

But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.

“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.

“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”

“You couldn’t help it,” said the scorpion mildly. “It’s your nature.” 

___

…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”

“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”

___

“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”

“It’s the journey,” said the scorpion. “Not the destination.”

___

…“What’s on the other side of anything?” said the scorpion. “A new beginning.”

___

…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”

___

…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”

___

“I love you,” said the scorpion.

The frog glanced upward. “Do you?”

“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”

The frog swam on, the both of them silent.

___

“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”

“Shh,” the scorpion said. “Don’t be afraid.”

The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”

“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.” 

“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?” 

“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”

“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”

“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”

___

“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”  

“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.

The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”

“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”

Day 2 in the Middle School Time Loop: you remember that last time, everyone ignored you at recess because they were talking about a TV show that you hadn’t watched. This time, you lie and say you’ve seen it. They ask you who your favorite character is, and you don’t know any of the characters, and so you’re tongue-tied. They think you’re weirder than ever, or maybe a liar, which is worse (and true).

Day 3 in the Middle School Time Loop: you tell your parents that you feel ill. They let you stay home while they’re at work. You spend the whole day watching past episodes of the TV Show.

Day 4 in the Middle School Time Loop: Recess again. The same person asks you who your favorite character is. This time, you're ready. You eagerly tell them, and supplement your reasons for liking them with solid evidence from all 4 seasons of the show. But! Tough luck: you’re now too invested. The atmosphere turns uncomfortable. They go back to ignoring you like they did on the Day 1 that you didn’t know was Day 1.

Day 5 in the Middle School Time Loop:

You decide to try a different approach and update your style. You've noticed that Ashleigh, who’s blonde and constantly surrounded by friends, always wears pink stripey sneakers. You try wearing a pink dress. Someone says it’s cute, but you know from how they say it that it isn’t the good cute.

“I thought that pink was cool,” you protest, more to the uncaring universe than to anyone in particular.

Your interlocutor shrugs. “Maybe on someone else.”

Day 6 in the Middle School Time Loop: You keep your head down, but still surprise the teachers by somehow knowing the correct answers to every spontaneous question they throw out to the class. You study the outfits of your classmates more closely. You realize that it wasn’t the color, so much as the brand that made the difference. It proves the shoes were expensive. You note down Ashleigh's sneaker brand in smudgy ink on the back of your hand, and then after school you take half a year's saved-up allowance and buy a matching pair at the mall. Your mom raises her eyebrows but doesn’t stop you.

Day 7 in the Middle School Time Loop: Today you make it to lunch before anything major goes wrong. You think that the sneakers have protected you, and stare down at them lovingly, watching the Barbie-pink plastic stripes reflect the tube lights on the ceiling as you turn your feet this way and that. But then at lunch, Ashleigh comes up, arm and arm with a friend. Her eyes are a little pink, but only a little.

“Ashleigh wanted me to tell you that she’s really hurt that you copied her sneakers,” the friend informs you, nobly, as if it would be too unpleasant for Ashleigh to have to say this herself. Her mouth is solemn but her eyes are gleeful.

“I didn’t…” You start to deny it automatically, even though it’s true. And yet, something won’t let you apologize. Doesn’t she see your imitation for what it is: the most sincere compliment you know how to bestow? This is your Hail Mary.

As you meet her eyes, you realize she does know, but this only makes her despise you more.

“I think a lot of people have these sneakers,” you stammer, in the end, and they just sniff and turn away. You go back to eating your lunch alone.

Day 8 of the Middle School Time Loop: even though you do well in every class, you must be so much more stupid than your classmates, to be missing whatever detail it is that they seem to have caught. How do they do it so quickly? Before recess, before the end of homeroom, even, they all just know. You’ve had endless chances to do this day over and yet you never seem to be able to catch up with them. Running to stand still, you’ve heard your mother say, when she’s busy at work. That’s you. Running to stand still.

Day 9 of the Middle School Time Loop: you pretend to be sick again, and you realize that if you want to, you can pretend to be sick every day. It's easy to convince your parents: you look tired and unhappy, your eyes small within their dark circles, like some underground creature. You stop watching that TV Show that you never really wanted to watch in the first place, and instead dream your way through all your favourite childhood movies. Disney, Pixar, Studio Ghibli. You retreat into jewel-colored landscapes, where everyone is magical or beautiful or at least funny, and the heroes always win in the end.

Day 10 of the Middle School Time Loop: You notice that most of the Pixar heroes, the Disney princesses look more like Ashleigh than you. Long hair. Pale eyes. Button noses. And all of them, so thin.

