Vent Writing Where I Project My Own Experiences With Grief To Hakaze Kaoru Not Because I Am A Kinnie

vent writing where i project my own experiences with grief to hakaze kaoru not because i am a kinnie because it's 3am and my anxiety started acting up. most of these experiences about kaoru and his mom were made up pls don't treat as canon hdjfkdhf they only canon kaoru thing here is he's good with housework and cooking!!!!!! vent post under the cut

WORD COUNT: 1660

Vent Writing Where I Project My Own Experiences With Grief To Hakaze Kaoru Not Because I Am A Kinnie

Sometimes Kaoru feels that he cannot remember his own mother's voice.

He worries about forgetting the smile she used to have on her face when he would tell her about the shells he found on the beach.

He worries that his mother's melodious laugh after his brother makes a joke would escape his mind at any moment.

He worries he would fail to remember combing her soft, silky blonde locks with his hands as he and his sister carelessly style their mother's hair into braids.

He worries when the feeling of having a mother to defend his actions while his father scolds him for acting too lax and foolish is starting to fade away.

Kaoru worries that, one day, he suddenly forgets.

He knows, however, there were moments after her passing that he will never forget:

Was it weird that he did not shed a tear the moment he knew his mother passed away?

Perhaps it was because, hours prior he found out about his mother's passing, he finally had the courage to engage in a conversation with his classmates. Perhaps the brief feeling of happiness that bursted within him throughout the school hours was too overwhelming that he couldn't bring himself to feel sad.

But wasn't that weird? He knew his mother longer than his classmates. Why didn't he cry? Why? Why? Why? Why?

Was it wrong that he didn't understand what “being dead” means?

He was a middle school student when his mother passed — not a kid anymore. Shouldn't he have understood what death means? Couldn't he see his mother's lifeless body kept inside the open casket during her wake? Didn't he realize the hushed murmurs from the guests, ranging from: “poor kids, their mother left them too soon,” to “what will happen to their family now?” while his sister sobs through the microphone, in a poor attempt to talk about their mother? Didn't he? Didn't he? Didn't he? Didn't he?

Kaoru worries that, one day, these too are something he suddenly forgets.

Loud wailing and sobbing echoed around the graveyard as his mother’s casket was being lowered down. Kaoru, however, has barely shed a tear.

But isn't that weird? There was no doubt that he was his mother's favorite. So why hasn't he cried since her death up until her burial?

As soil covered up his mother's casket, it was only then when Kaoru had felt something — yet that unfamiliar feeling, he knew, was not pain.

Kaoru knew that pain was supposed to make you wake up in the middle of the night to cry, it was supposed to make your heart tighten while you see something that reminds you of your late loved one, it was supposed to make you scream and destroy objects knowing that you can't do anything about what had happened in the past that made you feel so much in pain.

In that moment, however, Kaoru merely felt nothing. It was as if an empty void was suddenly attached within him. Memories of his mother didn't leave immediately, they were still a part of him even as her casket was completely covered in soil. But the moment his father uttered the words: “goodbye,” it was then when he understood what death truly meant. The emptiness within him started to feel heavy as he stared at the soil where his mother is kept underneath. He suddenly became aware of the loud cries from his brother as he clutched his chest, yelling for their mother in the empty sky, and his sister's uncontrollable sobbing as she softly called for their mother. Kaoru should have understood this earlier. He should have. He should have. He should have. He should have.

The Hakaze house is silent when they return. His sister hurries to the kitchen, still in tears, to cook food for dinner because who will make pancakes now that mother is gone? His brother pats his head, tells him to not worry about the household chores and focus on his school work first because who will clean his room now that mother is gone? His father heads to store mother’s collection of seashells and marine life books in a spare room because who will use them now that mother is gone?

His family are on the first step of moving on from their mother's death, but how can Kaoru move on along with them when it was only at this moment that everything started to sink in. “Goodbye,” continues to loop inside of his head like a broken music player as he stands still in the middle of their house. Goodbye, mother. Goodbye. Goodbye. Goodbye.

A year after his mother's death, Kaoru cries — sobs alone in his room. Tears flow out from his eyes as he sobs in his pillow, what a shame, he had just changed the pillow cover the other night because of the same reason. Kaoru sobs alone in the house; his father is still out working, his brother has moved out from their house and lives somewhere in the city, and his sister is busy with her last week at university.

