Latest Posts by c-est-ta-fille-rousse - Page 4

Got back from seeing the movie again and a tiny theme I liked was the solidarity in the younger POC generation vs the older gen.

Margo, Hobie, Pavitr and Miles all had eachother’s back. They fought together, they helped eachother in small ways like Hobie telling Miles to use the palms, and big ways like Miles saving Captain Singh and Margo letting Miles go “home”.

They could’ve stopped him, they could’ve not helped eachother but they did. Because they understood and they all realized what was wrong with the Spider Society. All of them at the end came together to support and help Miles, in the way the rest of the spiders couldn’t.

And when you put that into perspective with Miguel and Jessica, older POC that gave no support. They believe that Miles has to suffer in order to become Spider-Man, that pain will always have to happen.

But the others don’t believe that, they know that best way to be a hero is uplift and help eachother. Often the parents, the older generation compromise their morals and others for the future, for them to grow up safer and yet the future generation always has to reckon with the consequences of those actions without even having a say in the first place.

That’s a damn message, and I love that they used the younger poc generation to show that because this does happen in real life, there is a difference and our parents, our grandparents believe that pain has to happen for our identity to be created.

queen charlotte's i will stand with you between the heavens and the earth. i will tell you where you are destroyed me and i will never recover.

It’s Always Sunny in Philadelphia: Season 13, Episode 10 - Mac Finds his Pride. 🏳️‍🌈🏳️‍🌈🏳️‍🌈

“You don’t know what’s going on inside of me.” “I mean the struggle to be who I am.” “There’s like this storm inside of me and it’s been raging my whole life, and I’m down on my knees, and I’m looking for answers, and then God comes down to me and it’s a very hot chick and she pulls me up and we start dancing.”

“Wait, wait, wait…you’re gay, but you’re dancing with a hot chick, and she’s God?”

“Yes.”

“The Catholics really fucked you up.”

one of my favorite underrated iasip moments is when frank adds a random stop sign on a street as a “prank” and charlie is like “you created a four way intersection, if anything you made this road safer”

Anthony’s confession this, George’s confession that like whatever HELLO??? QUEEN CHARLOTTE HERSELF LITERALLY DROPPED THE HARDEST GUT WRENCHING LINE OF ALL???? “I will stand with you between the heavens and the Earth. I will tell you where you are." If someone said that to me I would immediately crumple onto the floor bawling and pull out a ring cmon now

America has a weird relationship with cults where they’re terrified of small cults (or organizations they think are cults) but completely normalized massive cults that hurt many more people (eg: LDS Church, Jehovah’s Witnesses, the Amish, Scientology, most Megachurches)

INCORRECT QUOTE BREYNOLDS

Brimsley: Reynolds kissed me!

Agatha Danbury: Oh my God! Oh my God! Oh my God!

Brimsley : It was unbelievable!

Agatha Danbury: Oh my God! Oh my God! Oh my God!

Queen Charlotte: Okay, we wanna hear everything. Lady Danbury, get the tea and light the candles. Brimsley, does this end well or do we need tissues?

Brimsley: Oh, it ended VERY well!

Agatha Danbury: Do not start without me! Do not start without me!

Queen Charlotte: Okay, alright, let’s hear about the kiss. Was it a soft brush against your lips or was it like a, you know, “I gotta have you now” kind of thing?

Brimsley: Well, at first it was really intense, you know? And then, oh God, and then we just sort of sunk into it.

Queen Charlotte: Ohh... So, okay, was he holding you? Or were his hands on your back?

Brimsley : First they started out on my waist and then they slid up and then they were in my hair!

Agatha Danbury and Queen Charlotte: tell us more, more!

*meanwhile*

Reynolds while walking behind King George: And, uh, and then I kissed him.

King George: Tongue?

Reynolds: yes your majesty.

King George: Cool.

