Latest Posts by icylancet - Page 2

"If you remember, I'll praise you more!" "Oh, really? Why are you going to compliment me... 'Sir Knight'?"

i wish there were more canon interactions between silver and vil so they could talk about living and growing up being raised by a single father. it's more timely now considering the end of the diasomnia book... and deuce can join in too and talk about his life being raised by a single mother!!!! twst writers please let them bond.....

True love conquers all

FUCK?????????

there's an interesting historical reference to a poem (that is somewhat similar to the original sleeping beauty fairy tales) in diasomnia chapter 4 main story that i wanted to yap about

spoilers under the cut

I translated the Main Story Book 7 Chapter 4 Ep 63 (which is posted on my tl account over here) when it was first released, and looking back on it now, i realized that there's this part that hasn't been talked about(?) (or maybe i'm just out of the loop now LOL).

But basically there's this part where baul and lilia explains that they were going to 野ばら城 (which i translated as Wild Rose Castle) to deliver a message to Queen Maleanor, Malleus' mother.

If we break down the meaning of each character:

• "野" ("の/no") means "wild,"

• ばら ("bara") means "rose,"

• while "城" ("shiro") is just the word for "castle";

Thus, I translated 野ばら城 to 'Wild Rose Castle.'

HOWEVER. 野ばら on its own is also the Japanese translation of Goethe's poem, "Heidenröslein," which is a story about a young man who decides to pluck a small rose on the heath despite the rose's warning that she will stick him with her thorn. Here is a screenshot of a summary of the poem's text from its wiki page.

I think it's an extremely interesting choice on the Twst writers' end to choose this specific word as the name for Maleanor's castle since if you just wanted to search up an actual wild rose, you would have to type 野バラ instead (using the katakana バラ as it's the more common way to type the word 'rose' in Japanese).

Plus, taking into account the message behind Heidenröslein, I can't help but recall the actual Sleeping Beauty fairy tale AND the Maleficent (2014) movie. (Angelina Jolie herself said that Henry betraying Maleficent's trust and love just to take away her wings is like an allegory to rape).

What does it mean for Twst lore?

Well, nothing much, really. Since they never touched on this topic again after Silver and the guys left Lilia's dream 😔. We'll have to wait until Heartslabyul dreams are over until we get new lore drops related to Diasomnia, but I just found this as an interesting etymology that I wanted to share! It also just shows the detail that the writers put into writing the main story as they reference content somewhat related to the stories where the characters are twisted from.

(I like to yap about twst lore so follow me if you want to see more of that + i'm in dire need of friends </3)

High res. Night Sky Chiffon Riddle, Deuce, Jack groovy

great day for annoying people like me!!!!

happy onewe 2nd full album release day!!!!!

my favorite song from the album rn is sole star🥹 it's just so beautifully composed and written, a signature "floating through space" kind of onewe music, and i love it!

traffic love, rise again, and indelible definitely rose up to my personal onewe song ranking too LOL. and the first note of coincidence got me instantly sobbing; it's also the kind of song that you would just immediately know that it was composed and written by yonghoon lmao

ms2 spoilers but the scene where oz tells akira about arthur's prophecy and says like "please do not let him turn into stone... he has not yet lived 20 years" or something along those lines. and like. wow. it's just so profound and 'desperate' coming from him.

'desperate' in a way like, considering the way oz has lived his life. he doesn't form bonds or relationships or fails to sustain these bonds; it was always others reaching out to him and not the other way around,,,, then arthur comes into his life and he started finding himself reaching out to take care of arthur and reaching out to others to ask for help on how to take care of arthur LIKE. YOU GUYS GET WHAT I MEANNNN

i just finished watching the newest mahoani ep and the end gave me Food For Thought. because arthur was so distressed about the fact that he has yet to repay oz's kindness to him back in the north, but oz is just glad to see him again, taller, older, and ALIVE. i think the arthur prophecy reveal in ms2 was definitely one of my favorite ms2 moments because you could clearly read into the desperation in oz's lines. his affection for arthur ran deeper than his blood and veins to the point that he was summoned as a central wizard instead of a northern wizard; that's how deep he cares for arthur, deep enough for his pure, full northern roots to get mixed with the central ideals

In 2024, I managed to finish 14 Filipino-written books; among them, I can recommend seven:

Lucia Dreaming by Lucia Asul—This is a dream diary written and illustrated by Lucia Asul. It has a very cool art style, and dreams range from creepy to horrific to cosmic. The smell of this book is also unbeatable, IMO. It's the best-smelling book I've ever read.