Day 11 of the Middle School Time Loop: you go to school, but you don’t talk to anyone. You don’t even answer your name at roll call. Your teacher asks you if anything is wrong at school, or at home perhaps. You shake your head, but that evening you hear your father taking a call. You shrug off his worry: it’ll be forgotten tomorrow anyway.

Day 12 of the Middle School Time Loop: an unexpected development: your apathy almost seems to make your classmates like you more. When you say, truthfully, that you don’t care much for the TV Show that eternally dominates the recess chatter, some people look impressed. They ask you what you think is better. But you’re wise and don’t admit to liking anything. "Mysterious," someone says appreciatively.

At the end of recess, the girl who told you off for copying Ashleigh nudges you. “Hey. Look, Robert has an Up shirt. Kind of cute, that he’s still into that stuff, right?”

You know that it’s not the good cute.

You stare at her coldly. “The shirt just has a dog on it. It doesn't say he's from Up. So you must have liked the movie enough to remember him.”

She flushes scarlet, and hurries to catch up with Ashleigh, throwing you a dirty look. Robert glances at you gratefully but you don’t return his smile. He won’t remember that you did this for him. Anyway, you didn't, really. Do it for him, that is.

Day 13 of the Middle School Time Loop: You tell your parents you’re sick again. Today, you watch the second tier of Studio Ghibli movies, the ones that your parents always say, self-consciously, that you’ll find dull. Only Yesterday, Princess Kaguya, When Marnie Was There. You’re only a few minutes into Marnie when there’s a line that pulls you up short:

“In this world, there’s an invisible magic circle. There’s inside and outside. These people are inside. And I’m outside.”

The relief that washes over you is so profound that you almost cry, and then, when the movie's over, you do cry. Ugly sobs that make you sound like a toddler throwing a tantrum at the mall, that make your head pound with a dehydration headache. But behind the tears, there's relief. There it is, the truth that you were searching for, through all these do-overs. There’s an invisible magic circle. Of course there is.

But here’s the thing about circles: the inside is small. The outside is scary, and lonely, but it’s huge: huger than you could ever have imagined before you turned around and looked.

When your dad gets home, he asks if you’re feeling better. “Much,” you say, and it’s true.

Day ?? of the Middle School Time Loop: Sometimes you go to school, but ditch class and go to the library or the playground and do your own thing even if teachers yell at you. Sometimes you wander around the neighborhood. Sometimes you ask your parents crazy things, like to take you to work with them, or to the beach, or to DisneyWorld. Sometimes they say no. A surprising amount of times, they say yes. You wonder if maybe they’re trapped in a time loop too.

Sometimes you sit quietly in other classrooms than the one you’re meant to be in, until they shoo you out or even send you to the principal. (He finds you baffling. You feel a deep, slightly mournful affection for him, like you would for an very old and tired dog). It’s surprising, the amount of different things that are getting taught in one school in one day. It takes you a long time to work your way through them all.

You watch a frog getting dissected a few times before you start to feel bad and don’t go back to that classroom again. Your favorite class to crash is art, because the teacher always clocks that you’re not meant to be there but smiles and lets you stay anyway. When you meet her eyes, it feels like you’re sharing a secret.

Day One-Hundred And Something of the Middle School ...Wait.

At some point, time started moving again, and you didn’t even realize it.

For so long, the reprimands you received about your future seemed so empty, so laughable. There was no future. Only a more- or less-bearable present. But now, your classmates remember the unhinged things that you do; now, your teachers’ and parents’ worries about the future have the full juggernaut weight of reality behind them.

You thought that you’d be more terrified. For so long, you’ve dreaded this forward momentum. No loading screen, no mini-games, just one single, awful, pulsating life. But things are different now. Time’s moving again, and here you are, so far outside the invisible magic circle that you’re not even sure that you'd be able to see it any more. You can still feel its power, but faintly, like the pull between two magnets when they're an arm's length apart. Easy to ignore.

“Are you ready?” Robert says, catching your eye over the kitchen table. He comes here first thing so you can get the bus together. At some point, during the time loop, you started to seek him out. He was outside the circle, too, you realized. But even more importantly, not once, on any of those grimly looping days, did you see him try and push someone else out to make a space for himself. In this crab bucket, that’s something that counts for a lot.

“Our final day of middle school,” he sighs, half to himself. “Never thought I’d see it.”

"Me either," you reply, getting up to put on your talismanic pink sneakers. They’re scuffed and dirty after years of wear, and certainly Ashley would never be caught dead in them these days. Maybe that’s what you should have told her, all those loops ago: that no imitation, let alone one as unskilled as yours, can ever be perfect, and that indeed the very imperfection renders it an original work in its own right. Time and thought and human care transforms even the most diligent copy into something else entirely.