I am fascinated by how, in the Bridgerton Extanded Universe, everyone is in a period drama EXCEPT the Bridgerton family, who is in a romantic comedy.

i'm finally watching queen charlotte and, y'all, tell me that these two:

aren't basically just these two:

I miss early seasons of sunny.

And not really the type of jokes— I think dark humor is hilarious (duh) but some times they were a bit much. But I miss the dynamics. I feel like it’s even stretched up to s10 but the past few have felt so different. They felt out of character even though it’s still the same writers and the same characters and what not.

I guess I just miss when it seemed like The Gang actually cared about each other a bit. As much as they could, anyway. They’ve always been pieces of shut but they’ve always been each others pieces of shit, and it was special.

Even if they were doing something for their own gain, there was always a hint of them doing it for each other. Like, for example, Charlie Got M*lested. Dennis and Dee went full on private investigator, and sure they were only trying to “help” their their own ridiculous ego-centric/competitive reasons, but the factor the matter is they were still trying to help Charlie. In Charlie Has Cancer it seemed Dennis was truly concerned when Charlie told him, if not a bit uncomfortable. And I feel he only acted so weird because the way the Reynolds household worked when they were little. That’s a whole other post in itself, however.

In Dennis And Dee Get A New Dad, Charlie tagged along with Mac to visit his dad— and sure it was because the idea that Mac’s dad could be like a father figure to Charlie as well, but he was there to support Mac at the end of the day. As well as the fact they were so ready to beat the shit out of D&D’s biological dad for Frank.

In Dennis and Dee Go On Welfare, the twins hung out and acted like actual siblings. There was bickering and arguing sure, but that’s just how you act with your sibling. They hung out, they enjoyed each others presence, and it didn’t always have to be some huge joke about how everyone hates everyone.

Charlie Gets Crippled— when Dennis hit Charlie with his car it was real concern he had seeing Charlie in the hospital. As well as in Gun Fever when Dennis accidentally shoots him. You even see Dee talking to Colin about Charlie— letting him know Charlie’s okay. Like a friend does. Like you do when you care about someone. They even say they’ll help Charlie out with his rent!

There’s many more examples so I’ll just breeze through them here so this post doesn’t get too long. Dennis checking on Charlie and helping him write Dayman, Dennis knowing exactly how to calm Charlie down in The Gang Gets Extreme: Home Makeover Edition (and The Gang Goes to Hell), Sweet Dee Gives Birth, Dennis is a good brother. We see him being a good brother. And it’s not for any reason other than to care for Dee while she’s having her baby. Sweet Dee Has A Heart Attack, Dennis and Dee bond like actual brother and sister and he’s concerned about her well-being— actually concerned. In The Gang Wrestles For The Troops we see Charlie Dennis and Mac enjoying being together. We hear about them wrestling and having fun with one another and they stick together in those goofy fucking bird costumes. Macs Banging The Waitress: call it selfish desire or extreme attachment issues and an insane ego, but Dennis was troubled when Charlie and Mac agreed they were bffs and not him, he tried everything to get Charlie to change his mind. Charlie Kelly: King Of The Rats— I could write a whole essay on this episode alone. Dennis Dee and Mac went above and beyond for Charlie. Just to make his birthday special. Mac And Charlie Write A Movie: again, they just act like friends. Real friends. It’s obvious they cared for each other. In Charlie’s Mom Has Cancer they all try and figure out a way to help. And yeah there’s that whole subplot of Dennis not feeling anything, but I feel like that makes it matter more that he wanted to tag along to find a “cure”, whatever that cure may be.