Isabela by Kaisa Aquino—I have a review for this one here. I hesitate to call this a novel; it reads like a short story collection featuring women and men with similar names, all surrounding armed resistance and agrarian strife in Isabela to Manila. Very literary in the way it was written.

The Three-Cornered Sun by Linda-Ty Casper—Another one that I've written a review on. This historical fiction chronicles the Philippine revolution and features a family who found themselves on different sides of the war. Many beautiful and existential passages as the war went on. This book also features some of my favorite passages on rivers.

Love Without a Heart (May Pagsinta'y Walang Puso) by Inigo Ed Regalado tr by Soledad Reyes—A romp. I had such a good time with this book. It's a romance novel written in 1921, and the melodrama is so fun to read. Nothing hits like this anymore, I swear.

Tiempo Muerto by Caroline Hau—Is yet another one I've written more about. This is set on the fictional island of Banwa but tells the history of Negros, in an ancestral Bahay Na Bato House, where the protagonist's mother was lost in the aftermath of a typhoon that hit the island. Has a gothic, haunted house vibe in places but is ultimately about agrarian strife and the connection of resistance with our mountains. A really great read.

Tao sa Prowa: Mga Tala, Mga Taon ni Allan Popa—This is a series of vignettes featuring mundane things, then the author's reflections springing from them. This is a beautiful, well-curated collection. A bit pricey for a zine, but whatever. There are plenty of nuggets of gold in here.

Manansala by Enrique Villasis—Speaking of beautiful collections, this poetry collection features, converses with, meditates, reacts to and reimagines some of the works of the legendary cubist Vicente Manansala. As a nature writing fan, I especially loved the nature-adjacent works, but what I love most is the concept of this poetry collection. Auto-buy author sakin si En Villasis after reading this.

There you have it, my recommended Filipino-written works! Tell me if you've read books from this list and what you thought about them!

They should invent a way to kill yourself that doesn’t disappoint anyone

one of my worst writing sins is abusing my power to create compound words. i cannot write the sentence "The sun shone as bright as honey that afternoon." no. that's boring. "The sun was honey-bright that afternoon" however? yes. that sentence is dope as fuck. i do not care if "honey-bright" is a word in the english dictionary. i do not care if the sentence is grammatically correct. i will not change. i will not correct my erred ways. the laws of the english language are mine.

Ace's Unique Magic, Joker Snatch, allows him to use another's Unique Magic. In this clip he's using it against Riddle, collaring him instead. A reversal from their first interaction! :O

this is so embarrassing to admit because i've been into mhyk since 2022 but only was updated with ms1. i just read paradox roid story yesterday and what the fuck. what are the canon mhyk lore implications of cain making a promise to owen and does tsushimi bunta know i'll offer my life for them

one day i will make a comparative analysis of oz-arthur father-son dynamic and lilia-silver father-son dynamic. i love it when a hundred/a thousand year old wizards unintentionally adopt a kid who has royal blood ❤️

Recent main story updates have inspired me to make this evil freshmen relationships chart to visualize how I imagine their stuff lmao

Adeuce to Aceyuu one is inspired by the contents of the book 7 dreams

For the Malleus Silver one it's less of how it actually is and more both sharing the same thought about the other

Ortho didn't fit anymore + there was lowkey no point in putting him because it would only be "friends" for mostly everyone here and that's not evil enough

i wanted to join the meme haha

I want to see Silver stab Malleus. I want to see Silver stab Malleus at the height of the final battle and immediately start crying because he doesn’t want to hurt someone he loves and respects so much, and he doesn’t want to cause more pain to someone who’s already hurting, and he really really wants this nightmare to be over and for them all to go home to reality. And this is what breaks Malleus from his overblot spiral—not the sword, but the tears. His overblot beginning and ending with Silver’s tears. Silver’s not a baby anymore, to be pacified by lullabies and a sweet dream. He’s grown enough now to be ready to face reality, so Malleus has to be, too.

Ohhh I'm going to cry. I think Riddle might be the dreamer most dissatisfied with his life. He's completely different from who he really is.

He's not a mage at all. His mom is a housewife and his dad's a writer. He hates school. And worst of all, Trey is very uncomfortable because Riddle basically injected himself in his and Chenya's life.

Riddle was never there when they were growing up, but in Riddle's dreams, he goes to the same school as them, spends summer with them, enjoys the holidays with them, and overall is just best friends with them.

It's so incredibly sad. All he wanted was to spend his life with the people he cares about.

Good morning.

Prompt for today was "domesticity"!