But you’ve been through enough time loops to know that that sort of explanation wouldn’t go over very well.

I understand people that believe in a religion. Isn't every sunset that's partially hidden by an average day's clouds proof of the devine?

the coward's way out

if the fates conspire that only one of us may live, then lover, it must be you.

i will save you the grand speeches about how you are good and deserving. you are. you are. you are, but in the end, that is not the reason why.

the world may call me brave or strong or selfless but lover, you know the truth don't you?

in the end, i am only more afraid of facing a world without you than i am of facing death of facing anything.

in the end, i am only too weak to be the one left behind to pick up the pieces of a broken life a broken promise a broken heart and keep on bleeding when the blood in your heart is already dry.

i'm sorry. i'm sorry. but will you let me be selfish one last time?

can i ask you to live for me? to face what i feared most so that i might find peace in my eternal sleep with a smile upon my face?

if it is cruel of me to ask, then i beg you to forgive me. or curse my name and hate me if you must, only live.

only live, my lover so that my life and my death and all that came in between may mean something. may mean everything.

i remember adults telling me, as a kid, to listen to doctors and get my flu vaccine and any shots i could because they remembered Before.

then they started fighting Covid precautions.

i remember adults telling me, as a kid, that the ozone was disappearing and the earth was dying and we needed to recycle and save the planet.

now my parents think climate change is a myth.

i remember adults telling me, as a kid, that racism was a plague, that we had to love and accept everyone, that we should never judge before walking a mile in their shoes.

then they told me that protesting for my Black siblings was wrong.

i remember adults telling me, as a kid, that we needed to give to the poor. working at soup kitchens. making quilts. collecting food and money and supplies. building houses. because it was the christian and just plain right thing to do.

now they look at me, on food stamps with their grandchildren, and lament the "welfare state".

i remember adults telling me, as a kid, that it was easier for a camel to pass through the eye of a needle than a rich man to enter the Kingdom of Heaven and that any rich man, especially an immoral one, should never run our country.

you can guess who they voted for.

i remember adults telling me, as a kid, so very much.

when did they forget?

Different Ways to Describe Eye Colors

↳ a masterpost for writing prompts that describe eye colors

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Brown Eyes

Blue Eyes

Green Eyes

Hazel Eyes

Unusual Eyes

Gray Eyes

Heterochromia Eyes

Black Eyes

White Eyes

White/Silver Eyes pt 2

Hazel Green Eyes

Gold/Yellow Eyes

Reddish-Brown Eyes

Red Eyes

are u ever sick w longing. and i don't just mean romantic longing. i mean longing for a place you barely get to see, longing for friends you no longer have, longing for feelings you might have left behind in your childhood, longing for creativity, longing for a rich and more expansive life, longing for less inhibition. longing for more passion. longing for ur life to be so incandescent w something it thaws all the frost in ur bones. are u ever so consumed w it it rends ur heart in two. do u understand me

"Read Banned Books" a new full page cartoon essay published in The New York Times Arts & Leisure section today.

What I can't cope with, OK, is L.M. Montgomery's use of bedrooms as a site of both autonomy and belonging. When Emily arrives at New Moon, she has to share the bed with Aunt Elizabeth and feels she is in bed with a griffon but when she moves into Juliet's old bedroom in the "lookout" she is overcome with the sense of nearness to her mother as well as having true space and freedom for the first time at New Moon. Later, she loses a lot of this sense of place and independence moving into Aunt Ruth's spare room where she doesn't have to share a bed, but can't even choose the pictures hanging on the walls - at the same time she loses her freedom to write fiction. Jane hates her bedroom at 60 Gay Street, finding it "hostile and vindictive" - in many ways just like Grandmother Kennedy, but at Lantern Hill, her father lets her choose everything that goes into her bedroom and she is allowed self expression. Her friends give her gifts to furnish it, as emblems of their love for her. Like Jane, Valancy has no control over the furnishings in her room, from the painted floor to the tacky artwork to the dingy and unwelcoming furniture, but she's so constrained that her only rebellion is to throw the jar of potpourri out the window because she's "sick of the fragrance of dead things". To have a sense of self, she imagines a magnificent castle as an escape and is delighted to find Barney's house is just as good a place to be who she wants to be - free from her family, making her own choices. Anne, upon marking the first anniversary of coming to Green Gables, reflects on the garrett room and finds it "as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine." Before Green Gables her life was probably a mix of dormitories and makeshift beds in attics that she couldn't change, in versions of her life with no freedom or affection. THEIR BEDROOMS ARE SYMBOLS FOR THEIR LIVES OK. When their rooms are controlled by others, their inner/emotional/creative lives are constrained. When they have their own rooms, they have autonomoy, they choose furniture, they have freedom, they have themselves, they have love, they have me gnawing armchairs about it.