And there’s so many more instances of them just…. Enjoying each others company. And I’m not saying it doesn’t happen anymore, I’m just saying it doesn’t happen nearly as often as it used to. It feels like now they’re just a group of ex-friends that all resent each other just below the surface. They had selfish reasoning, they always did, but they also cared about each other. The things they did, they did to try and benefit each other. And maybe it’s just because their characters are being flanderized, maybe I’m insane, I dunno. I just miss old Sunny.

okay but also the absolute king move of bringing home both of the people whose posters are on your bedroom wall home to meet your mom at the same time. no one is doing it like Jamie

PETER III and CATHERINE THE GREAT THE GREAT — 3x06: “Ice” (2023)

Just wondering, did anyone else think that this is what the psychic meant when she said that Rebecca was going to be a mother?

i’m terribly sorry it’s so embarrassing to have gotten it so wrong. of course THIS is jamie roy and keeley when they start dating

PSYCH | Season 6 Episode 16 ‘Santabarbratown’

I wanna know about Richard and Jan Maas’s dynamic. Their banter about the supermodel in the Christmas episode. Richard’s absolute refusal to sightsee Amsterdam or eat Dutch food. The way they hugged at Sam’s restaurant. Jan squeezing his shoulder after cooking teases him. Tell me what’s going on between these twoooo

Ted Lasso Season 3 Episode 9 in memes because this show makes me happy

Ted Lasso 3×09

I smiled the whole time while watching it, needed to meme the whole thing

The fact that Ted Lasso cut away from Colin coming out to the team, after we hear him saying he doesn’t want to be a “spokesperson”, is so powerful to me.  As much as I love queer representation in media, I feel like sometimes there is this hyper-focus on the coming out scenes, as the pinnacle of the queer experience that get thrust into the spotlight for the emotional payout from the audience. 

That may resonate for some people, as coming out is obviously a big thing and can feel like a spotlight moment.  But I feel like there are a lot of people out there whose greatest wish is for coming out to not be a thing. To not be a big moment.  To not have to be a spokesperson.

And I love that Ted Lasso gave Colin that.

Keep seeing posts in solidarity with the WGA strike that say things like “no one cares about your favorite shows” and “fuck your tv show. I hope it gets canceled” and while I understand and agree with the underlying sentiment, which is clearly “Real people are more important than fictional ones, you dipshit” I don’t like the framing because, well, it feels shitty to dismiss the importance of the work made by the workers we’re trying to defend.

No one cares about your favorite shows more than the writers do.

No one understands the power and importance of tv and film more than the writers who created them.

No one loves tv, movies, games, and stories more than the people who fought tooth and nail in an incredibly competitive and underpaid profession for the chance to be part of it.

They know it’s important. They know it changes lives. They know it can be more than just a story, more than just a bit of entertainment. They’ve loved and respected this medium, continue to love and respect this medium, more than you ever will.

The person who wants a show to get canceled the least is the writer who poured their everything into making it good.

TV and movies are great, actually, and you are not wrong to be invested and care about them. That’s what the writers gave you. That’s what the writers wanted when they wrote it. That’s why they wrote it.

Which is why we respect them when they make the call that this strike and its demands are worth risking it.

The people on that picket line do not want their shows canceled. They want to keep writing them. They can’t, not under the current conditions.

So we accept the risk with them and support them.

But I don’t want to berate the power and importance of their work, the value they put into it and the love they have for it, in the same breath that I am defending their strike. Worthy shows will likely get canceled or derailed and that will be a tragedy worth mourning. The writers know that better than anyone.

So when they say something else is even more important, we listen. And when your favorite show gets ruined, you make sure your fully justified anger and grief is pointed in the right direction - at the CEOs who killed it.

#an adoptive dad and his adopted son (clearly)

Rebecca and Roy giving each other a wake up call! TED LASSO (2x01 | 3x09)

No because it was so important for Roy to be the one to go after Isaac because he’s the reason Isaac is captain. He handed Isaac the armband and told him to keep throwing chairs into tvs. He rewarded Isaac’s anger and aggression and now it came to a head he had to be the one to figure out what was going on and help Isaac through it. And the full circle of Roy making Isaac captain over his outburst, Ted needing Roy’s help in making Isaac a better captain and in turn showing Roy he could be a coach, and now Isaac’s latest outburst leading to Roy really coming into his own being a well rounded coach is beautiful.