An hour later, Kaoru leaves his room to make pancakes because he noticed he hasn't had his first meal for the day, but the pancakes he made don't taste the same like how his mother used to make them.

Two hours later, Kaoru starts washing the leftover dishes from last night, then sweeps the floor of the common area because dust started accumulating on the floor again.

Five hours later, Kaoru spends the entire evening rereading the collection of his mother's old marine life books. He spends the next hour reciting to himself about the specific type of each seashell from his mother's dusty seashell collection because his mother wasn't by his side anymore to tell him about the lives of the seashells.

Kaoru worries that these, too, are something he suddenly forgets.

The first year he enters Yumenosaki Academy, he refuses to form any sort of close relationship between his classmates or any student in general. He thinks, perhaps, that it is for the best; he doesn't want the empty void within him to grow even bigger because of a sudden mishap with his hypothetical relationships.

The second year he studies in Yumenosaki Academy, he starts to question himself why he decided to even enroll in this school. He dislikes forming close relationships yet he placed himself in a situation wherein relationships are important for survival. Well, it wasn't like he was serious about becoming an idol, anyway. But, at least for this year, he talked to different kinds of people—though he could barely even call them acquaintances.

The third and last year he studies in Yumenosaki Academy, it becomes the first time he has allowed people to enter his life since his mother's death. It was the first time he cried in front of someone other than his sister — even multiple times. It was the first time he formed a bond that he is confident enough to call friendship. Kaoru still struggles with accepting people in his deeper side of life, yet the empty void within him still stays the same. However, a newer and warmer feeling starts growing inside of him.

The first year in Ensemble Square, Kaoru realizes he is starting to forget what kind of smile her mother always had on her face.

He realizes he is starting to forget in what situations his mother would laugh at.

He realizes he is starting to forget whether his mother preferred her hair in three-strand braids or French braids.

He realizes he is starting to forget what kind of stuff he used to do for his mother to wholeheartedly defend him against his father.

Kaoru comforts himself in the fact that, despite his memory slowly fading away, he will never forget the experience and memories he has with his mother.

He remembers him and his mother stepping barefoot on sand at the beach for the first time. He remembers when his mother first taught him how to ride a wave. He remembers the warm feeling in his chest knowing that his mother is home, ready to serve pancakes to him the moment he returns. He remembers the shame he felt when he realizes that his mother cleaned his messy room while he went out to play with his brother at the playground. He remembers listening to his mother talk about seashells and sharks in between coughs while lying down the hospital bed. He remembers staring at her cold, lifeless body inside the casket, seconds before they finally closed it.

Kaoru remembers it all.

And it's the little things like these constantly remind him that, although the empty void within him might never disappear, his mother took part in building the warmth inside of him. And that warmth will continue to exist within him through his memories of him and his mother.

His mother exists in the necklace she gave to him when he first entered school. She exists in the cold, sea breeze that brushes against his cheeks when he visits the seashore at night. She exists in his first solo song that he wrote with her in mind. She exists in the stories he tells about her to his friends, his juniors, and his fans. She exists in his father, his brother, his sisters — and within himself.

Sometimes Kaoru worries that he might forget everything one day.

But worrying about forgetting in itself is already a reminder that it would be difficult to forget something of such importance.

And even if he does end up forgetting, Kaoru is certain that nothing will replace the feelings, emotions, and memories that he experienced throughout the entire years of remembering his mother.

Oftentimes, Kaoru now relaxes knowing that he was able to experience a life with his mother and also become a part of his mother's life. And his mother will still continue to exist through his own memories.

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3 months ago

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

3 months ago

year n can be about any old wizard yaoi ship if you think hard enough tbh. it's lenofau to me but it can be bradnero or some other ship for those who open their eyes to old wizard yaoi


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4 months ago

stop trying to make your draft perfect on the first try. your characters don’t care. your plot doesn’t care. even the imaginary readers in your head don’t care because they don’t exist yet. just write the terrible version. write the cringey dialogue and the scenes that go nowhere and the metaphors so bad they make you cringe into next week. because guess what? you can’t edit a blank page, but you can edit a hot mess. embrace it.

9 months ago

Malleus "only love can hatch me" Draconia vs Silver "only love can wake me" Vanrouge

8 months ago
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“Shizun? Why aren’t you drawing more SV art as an SV main???”