Designing the calling card

MHYK MS2 SPOILERS BELOW

I finished ms2 like. weeks ago. but holy shit it's still haunting me i have so many thoughts about it like:

IT ENDS LIKE THAT???? CLIFFHANGER AHH💀💀

owen constantly provoking cain to "leave his knight-like/knighthood" and cain going "aight bet" then owen legitimately crashing out when he saw cain doing Whatever at the western country???? Chat this is actual peak.

also owen holds So Much Affection for cain. not speaking as a caiowe shipper right now but i'm speaking like in an analysis way. he refuses to admit it out loud but he constantly, without fail, puts his trust on cain's attitude and character. (See: the lennox vs cain discussion wherein owen was literally the only one who said cain would win over lennox LMFAO) (Speaking as a caiowe shipper: HO THIS GAY AHHHH)

i seriously love the oz and arthur discussion at the later chapters🥲 arthur Really, REALLY needed to hear those words come out from oz himself, and oz really needed to tell his feelings to arthur. they're so father and son🥹 (See: Screenshot below ↓)

also arthur and owen interactions were so cute

FUCKKKK MY EASTIES😭😭😭😭💔💔💔💔 I NEARLY SHAT MY PANTS WHEN NERO WAS ON THE BRINK OF DEATH AND BRAD FOUND HIM (brad going "now tell me who did this to you" LIKE? this wizard yaoi shit serious, i'm out!)

oughhh but easties in general,,,,, i love their dynamic so so much they're my favorite country🥹🥹 faust cares so much for his students and vice versa!!!! aghhh this entire convo of faust and shino just made me genuinely so emotional. THEY'VE TRULY COME SO FAR. AHHHH

Figaro will die soon

i did not expect mitile to actually eat the stone but wow!!!!!! i mean it's expected but i was still surprised :O

rustica bride reveal... Ho that lore drop crazy

lenofigafau......... Guys... GUYSSSSSSS i have so much to say about them but i feel i need to write that in an actual Document instead of a tumblr post like it's that serious

Can i come out as a figaoz supporter

the current progression of main sto is so interesting!!! super curious to see how everything else will play out (Example: Nova, Easties finding out about Nero's past, the prophecies about Arthur and Mitile, etc.)

speaking of prophecies. MANNNN oz really loves arthur so much he tried to change fate so he dies instead of him but it still didn't work out dufkehfidhj

Also! i did NOT expect arthur to actually make a promise like holy shit. that was peak. and for chloe too weurygsgshg i know chloe wouldn't pull any bad shit but wow!!!! just thinking about the Gravity of the situation is so surprising

i need more shymurr lore....... + the fact that ms2 is mainly set in the west is vv interesting i want to know more about the world building especially in thr west

rutile🥹🥹 ashekdjd i long for angst i wonder how he'll react once he figures out mitile's prophecy.... i also want to see more of him in Action. like can he please punch mithra.

the twins are always so ominous lol i wonder if their prophecies now (the ones about arthur and mitile) would actually come true or not🤔 well everyone did kept on saying that their prophecies are always right but seeing how oz is trying to play with arthur's fate while mithra is unknowingly messing with? or confusing? mitle's fate, maybe something could not go in the way they expected? IDK

i absolutely love how riquet is always direct. he talked some sense into oz like yeah kid tell that 2000 year old man about how he should talk to his 17 year old son!!!!

Ok i think that's all for now. i'll add more when i'm not in a rush LOL

my dog chased the afterlife. i chased the memories and bits of pieces he left for me in this world. i miss that big fella..

Tips for writing plot twists

1. Start with a false sense of security

• The best plot twists work because the audience feels confident they know what’s coming.

• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.

• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.

2. Plant the seeds early

• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.

• How? Use small, seemingly insignificant details that take on new meaning after the reveal.

• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.

3. Subvert expectations without betraying logic

• A twist should surprise readers, but it must feel plausible within the story’s framework.

• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.

• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.

4. Exploit emotional investment

• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.

• How? Create twists that change how readers perceive the characters they thought they knew.

• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.

5. Use red herrings strategically

• Mislead readers by planting false clues that draw attention away from the real twist.

• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.

• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.

6. Timing is everything

• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.

• How? Build tension to a breaking point before the twist shatters expectations.

• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.

7. Allow for multiple interpretations

• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.

• How? Design the twist so that the story works both before and after the reveal.

• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.

8. Pair the twist with consequences

• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.

• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.

• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.

9. Keep the reader guessing

• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.

• How? Build twists that complement each other rather than competing for attention.

• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.

10. Test the twist

• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?

• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.

• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.

Follow for more!

