When Writing Descriptions, Consider What You Want To Accomplish. Giving The Reader An Idea Of The Layout

I always find it kind of weird that matriarchal cultures in fiction are always “women fight and hunt, men stay home and care for the babies” because world-building-wise, it makes no sense

think about it. like, assuming that gender even works the same in this fantasy culture as it does in ours, with gender conflated with sex (because let’s be real, all of these stories assume that), men wouldn’t be the ones to make the babies, so why would they be the ones to care for the babies? why is fighting and hunting necessary for leadership?

writing a matriarchy this way is just lazy, because you’re just taking the patriarchy and just swapping the people in it, rather than actually swapping the culture. especially when there are so many other cool things you could explore. like, what if it’s not a swap of roles but of what society deems important?

maybe a matriarchy would have hunting and fighting be part of the man’s job, but undervalued. like taking the trash out or cleaning toilets: necessary, but gross, and not noble or interesting. maybe farming is now the most important thing, and is given a lot of spiritual and cultural weight.

how would law work? what crimes would exist, and what things would be considered too trivial to make illegal? who gets what property? why?

how would religion work? how would you mark time or the passage into adulthood? what would marriage look like? if bloodlines are through the mother, bastardy wouldn’t even be a concept - how does that work?

what qualities would be most important in a person? how would you define strength or leadership? what knowledge would be the most coveted and protected? what acts or roles are considered useless or degrading?

like, you can’t just take our current society and say you’re turning it on its head when you’re just regurgitating it wholesale. you have to really think about why things are the way they are and change that. 

Review of The Dresden Files: Peace Talks (spoilers ahead)

This review is gonna be slightly different than my normal reviews as I am the only Paules Sibling of Awesome who reads The Dresden Files, so I have not talked through my thoughts with B beforehand. I also don’t see the necessity of providing a rating for a book that is the sixteenth in a series (not counting the short story collections) - clearly I enjoy the books. Spoilers ahead!

So, the peace talks in question went about as disastrously as expected knowing Harry Dresden was involved, but obviously I didn’t expect that. Years ago, Jim Butcher promised us an apocalyptic trilogy to end the series (titled Stars and Stones, Hell’s Bells, and Empty Night, in case you missed it), but I never figured we’d actually get to a point where that ending seems in sight.

My big fear going into this was that Karrin Murphy would not survive. I was pleased to see that a) she did and b) she was as badass as ever, despite her injuries from Skin Game. Of course, who knows what will happen in Battle Ground, but really my only hope is that Murphy makes it to the end of the series. Just Murphy and Harry at the end of things, just as they were at the beginning.

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Writing from Scratch #7: The Event Plot

The Event Plot

The problem of an Event plot is a disruption to the status quo. The solution comes either from setting everything right again or adapting to the change. The Event plot is probably what most people think of when they think “what is a plot?” Any story that deals with a life-changing or world-changing event is an Event.

The first plot I analyzed, from The Expanse television series, is an Event plot. Let’s look at another: The Princess Diaries. As we did with Lord of the Rings, we’ll look at the movie rather than books because more people will be familiar with the movie (which is a damn shame).

The Event: Mia Thermopolis’s grandmother tells Mia that she is the princess of small European kingdom Genovia, and she must take the throne.

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Writing from Scratch #6

The Character Plot

The problem of a Character plot involves a character’s worldview – their beliefs, values, desires, and fears. Many but not all stories include a Character plot, often called a character arc, in which a character’s worldview shifts. A Character plot is entirely concerned with the internal state of the character in question and as such is rarely seen on its own. When it is on its own, as it is in “Miss Brill” by Katherine Mansfield, you can end up with an extraordinary story.

Because a Character plot is entirely internal, the try-fail cycles don’t work out exactly the same as they do when dealing with an external/physical problem and solution; they are also up for interpretation by the reader when done subtly and beautifully as in “Miss Brill.” Character plot try-fails are often not even done intentionally as typically the character does not realize a change in the worldview needs to occur. So, read “Miss Brill” (it’s short, less than 2,000 words) and try for yourself to determine the problem – it’s not stated directly – and identify the try-fails. After, you can read over my interpretation, please let me know in the comments how our thoughts compare!

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Writing from Scratch #3

Flash Fiction: A Simple Plot

The first writing prompts we’re going to tackle will be flash fiction pieces. Flash fiction is a complete story written in under 1,500 words. We’ll be aiming for 250-500 words at first – that is one or two pages double spaced written in Times New Roman 12 pt. font.

The type of flash fiction I’ll encourage you to write will be Eighteen Sentence Stories*, and each of these sentences will have a very specific job.

The first Three sentences will provide the main character, the setting, and the genre (which clues the audience in on what kind of story they are about to read).

The main character should be introduced via an action that reveals their attitude at the start and with one defining job or trait that relates them to the plot. For example, a character may be both a father of three and a pilot. If the problem of the plot will deal with the kidnapping of one of his daughters, then “father” or “father of three” will be the defining job; if the problem of the plot will deal with the starship he’s piloting falling under attack, then “pilot” will be the defining job.

The setting should be introduced via a grounding sensory detail. The lingering scent of cookies left to burn when the parents received the ransom note. Or the pressure of being pinned back into the pilot’s seat under g forces.