4 months ago

Imo in order to finish your writing project you need to be unhealthily obsessed with your characters to a point where you question your sanity

11 months ago
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4 months ago

If you want to get into Enstars lore...

With the upcoming prsk collab, I'm sure it's attracting people genuinely interested in learning Enstars lore. (Or if you're someone who's been playing Enstars but hasn't been engaging in the lore) In that case, do NOT start with the Reminiscence series, but instead, I highly recommend to read the Main Story first before anything else. You can read it through the English server, BUT if you want to know the very start of Enstars lore, read Basic/! era Main Story. (However, the unfortunate side is that Enstars doesn't really allow fan translations...)

You'd see people recommending stories from the Reminiscence series (Checkmate, Crossroad, Element, Marionette, Meteor Impact, Obligatto, etc.), but I highly advise to NOT read them if it's your first time learning Enstars lore — this was my mistake when I was a new fan lol. But if you do already know tidbits about Trickstar and Jin & Akiomi, then I do recommend reading their Reminiscence stories, which are Rocket Start and Guilty of Perjury respectively since it mainly tells their formation and initial dynamic with each other. The other Reminiscence stories I mentioned deal with heavy topics and require knowledge from ! era Main Story, so I really advise reading those first. It would give you a wrong impression of the characters (which is why I didn't like Shu and Eichi when I was new because my introduction to them was through Marionette💔 I'm a big ValkyrieP now though and i also love fine!)

If you want story recommendations for specific units (particularly Valkyrie, Knights, Switch, Akatsuki, 2wink, Trickstar), just send me a DM! I'm super willing to help anyone who wants to learn more about these lovely units


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10 months ago

ten: the number on your back when you step into the court.

nine: the number on his. you stare at it a lot, even if you won’t admit it. sometimes, when he’s standing facing the net and you’re behind him, you imagine tracing the number with your fingers.

eight: letters on his name. you sound them out individually, then all together. they taste familiar and warm like your favorite meal.

seven: days in the week you would spend together if you had it your way.

six: days in the week you actually spend together. it could be worse, you suppose. still, it never feels enough.

five: times you fell asleep with your head on his shoulder and he didn’t move. yes, you counted.

four: days you spent without talking after that fight. you had to double check this one, because it felt like a lot more.

three: years you’ll have playing together. you’re not big on wishing upon stars or praying or anything of the sort, but you do wish sometimes that you had more. more of him, more of you two together.

two: a team. you and him. him and you.

one: when he sets the ball to you before you’re even there, and you send it perfectly across the net. then you look at each other before even landing back on the court, matching grins and feral eyes. in that moment, it doesn’t feel like it’s you and him, two separate entities. you feel like one.

4 months ago
archiveofourown.org
An Archive of Our Own, a project of the Organization for Transformative Works

Fandom: Haikyuu!!

Rating: Teen

Archive Warning: No Archive Warnings Apply

Chapters: 1/1

Word Count: 17,779

Relationship: KageHina | Kageyama Tobio/Hinata Shouyou

Additional Tags: Canon Compliant, Post-Time Skip, 5+1 Things, Slowburn, Feelings Realization, Developing Relationship, Hurt/Comfort Getting Together, Confessions, Idiots in Love

Summary:

“You know, speaking of honesty,” Hinata starts, slowly and carefully, as if to calm an incoming surge of waves. “You never told me why you didn’t tell me that you were going to sign with a professional team.”

Kageyama bites the bait. “You also never told me that you were going to Brazil.”

“Not everything’s a competition, Bakageyama. And stop trying to change the topic; we were talking about you,” Hinata instantly snaps back.

Kageyama believes it was and will never be easy once he steps into a whole different side of volleyball for the entire world to glue their eyes on him. It gets even difficult when all he could think of is Hinata, Hinata, Hinata.

Or, Five times Kageyama references Hinata in his interviews and the one time Hinata interviews him.

Art by: @mulberrymallard (Thank you so so much🧡💙)

Fandom: Haikyuu!!

Here is my work for @kagehinabigbang in all honesty, i struggled with writing this as i was juggling academics and whole other bunch of personal life stuff, but i really enjoyed writing this! it's my first time writing something over 10,000 words (and it was a personal goal of mine that i wanted to achieve this year so yay!)

and thank you to the kghn bb mod team for being so accommodating and patient with me 🥲 big, big thanks to cindy as well for creating this beautiful art (check it out here)


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