20 Ways to Show Anger in Your Writing

Here’s a list of 20 signs of anger that writers can use to show, rather than tell, a character’s emotions through physical, verbal, and internal reactions:

1. Facial Expressions

Clenched jaw or grinding teeth

Narrowed or glaring eyes

Lips pressed into a thin line or curled into a sneer

2. Body Language

Fists clenched tightly at their sides

Tense shoulders that rise or square up

Puffing out the chest or stepping closer to confront

3. Speech Patterns

Voice lowered to a dangerous, icy tone

Shouting or raising their voice suddenly

Speaking in short, clipped sentences

4. Breathing Changes

Heavy, rapid breathing (nostrils flaring)

Sharp inhales and audible exhales

Holding their breath as if trying to stay in control

5. Sudden Physical Movements

Slamming fists onto tables or walls

Pacing back and forth restlessly

Pointing a finger or jabbing the air during speech

6. Uncontrolled Gestures

Shoving objects off a desk or knocking over a glass

Finger tapping or knuckle cracking

Wrapping arms tightly around themselves

7. Temperature and Flushes

Red face, neck, or ears

Visible veins on the neck or forehead

Breaking into a sweat despite the situation

8. Eye Movements

Eyes darting or rolling sharply

Avoiding direct eye contact out of fury

Staring someone down with unblinking intensity

9. Words and Tone

Cursing, insults, or verbal jabs

Sarcasm sharpened to hurt others

Accusations thrown in frustration

10. Breaking Personal Space

Leaning in closer, looming over someone

Pointed steps toward another person to intimidate

Physically turning away to dismiss or avoid conflict

11. Physical Reactions

Throwing objects or breaking things in rage

Punching walls, doors, or inanimate objects

Shaking hands or trembling with pent-up anger

12. Posture Shifts

Back stiffening and chin lifting defiantly

Shoulders jerking or twitching

Rigid stance as though ready for confrontation

13. Inner Thoughts (for internal POV)

“I could feel the blood boiling in my veins.”

“The room seemed to close in on me.”

“My pulse thundered in my ears.”

14. Displacement of Anger

Kicking objects on the ground (chairs, trash bins)

Storming off abruptly or slamming doors

Snapping at someone unrelated to the cause of anger

15. Temperature Descriptions (metaphors/sensations)

Heat rushing to their face or spreading through their chest

A cold sensation washing over them, signaling restrained anger

Feeling fire “lick” at their insides or their temper “ignite”

16. Instinctive Responses

A growl or grunt escaping their lips

Baring their teeth as if instinctively defensive

Ripping or tearing something in their grip

17. Silence as a Weapon

Pausing dramatically before responding

Refusing to speak or meet someone’s eyes

The ominous quiet just before they explode

18. Physical Sensations

Muscles twitching or vibrating under the skin

Heart pounding visibly at their throat or chest

A bitter taste in their mouth or nausea from anger

19. Reactive Behaviors

Interrupting others to correct or attack

Dismissing concerns with a quick wave of the hand

Throwing out ultimatums like “Don’t push me!”

20. Lingering Aftermath

Hands trembling after the initial outburst

A headache, buzzing ears, or lingering tension

Regret or shame slowly replacing the heat of the anger

These signs can be layered together to create realistic and powerful depictions of anger, whether it’s smoldering beneath the surface or erupting violently.

The Power of Silence in Dialogue

We often think of dialogue as something that’s just about what characters say, but let’s talk about what they don’t say. Silence can be one of the most powerful tools in your writing toolbox. Here’s why:

1. The Unspoken Tension

When characters leave things unsaid, it adds layers to their interactions. Silence can create a tension that’s so thick you could cut it with a knife. It shows things are happening beneath the surface—the real conversation is happening in what’s left unspoken.

Example:

“So, you’re leaving, huh?” He didn’t look up from the table, his fingers tracing the rim of his glass, slow and deliberate. “Yeah.” “Guess I should’ve expected this.” (Silence.) “You’re not mad?” “I’m not mad,” she said, but the way her voice broke was louder than anything she'd said all night.

2. Building Anticipation or Drama

Sometimes silence can heighten the drama, creating a pause where the reader feels like something big is about to happen. You don’t always need words to convey that sense of dread or anticipation.

Example:

They stood there, side by side, staring at the door that had just closed behind him. “You should’ve stopped him.” She didn’t answer. “You should’ve said something.” The room felt colder. “I couldn’t.” (Silence.)

3. Creating Emotional Impact

Sometimes, saying nothing can have the biggest emotional punch. Silence gives the reader a chance to interpret the scene, to sit with the feelings that aren’t being voiced.

Example:

He opened the letter and read it. And then, without saying a word, he folded it back up and placed it in the drawer. His fingers lingered on the wood for a long time before he closed it slowly, too slowly. “Are you okay?” He didn’t answer.