The genre should be introduced via something specific and unique to the story. A ransom note is not specific or unique; a ransom note scrawled on the back of a picture that went missing off the fridge the week before is. A space ship is not specific or unique; a living space ship with a giant brain in its core that the pilot must psychically link to via the tentacles that suction onto his temples is.

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Outlining: one writer’s approach

…So I was puttering around on Twitter the other day, as one does, and in mid-putter found that someone on my timeline had just RT’d some tweets from a discussion about which approach to writing a book (or other longish piece of prose) was the best: pantsing or plotting. (”Pantsing”, for those of you who may not have come across the term, indicates just sort of making up a story as you go along, without establishing an underlying structure first or (sometimes) knowing how it’s going to end. “Plotting” means having some kind of plan about where the story is going to go – which I would normally take as meaning a premise or outline of some sort.)

And the person at the core of this particular thread, Rebecca F. Kuang, said this:

wait can someone who isn’t a pantser actually explain themselves? how detailed does your outlines get? do you really know the sequence of and content of every scene ahead of time? how you figure out smaller plot threads before you’re ~in~ it?

Since I’m emphatically not a pantser, but a four-decade plotter, I thought maybe I could bring something useful to the discussion. I asked how much detail on the process was wanted? as I’d been doing this for a while.

Rebecca said: 

haha well what i’m most curious about is how you can “feel” the story’s tone/heft/urgency and connect with the characters and their plight from an abstract outline? i’d like to plan more, but i have a hard time thinking from a birds eye view

It’s a good question. But for a moment there I was brought up short, as the concept of an “abstract” outline kind of startled me. I couldn’t imagine what kind of outline that would be. And then the horrible thought occurred: Wait. Can it be that when some of these folks hear “outline” they’re thinking about that godawful high-school English kind of thing? Full of Roman numerals and numbers and capital letters and small letters – ? 

Oh gods no. No no no no no no, it’s not like that at all.

…So I got into the subject a little: what novel outlines can look like, the trick I was taught about how to structure them, and how to make them work for you. (There are some references to Scrivener in there, because that’s what I use, but the advice will work perfectly well no matter what software or other instrumentality you’re using. My outlines tend to start out with pen and writing paper, but they don’t stay on paper for long.) There are also a couple of examples of the kind of outline you would send an editor when querying.

The thread got long, and a little disjointed. So when it was over I cut my bits together and polished them a little; and at the end added one (extremely important) afternote. Then I put it up on my main blog, right here. So if this is a subject that might interest you, maybe you want to take a look, as (to my great pleasure) I’m already hearing from people who say they’re finding the info / approach in the post useful.

Just as an FYI: A copy of the post will also go up on FicFoundry.com when that site goes live at the end of the month, as that’s where all my writing stuff will be going from now on. (It was past time that whole batch of content had someplace of its own. That’s getting sorted now.)

…And now back to work. (Yet another outline, as it happens…) :)

Underlined PSA

Figment, the recently closed writing website, has just launched (after a long delay) their long-awaited successor to figment known as Underlined, where users can post their work and receive feedback, supposedly.

DO NOT USE UNDERLINED. DO NOT POST YOUR WORK ON UNDERLINED.

Underlined’s terms and conditions contains a clause stating that the rights to all your work that you post on their website belongs to them!!!!

Underlined belongs to Penguin Random House. This is an extremely dirty trick for them to play on writers, especially young writers and children, who come to the internet to get feedback and will lose the rights to their work. Please boost!!!

Writing from Scratch #1

Welcome to Writing from Scratch!

I’ve been writing a long time, and sometimes it feels like I lose the trees for the forest. Writing from Scratch is a chance for me (and you!) to get back to the basics of storytelling.

If you’ve never written a story before, if you’ve never felt like you could come up with one that would be worth writing, my hope is that if you follow along with me here, you will have the confidence and know-how to come up with an idea, build it into a story, and share it with the world.

These posts will be little, easy-to-digest nuggets. At the end of every post, look for a prompt and share your response in the comments!

What Is a Story?

A story can be defined by what it contains: at least one plot, character, and setting, and a style through which it is told.

Story Bits

To begin, let’s take a look at the second smallest unit of a story – the sentence. A sentence is a set of words that conveys a complete thought. And communication is fractal, meaning each part shares the same pattern as the whole. A story and its components, therefore, will also convey a Complete Thought.

Continue Reading on WordPress

Writing from Scratch #1

Welcome to Writing from Scratch!

I’ve been writing a long time, and sometimes it feels like I lose the trees for the forest. Writing from Scratch is a chance for me (and you!) to get back to the basics of storytelling.

If you’ve never written a story before, if you’ve never felt like you could come up with one that would be worth writing, my hope is that if you follow along with me here, you will have the confidence and know-how to come up with an idea, build it into a story, and share it with the world.

These posts will be little, easy-to-digest nuggets. At the end of every post, look for a prompt and share your response in the comments!

What Is a Story?

A story can be defined by what it contains: at least one plot, character, and setting, and a style through which it is told.

Story Bits

To begin, let’s take a look at the second smallest unit of a story – the sentence. A sentence is a set of words that conveys a complete thought. And communication is fractal, meaning each part shares the same pattern as the whole. A story and its components, therefore, will also convey a Complete Thought.

Continue Reading on WordPress