Gallopinggala

MONSTERS WE MAKE

GRAHHHHHH I LOVE THEM A LOT!!!!

i feel like kylar or atleast one of them would have those weird instagram accounts if they were here today. like the really negative toxic masculinity ones.

That one Series of Unfortunate Events quote

[ID: A Mob Psycho 100 comic. Muraki gestures to Sakurai, who's glaring and surrounded by an ominous red-black aura while holding up a sword, and says, "You must understand-- he had a terrible childhood." Mob stares at him, dead-eyed, and replies, "Yes, I understand. I'm having a terrible childhood right now." Reigen is lying twisted behind him in the Family Guy Death pose. End ID]

From my rotting body flowers shall grow

Lord of the Monsters

Georgina Leech live2d - Coral Sea

Laios devouring a mandrake

Based on Francisco Goya painting ofc

It's very easy to categorize the overblot as a breakdown- but all of them have a different type of lashing out.

Riddle's behavior is a trauma response. He is not listening; instead, he is solely focused on himself, which is a reaction to not feeling heard compared to his mother. She is the person he fears the most, and although he hates that he loves her, he feels conflicted. She was supposed to help him grow, but instead, she only shielded him from the realities of life.

Leona is driven by fear. He’s afraid of finishing in first place because he’s so accustomed to starting from second. The thought of being vulnerable, admitting his fears, and acknowledging his struggles terrifies him. He is so frightened that he resorts to using dirty tricks.

Azul struggles with vulnerability; he avoids opening up or confronting his past. He remembers the child he was forced into hiding and a life of learning just to endure. This child has grown up to prefer lies over sincerity, believing that deception has brought him further in life.

Jamil is determined to gain control over his own life and choices. He feels this control is lacking due to his family's affiliation with Kalim. While he strongly desires control, this desire becomes unhealthy when it extends to others.

Vil is driven by his desire for recognition. He wants to be perceived as exceptional, a model that cannot be compared to others or regarded as inferior. He seeks to control how others view him to the extent that he is willing to manipulate their perceptions, which includes putting others down.

Idia struggles with trauma. He never overcame the death of Ortho or the events that affected him and his family. Forced to grow up quickly, he now finds himself unable to do many things that others take for granted. He struggles to communicate with people, suffers from low self-esteem, and experiences profound fear. This fear leads him to isolate himself in his room, as it feels like the only way he can cope with life.

Malleus explores the theme of loss—loss of a loved one, loss of oneself, loss of one's past, and loss of purpose. It reflects on the fear of change and the inevitability of things never being the same once someone you deeply care about is gone, even if it’s not your fault.