TL;DR

Silence isn’t just a pause between dialogue—it’s a powerful tool for deepening emotional tension, building anticipation, and revealing character. Next time you write a scene, ask yourself: what isn’t being said? And how can that silence say more than the words ever could?

Pacing Through Sentence Length in Writing

You ever notice how a scene can feel like it’s dragging or speeding up based solely on the length of the sentences? Sentence length isn't just a technical detail—it’s a pacing tool. When used right, it can control the speed and tension of your story. Here’s how:

Short Sentences = Speed, Tension, Impact

Short, snappy sentences are like quick breaths, instantly pulling the reader’s attention. They mimic fast action, nervous energy, or urgent thoughts. They create momentum. Think of action scenes or emotional moments—often, less is more.

Example: The door slammed shut. His heart raced. She was gone.

In just three sentences, you feel the urgency, the chaos, and the emotional weight of the moment. It’s all about breaking up the narrative with these quick hits to keep the reader on edge.

Long Sentences = Build-up, Reflection, Depth

On the flip side, long sentences slow things down, adding complexity, reflection, or tension. They’re great for moments of introspection, world-building, or setting a scene in rich detail. These sentences create a flow, pulling the reader into the character’s headspace or the atmosphere of the moment.

Example: The wind howled through the narrow alley, carrying the distant sounds of a city that never seemed to sleep, never seemed to rest, and in that eternal hum, he wondered, not for the first time, if he would ever find peace here or if, like everyone else who tried to escape the shadows, he would simply become another part of the city’s endless noise.

Here, the length of the sentence mimics the complexity of the thoughts—heavy, reflective, almost hypnotic. It builds tension not with action but with an overwhelming feeling of being stuck or trapped in thought.

Combining Both = Dynamic Flow

The real magic happens when you mix short and long sentences. This creates a rhythm—suddenly, a break in the flow, a quick shock, and then back to a longer, more drawn-out moment. It reflects real life: quick bursts of action or emotion followed by moments of pause or thought.

Example: He reached for the door. It was locked. His heart pounded, each beat a reminder of how badly he needed this. There were no other options. There was no way out. The key could be anywhere. And he could not afford to wait any longer.

TL;DR:

Long sentences = build tension, create depth, set mood. Short sentences = ramp up urgency, show action, make an impact. Mastering this flow is a game-changer for pacing!

hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god

How to write angst ?

@urfriendlywriter | req by @everynowandthenihaveacrisis @aidyaiden :)

know your character. from their deepest fears to what they cherish the most. know your deepest fear, ask yourself how you will react and feel at that moment. "oh shit, if this happened to me I'll lose my mind" what's that type of scenario for you? write it. :)

decide on the type of angst you are going for!

major, minor, physical, emotional, paranormal, spiritual, verbal, abusive, quarrel, misunderstanding, etc.

and then, decide on--what reaction you can take out of your character by doing what to them.

are they gonna be, held at a gunpoint to give something up? or have their soul wrecked by whom they thought were close to them? or is it going be horror, or etctec, decide on it.

moving on to actually writing it-

Tip 1 - Use sensory details.

her eyes brimmed with tears

his chest heaved

pain clawed at his heart, as his face twisted with hurt

his scream pierced my heart

her lips quivered

she dug her nails into her palms (to distract herself, to stop it from shaking, etc)

show what is happening to ur MC, instead of telling it.

Tip 2 - how to actually write it.

If they're panicking, make them notice too many things at once, show every detail that they're seeing, feeling, from touch, to that burning sensation on their eyes, the blood on the ground, that dryness of their throat, the buzzing in their head and their parted lips unable to trust their own sight, and--and, boom! have them register that they're really really in trouble. and that they've to act fast.

use short, very minimal type of writing for this. make it long, but not long enough that it feels like it's being dragged.

the readers should hold themselves back from skimming the page out of curiousity, they should be in their toes to find out what happens next.

what does your MC do in times of panic? do they chant calm down to themselves, do they get angry, or start crying.. or?? what makes your character genuinely feel an emotion so hard that they'll burst?

there's always something, someone that'll always give them love and easily can be that something or someone to take it away. yk.

Tip 3 - crying.

what is close to your character that u can deprive them of? will it make them cry? beg for it?

what will make ur character cry so hard, that their scream fills everyone's ear, stays in their minds like ghosts and always haunts them?

make a character who never cries, burst out with tears.

while writing crying, focus on the 5 senses, one after the other.

focus it on their breath, make them run out of breath, gasp for air, feel like they're being choked, cry so scrutinizingly. it shud punch the reader's gut.

have them replay what had just happened over and over again in their head

best books and writing styles (for angst) to analyse and learn from (in my opinion);

3rd book in the AGGTM series (yk it hit hard like a truck. it got me depressed in bed the entire time lmao)

Five Survive by Holly Jackson. The moments of red outside of the truck, and moments leading to it.

there's this book called " Warm by @untalentedwriter127 " in wattpad. the author served angst for breakfast, lunch anddd dinner.

and if there's more angsty ones, drop em in the comments! :)

Hope this helps, tag me when yall write a masterpiece! ;)

Do you ever look at this?