Also funny that both Valancy and Emily are tormented at various times by inescapable portraits of queens - I do wonder if LM had one in her home that no one would let her take down.

Hi! do you happen to have any masquerade prompts by chance? Perferably something between two characters with a love-hate dymanic?

We didn’t see this until just now!!! Sorry for the wait

1. Your characters getting along all night, until one of their mask breaks and then it’s right back to the contempt. ( and some confusing new feelings)

2. Your rival wore the same outfit. You now have to try and ruin it as quickly as you can so they go home and change

3. One of your characters thinking they know who the other character is at the ball and being embarrassingly wrong.

4. One searching the whole party for any evidence the other one came.

5. In the weeks before the ball, one launching a campaign to figure out if the other is coming without directly asking.

6. Ditching the approved date to be with this new stranger ( the rival in a mask).

7. Anger that the other one was even invited to the event.

Hope this helps!!!

I just want it to matter! I want the lives of the people that die on this planet, the people who are killed through violence and apathy and cruelty, to matter. And I know they matter to like, people with hearts and eyes and good sense, people who know how to love this world, but it feels like literally nobody with any power to make immediate change cares. Whatever. I care, you care. We care.

Sometimes I think I'm holding back out of habit. Like I should've broken a long time ago. What does that make my current state, hm?

I made a list. It's incomplete. Working title:

The pre-apocalyptic "omg moooom" phase:

- ww3 memes

- organising climate crisis protests at 14

- Not knowing the "before". Before the housing crisis. Before 9/11. Before Reagan laws. Before debt.

- no going out. No dates in cute restaurants. Do I look freaking rich.

- Amazon or Nestle owning everything you have ever had

- America just.... I'll just say America.

- Being 5th grade when Trump came into office

- No being able to turn off the ads. The manipulation. Ever. The deep psychology approach to making me despise myself since I learnt to decode information

- constant exposure to violence and suffering numbing us until we're called ignorant and heartless for not reacting

- social media algorithms specifically designed to crush and turn me into an addict. Since before I got my period.

- no more girlhood. You know how to pull an eyeliner and perfectly curl your hair in 7th grade or you die.

- no public spaces. There's Sephora, there are some chain restaurant. And if you feel like feeling a drop of relief you buy a Starbucks.

- Cyber. Bullying. Being on your own. Your parents have no goddamm clue.

Where's My Fucking Teenage Dream but it's real. Where's my fluffy 90s hair, my glitter hair combs, my shopping-as-a-hobby, my milkshakes, my prom? Where's my "my favourite colour is yellow?" Yellow like Butter Flowers, not like toxic waste. Can we talk about growing up in the years before a global system snaps? I was 7 when I read a picture book about Anne Frank. Who knew the early knowledge of how to spell 'death' would be so handy.

i want to be inconvenienced by you. i want to wait for you, i want to hold your things while you do something else, i want to make adjustments to my plans to make space for you.

someone at your side who takes up no space and has no needs of their own is not a person, but a shadow.

i don't want a shadow, i want you. i want my life to be altered by your presence in it. please, inconvenience me.

he's got a sadness about him you only see in catholic stained glass windows

Why is it always "born in the wrong generation"? What if this is the better option you got? What if you were born to be a 1950s lounge singer or a 1300s weaver and already had a lifetime of that, doing what you love to do and what you do best, and spent the whole time thinking "I wish I could do this in a better time, where I could do it more freely from the bottom of my heart, and not have to worry about the things that hold me back"?

You get to make soap with ingredients the soapmakers a thousand years ago could not have dreamed of combining. You get to work with fabrics an ordinary tailor could never have gotten their hands on. Write the gayest love poetry in iambic pentameter without having to worry of being tried for sodomy. Hell, you could have eight kids and bake bread while barefoot without worrying how many of your runts survive to adulthood.

You can draw designs for stained glass windows that the church would never let you, and instead of thinking how your talents would have been groundbreaking back in the day and how they are wasted now, you can imagine how a thousand years ago you may have been drawing the same designs, thinking "I wish I could just do this without having to worry about viking raids and the plague."

a collection of motivational insights regarding content creation and creative hobbies

and of course the classic

fuck the tits or ass debate, i find eyebags sooo attractive. your exhausted, sleep-deprived, mildly haunted aura has bewitched me body and soul

When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”

He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)

I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.