The flower that blooms in adversity is the most rare and beautiful of all.

my mother said something really interesting about this episode (yes, she also watches the show and is a huge fan of dani rojas just like me) and it’s been stuck in my head ever since. she said: “it seems to me like this whole episode was about intimacy”

and like… yeah! that’s exactly it! the amsterdam trip set the perfect scene for it too, because people are normally a little more lax on vacation, a little more adventurous, a little more lenient and able to put themselves out there.

you have the pretty obvious contenders for this point: rebecca having her little fling with that nameless bald man and learning to open herself up to real connection and intimacy again, to be able to envision for herself a life and a love that is unmoored to her past with rupert and is able to exist in its own little intimate pocket. you’ve got jamie and roy learning to trust in each other, to be intimate and vulnerable about their pasts and about their present situations too (especially for roy, who is still right now a man who would rather break up with the woman he loves that admit, that he doesn’t think he’s good enough for her). and you also have, of course, the true soul of the episode, which was colin and trent’s discussion, and how colin feels that ache to be able to show the more intimate parts of him to the world the way heterosexual couples do, to be able to merge his intimate personal life with his fun if not a little reserved professional life. how to achieve a balance between intimacy and privacy.

and then you have the less obvious ones maybe, like higgins and will going to the jazz club— which isn’t really that hard to decipher when you think about it. it is, after all, where higgins opens up about an intimate detail of his love for jazz, and then gets to share his previously very intimate and private activity of playing the bass with the crowd. he even starts the night complaining of how exposed their seats feel, and ends up standing on the stage by the end of it. and, of course, will potentially had a threesome. so there’s a kind of intimacy for you. the one that truly isn’t obvious is the team pillow fight which honestly, I think is just a way of showing that sometimes a more intimate, fun yet indoor activity makes for better memories than something like a sex show or a club, which are both very grand and exciting yet impersonal and detached kinds of activities.

then of course you have ted, who is sort of lacking what my mother called an intimacy with himself. he’s been feeling a little lost, a little “stuck” as he put it. and I don’t think he understood why until this episode, until this adventure he went on with the museum and the american themed restaurant. it was a way for him to spend quality time with himself, to be alone with his thoughts while still not totally unable to absorb his surroundings and learn something. and in exploring his more intimate thoughts he was able to think of something really good! something that will make him a better coach!

and yeah, when it’s framed in this way I think this episode was sooooo killer. I love seeing people open up a little bit, to show these deep and intimate parts of their being. it’s so so so good.

get ‘em mac <3

Seattle Public Library is doing this awesome program called Books Unbanned that allows teens and young adults (ages 13-26) access to their collection of e-books and e-audiobooks from anywhere in the USA. All you need to do is fill out a simple form and you get their Books Unbanned card. Please share this information far and wide. I know they're not the only ones to have done this, but the more the merrier!

Also I'm obsessed with Richard and Jan; they're both insane and I demand they do a Paris episode so Jan can be the bitchy Dutchman he deserves to be

Now that Colin is safe from the threat of a previously bully journalist outing him and can more objectively pick up on queer-coding cues in the club, who's going to write the fic where he goes full tedtrent conspiracy theorist, trying to figure out if Ted is available on his new mentor's behalf?

Oh Trent's got it BAD for the gaffer, this is perfect... yeah, yeah Coach has freaking HEART EYES whenever he looks his way! ... wait... shit... did Coach just say he's straight? fuck, oh no ... hold on, he 'WAS' a straight man? what are you now?? ... Roy says Trent went full dork on Coach and was glowing afterwards - though I think Roy said something more along the lines of 'Looked like there was fucking sunshine spewing out of his ass' - alright, alright, I think we're still on track!!

Colin, the second Trent walks into the room: You are a strong and capable man, Trent. You are not a piece of shit. Ted would be lucky to have you.

Trent: ??!!????!!!?