And see this?

And doesn’t it just make you want to go like this?

Sebek, you know what to do.

No because what is this endless cycle of “I can love them but they can’t love me?”

I know I talked about their self-hatred a bit here.

I know the apple doesn’t fall far from the tree but this is ridiculous??

Always seeing it as a lens of giving to others but not recieving.

Lilia -> hatches Malleus and wakes Silver but runs away from them.

Malleus -> wants to make Lilia proud and helps raise Silver but doesn’t see the happiness his birth brought and calls himself useless in front of Silver who took comfort in him enough to be vulnerable with him.

Silver -> loves Lilia and Malleus but believes he doesn’t deserve that love given his heritage.

Sebek is out here just: 🧍‍♂️ “I’m surrounded by idiots”

It’s just so frustrating?? I know there’s learned habits of love but it’s ridiculous when you have learned habits of sacrifice too.

Because if you are always thinking about love this way, aren’t you diminishing the love given to you?

In return, does that not continue this cycle? That we see? Over and over? Because you are not receiving it as was intended hence the one who gives it to you freely…feels it’s not enough. Will never be enough. So they try harder and feel this self-depreciation because of it.

When that is not true!! It is enough! Always enough!! Ahhhhhh *hugs Sebek* 😭😭😭

(There are many more moments that show this cycle between the three but I chose these moments because they are the most well known and tumblr 10 limit image on the app my beloathed.)

[Translation credit to Gasmask01]

Hello, I came to say that dragons are mythical creatures often depicted to be possessive in mythology and literature, sometimes known for their immense power, territorial instincts, and the symbolic association with hoarding wealth and treasures...

Twisted Wonderland in context, Malleus Draconia was confirmed to be a dragon fairy (essentially a dragon who can take a shape of a man), and I was curious if Malleus may have exhibited possessive traits in canon, whether through main story or vignette...?

The reason I ask that is because mischaracterizing characters or making them OOC is the last thing I want to do when it comes to writing or analyzing...

**Sorry if I was not able to word it in a way that you can understand what I'm trying to convey because sometimes I feel inferior that my wording may come off as blunt or insensitive. I just want to leave a brief note that I don't mean to come off as rude or dismissive. I appreciate your understanding!**

In my opinion, Malleus in canon is protective but not possessive. What do I mean by that? Glad you asked. Let's start by laying down some definitions.

In this situation, when I say “protective”, it implies good intentions. It means actively looking out for others' safety and wellbeing. To be possessive, on the other hand, implies a more controlling desire to own or to restrict another's actions. It’s commanding and demanding all of a person’s attention and love. It means having a disrespect for others' autonomy and instead trying to displace it with your will. (Yes, I know that you're probably automatically thinking of The Big Exception of book 7, but I will address that later in this post so hang on for a moment!)

This gets long, so buckle up! We’ve got a lot to talk about.

First thing's first, a lot of the "possessive Malleus" interpretations originate from fandom, especially when it comes to yandere, yume, or generally romantic fan works. (And to be clear: This is NOT to shame the folks who enjoy these kinds of works; I am only listing them here as examples.) Oftentimes this occurs due to individual fans bringing in ideas from media outside the bounds of Twisted Wonderland. This is totally expected and normal; there is no such thing as someone who has an interest in ONLY a singular thing. We will naturally apply our previous knowledge to help us understand and interpret new information.

For example, in irl mythology, fae are hurt by iron--and even in Disney's own films, such as Maleficent, iron is depicted as harming fae and sapping them of their power. This led to many Twst fans headcanoning that iron does the same thing to fae in Twisted Wonderland. However, we learn in book 7 that this is NOT true. Fae, particularly nobles, do find the smell of iron nauseating, but the metal does not appear to impede their powers or hinder them in any way. Lilia and his men are still able to dispatch several Silver Owls (who are dressed in iron arm and battle with iron tanks and other machinery) without issue.

Another example that’s pretty popular is fans believing that whole “if you tell a fairy your name, it grants them power over you” thing. Some have claimed this will come into play in book 7’s final battle. Others claim this is the deeper or secondary reason as to why Malleus doesn’t reveal his own name to Yuu until book 5, as giving his name would grant Yuu power over him. However, there’s nothing in-universe to suggest that names have cultural significance to fae or that any sort of power or status is granted by relinquishing one’s name. Yuu (or Malleus’s hundreds of other classmates) have also demonstrated no such control over him.