What is your objective?

Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.

I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.

I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.

Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.

Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.

How do you think I have gotten two clinics to start including gender care in their planning?

Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.

Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?

I'll tell you a secret: I felt like I was better. It couldn't happen to me. I was worldly and supported and had a plan and I spoke well and in 2 languages. The world was waiting to unlock itself to my potential. Back then, I had the secret fear that the world was too small for me.

And it happened anyway. The terrible cliché I felt too good for. I got stuck in the home town. Plans didn't work, and suddenly almost a year had passed and I'd spent it in an internship that was my plan H in a place that was my plan Never. And now, with bloody fingernails, I've held on to the easiest dream I had. Not even the pretty, big ones that I thought I'd conquer for fun and joy. The easy one. And I'm sick. Two years at a minimum, first time I've been sick like this. I can do nothing.

Time is running out and university is drawing closer and I was sixteen in a school I hated and I PROMISED myself I wouldn't let it come to this. I wouldn't cave. I'd take the time I want and I'd see the world and I thought I was so prepared. I thought the world was waiting for me. I thought I was so privileged. I thought that meant everything would be butterflies.

Why can't it be butterflies.

Mohja Kahf, “Most Wanted”, Hagar Poems

“the ending is always the same”

war of the foxes - richard silken / waterloo - ABBA / euripides’ medea - the little theatre / anne carson / the three fates - luca cambiaso / the oresteia - aeschylus / road to hell II - hadestown / when i met you - mira lightner / andersen’s fairy tale anthology

Oh my god I'm listening to California Dreamin' with headphones and. Did you know it's one of those songs that are hardcore spliced up between headphones. Like the female and male voices are mostly coming from seperate headphones.

This makes no difference except for a cool listening experience unless. Unless you take one headphone out.

Ohhh, there's still the faintest echo of the female voices in the male voices' headphone, but half the instruments are missing. It's haunting. It's majestic. It's Denny in a old rehearsal room. It's not really a designated space, it's the backroom of their bar. They jokingly used to call it the backstage area. It's wooden panels that were never glossy. It's Michelle and Cass on old stools with cheap cider. It's Denny alone. It's Denny's guitar, with John's handwriting on its side. It's an empty room that's not used to being empty. You know when rooms sound the most loud when there's supposed to be a hundred sounds and you know every one of them? You think you can hear it out of pure fate.

He can only play as many instruments as his hands can hold. But he plays them as well as ever. There's no tremble in his fingers. He can definitely hear Cass. He can almost see John. When he closes his eyes, he can believe they're through the door, in the bar. Hearing him play. Singing back to him.

California dreaming. On such a winter's day

how many times can you live through the apocalypse?

when you were little there was this beach that was free to go to. you didn't really like it on account of the litter. at one point, a white bag caught around your ankle, and for a moment (fish child), you panicked about jellyfish. on the foam, the red-pink words read thank you, stacked on top of each other, tangled in the kelp.

they have a new program (three thousand american dollars) to send your dead relative to the moon. there is a lot of evidence that our local orbit is becoming ever-more dangerously populated with "micro" satellites - debris in a round miasma becoming a thick web above us. maybe angels cannot hear us through the pollution.

you used to picture deep space like a thick membrane, or a blanket. someone said to you once the universe has no edge and that fucked with you for a long time, trying to picture what shape infinity has. your coworker is writing a short story about ecological collapse, which she is submitting for a little side-money so she can survive the current economical collapse.

the birds haven't gone to sleep this winter. that is probably bad. something that actually freaks you out is the natural temperature of human bodies versus the survival temperature of certain fungi. there is a podcast called s-town, in which a man kills himself over climate anxiety. he was probably meant to seem sort of unhinged. it just seems like it is becoming increasingly clear he was being honest.

space is not empty, we have put our dead into the stars. at some point they will figure out how to put ads into our sleep. you need to pay for the greenlife subscription service to be able to save the world.

there is a lot of ways this poem ends. but you have been wearing the same jeans and shirts since you were, like, 18. it is a hard life, sometimes, watching the entire foundation crack. there was this one moment over the summer, where you were shaking with heat exhaustion and dehydration. you were offered a nestle water bottle.

for three thousand dollars, you can send your ashes into space.

instead, you wash out the peanut butter jar. you put the avocado-toothpick spiked seed ball into water (even though they never grow very far). you borrow what you do not want to buy. you pick up any litter you find. you do not have a lot of control, really. but where you do - if there is one thing you can do, you do it.

something about that. you need to believe that must be true for the rest of humanity. or maybe - you need to believe that to be true, or else there will not be a rest of humanity.