Remember: what is true outside of Twst, including in Disney's own works, is NOT necessarily true inside of Twst.

Going back to the initial question, I believe that "Malleus is possessive" is also a headcanon of a similar vein; fans are coming into Twst familiar with other mythos which state that dragons are possessive, territorial, and greedy on top of being powerful. Because Malleus is a dragon fae and is known to possess great power, it's very easy for fans to see the parallels between him and the dragons they already know of. This then leads to them filling in the gaps of his personality and projecting other stereotypical draconic traits onto him. In Malleus's case, this was extremely easy to do because it took a few years for him to see any significant spotlight in both event stories (Glorious Masquerade) and in the main story (book 7).

I think the easiest way for us to analyze whether Malleus is protective or possessive is to examine his closest relationships in the narrative of Twst. I will not be counting Sebek and Silver individually here, as they are both his bodyguards and Malleus maintains a mostly professional relationship with them. Instead, we shall look at Malleus's attitude by looking at his relationships with Lilia and Yuu, then proceed into discussing related behaviors.

I believe it's indisputable that Lilia is one of the most important people to Malleus. Lilia trained him, taught him, and trained him. He is basically Malleus's father figure. The fear of losing Lilia is what causes Malleus to emotionally spiral and take drastic measures in a desperate attempt to avoid that unhappy ending. His entire motivation for unleashing his UM is "not losing [Lilia]!" You would think that if Malleus was going to be possessive of anyone, it would be with Lilia. But the truth of the matter is... he's mostly just... not? Lilia is a very sociable person in the student body. He's frequently gaming with Idia, taking care of or lending wisdom to others (Silver, Sebek, etc.), hanging out with Cater and Kalim in their club, interacting with dorm leaders and freshmen when Malleus is absent for ceremonies, and more--yet Malleus doesn't seem to express any jealousy over sharing Lilia. I'd also like to add that although Malleus lacks parents, he doesn't really show envy over Lilia treating and calling Silver his own son instead of himself. Oh, Malleus certainly does express jealousy to some extent. Who would forget the time in his Dorm Uniform vignettes when he crushed Lilia's phone? The thing is though, the times when Malleus is upset are not fueled by not wanting to share Lilia or wanting to monopolize his time. In the previous example I cited, Malleus broke Lilia's phone because Lilia had received a picture Kalim and the other dorm leaders took after a meeting. Even the dialogue exchanged implies this; Malleus did not automatically get mad when he noticed that Lilia had a notification, he only got mad after realizing he was excluded from something the other dorm leaders were all involved in. Malleus was upset that he was not invited, not that Kalim was texting Lilia. Additionally, it is stated that the dorm leader must grant permission for others to use the lounge. If he wanted to, he could withhold the permission for Lilia, who wants the lounge for his farewell party (which everyone is invited to), or stipulate that he wants a more formal affair with just Diasomnia members present. Malleus doesn’t act in this possessive way though. He grants Lilia what he desires without issue.

Next up for scrutiny is Yuu! Now, there's some gray area here because part of Yuu's relationship with Malleus is defined by how much the player projects onto the self-insert/blank slate character. Please note that, when I discuss Yuu, I am leaving out individual interpretations and going STRICTLY by the information presenting in canon.

It can be said that Malleus slowly develops a fondness for Yuu's company over the course of the main story. At first, he is surprised and maybe even a little disappointed that someone has taken residence in Ramshackle--it used to be desolate, which makes it a perfect spot to visit on his nightly strolls. However, Malleus soon finds amusement in the fact that Yuu, not being of this world, has no clue who he is or what his status is. This grants him the freedom to speak at ease with this human and to "be himself" in a way that he cannot be with others, who typically cower at his name. You could also argue that Yuu telling Malleus they may have found a way home expedited the despair he felt in book 7, as he learned so quickly that two of his friends would be exiting his life soon. This, however, is not possessiveness. It's normal to have fear and anxiety about losing the people you love.

Malleus's voice lines also do not indicate possessiveness. Yes, there's the usual and expected fanservice-y lines where he invites Yuu to come and engage in various activities with him, but nothing in those suggests he would exclude others or become upset if they also wanted to join. (Are you telling me that Malleus wouldn't want to talk for hours on end about the glory of gargoyles to TWO people instead of just one?????) Additionally, all the characters get similar fanservice-y lines, so it's not something exclusive to Malleus. There was one line that gave me pause: "You always seem to attract a crowd... More so than I'd like, really." Buuut I think this could be read a number of ways, not solely in an ‘I want you all to myself’ way. Malleus actually goes like to be alone, hence his nightly strolls. The line can therefore also be read as Malleus enjoying solitude or one-on-one conversations as opposed to addressing a group. In that case, it's a personal preference and not necessarily a sign of possessiveness. He’s definitely not completely averse to group activities though; there are lines where Malleus invites Yuu to do things with him and other characters. For example, from his PE Uniform: “Sebek has been badgering me to help train him. I'll permit you to join us. ... You're coming, I trust?”

The guy generally doesn't get angry or annoyed if Yuu mentions having other friends or managing the 7 member VDC/SDC group. In fact, he sometimes encourages Yuu to interact with others. One of his birthday lines is, "You needn't linger and focus on me to the exclusion of others. I want everyone to enjoy the party, yourself included." Malleus doesn’t so much as flinch or react when a complete stranger kisses the back of Yuu’s hand either. If he was truly possessive, wouldn’t he have gotten angry or—at the very least—have frowned or tried to put some distance between Yuu and said stranger? Yet Malleus doesn’t really react or comment on it despite being present.

Malleus seems to understand that it's not very polite to demand all of someone's time or attention--and this makes perfect sense of his character. He is a royal, and that means he was taught proper manners. Malleus has even indicated before that his grandmother stressed the importance of observing etiquette, particularly around invitations. You don't just invite yourself to functions or insert yourself into others' lives if not extended said invites... and Malleus, for the most part, adheres to those rules. In various voice lines, he even frets over committing social faux pas, wondering if he has offended his peers with certain behaviors. For example, from his Masquerade Dress: "Flamme shoots me stern looks on occasion. Have I behaved improperly in some way...?"

Malleus is also not generally possessive when it comes to his items or territory. He wants to share cake with others; eating a whole one gave him heartburn and now whole cakes are his least favorite food. Additionally, he tends to welcome people to Diasomnia rather than chase them out or expel them. (After all, they so rarely get visitors in the first place.) Malleus will at least hear out the reasoning for seeking him out. As an example, Leona (someone who has had a rocky history with Malleus) goes to Diasomnia in his Ceremonial Robes vignettes to exchange robes after a laundry mix-up. This is a stark contrast to the highly territorial Leona, who attacks a magicless human in thd Botanical Garden and also allows his own students to wail on Yuu and co. for simply walking being in Savanaclaw. Leona joins in on this bullying too. I think it's pretty clear that Malleus handles guests with far more tact, grace, and patience than his fellow prince.

I want to point out that though Malleus is usually amicable with guests, there are exceptions. Ramshackle, as I mentioned earlier, is a place he enjoys a lot. He indicates in his Halloween Dress card that “If anyone dares to damage [this] dorm, I will be as a lóng and reduce them to cinders. I have become rather fond of that place, after all.” Indeed, he does act on this promise in Terror is Trending and comes close to striking down Magicam Monsters for disrespecting a place he holds so dear. Is this possessive though? Yes, it’s a place he loves—but it’s also a place where his friend Yuu lives.

There are many other examples of Malleus going to extreme lengths to protect the things he loves. He vows to destroy Rollo Flamme, who poses a threat to his people, the fae (who depend on magic as their way of life, and the sentient gargoyles, whom he has recently befriended. He unleashes his mighty magic to attack those who wound his pride. He stops time and kidnaps the entire student body all for the sake of including ghosts in a Halloween celebration. And, of course, he sends Sage’s Island to sleep in a desperate bid to stop losing everyone. The majority of these behaviors involve him lashing out at those who pose legitimate threats to things he cares about. It’s not as though be is acting for no discernible reason or because he is doesn’t want his loved ones being with people other than him. Does that make these actions right? No, absolutely not. But I would say they are definitely more protective than possessive.

Very rarely is Malleus actively preventing his peers from spending time away from him. Sure, he gets upset that he’s not invited to join them and sure, he wishes people would invite him too—but there’s a difference between longing and being mopey about this and acting so domineering he’s breathing down the necks of others to only be with him. He is not stopping people from being with their friends and family. He is not stopping people from using his things or entering his territory. Even when he makes everyone sleep, he grants them the space to craft their own dreams and doesn’t even make the dreams center around him and his own involvement on their lives. Oftentimes the dreams involve several other characters that are important to the individual dreamer and Malleus does not appear at all. (Again, this doesn’t mean using his UM was the best move to resolve his issues; I’m just saying his actions were not necessarily possessive.)

So, in conclusion, I stand by the thesis at I proposed at the start of this post: Malleus is largely protective, not possessive, despite what many fandom interpretations would have you believe.