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“Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Actuall trading card evidence of Sam staring at Gabriel’s butt.
The houses
Whenever your OTP does literally anything:
favorite presidential kid? probably alice roosevelt.
-her mother died two days after she was born and on the same day her maternal grandmother also died. teddy was so sad that he left his newborn daughter with his sister anna for two years and could never bring himself to say his wife’s name so alice who was named after her mother had to be called “lee”, her middle name.
-when teddy remarried, alice’s stepmom edith made it clear that she thought alice’s mom had been beautiful but dumb. when alice’s parents couldn’t handle her anymore, they sent her to her aunt anna’s. according to alice, “If auntie Bye had been a man, she would have been president”. alice claimed to feel one-sixth as loved as her five half-siblings.
-then alice got polio which at the time could kill, not to mention cripple. her stepmom put her through an uncompromising regimen of nightly forced wearing of torturous leg braces and shoes, which left alice with no trace of the disability and able to run up stairs and touch her nose with her toe well into her 80s.
-alice’s dad and stepmom tried to send her to a conservative girls’ school but alice wrote home, “If you send me I will humiliate you. I will do something that will shame you. I tell you I will”.
-when teddy became president in 1901, alice became an instant celebrity and fashion icon at age 17. she did scandalous things like smoking cigarettes in public, riding in cars with men, staying out late partying, keeping a pet snake (called emily spinach) in the white house, and placing bets with a bookie.
-she even had a color - alice blue - and a song - alice blue gown - named after her. the press called her princess alice.
-during an imperial cruise to japan, alice jumped into a pool fully dressed and coaxed a congressman in to join her.
-one time a white house visitor commented on alice’s frequent interruptions in the oval office, usually with political advice. after the third interruption, teddy explained, “I can either run the country or I can attend to Alice, but I cannot possibly do both”.
-in february 1906, alice married congressman nicholas longworth and was the social event of the season. it was attended by more than a thousand guests and thousands gathered outside hoping for a glance of princess alice. she wore a blue wedding dress and cut the wedding cake with a sword.
-alice publicly supported her dad’s 1912 presidential candidate while her husband supported president taft. alice appeared on stage in her husband’s own district with her dad’s vp candidate. longworth lost by 105 votes and alice joked that she was worth at least 100 votes (meaning she was the reason he lost).
-alice’s campaign against her husband caused a friction in their marriage and longworth was known to be carrying on many affairs. it was also generally accepted knowledge in dc that alice had a long, ongoing affair with senator william borah, who by alice’s own admission was the father of her daughter, paulina. alice had a wicked sense of humor and had initially wanted to name her daughter deborah (as in de Borah).
-after the death of her daughter paulina in 1957, alice fought for and won custody of her granddaughter joanna.
-in the 1950s, alice’s health began to fail her and she broke a hip. she also discovered she was suffering from breast cancer and had to have two mastectomies. in 1960, alice was diagnosed with emphysema.
-alice was also a champion of rights for african-americans. one day, in 1965, alice’s african-american chauffeur and good friend, turner, was driving her to an appointment. turner pulled out in front of a taxi and the driver yelled at him, “What do you think you’re doing, you black bastard?” turner stayed calm but alice told the taxi driver, “He’s taking me to my destination, you white son of a bitch!”
-after many years of ill health, alice died of emphysema and pneumonia at age 96, outliving all five of her younger half-siblings.
-her most famous quote was, “If you haven’t got anything good to say about anybody, come sit next to me”.
-when senator joseph mccarthy joked at a party, “Here’s my blind date. I am going to call you Alice”, she replied, “Senator McCarthy, you are not going to call me Alice. The trashman and the policeman on my block call me Alice, but you may not”.
-she told president lyndon b. johnson that she wore wide-brimmed hats so he couldn’t kiss her.
-when a kkk member dressed in full costume asked her to trust his word, she said, “I never trust a man under sheets”.
so in summary, alice roosevelt longworth was badass.
this is her:
here’s little alice
more of teen/young adult alice
alice with her daughter paulina
alice as a grand old lady
Summary: Just like his freckles and bowlegs, Dean’s slight pudge has always been a part of himself that he’s never felt completely comfortable with. After a few miserable days of unsuccessful dieting and choking down rabbit food, Cas reminds him exactly how beautiful he is.
“You’re getting kinda chubby!”
Charlie makes this remark lightly, offhandedly, as she passes by Dean on the way to breakfast that morning: Dean had been stretching his arms overhead in a yawn so that his cotton shirt rode up over his stomach, which Charlie takes the opportunity to poke.
Startled, he looks down just in time to see the disconcerting way in which her fingertip sort of smushes into the soft, freckly flesh.
Dean halts in his tracks, blinking comprehensively. “Wait, what?” is all he can think to say.
Charlie, who’d been nonchalantly continuing on her way down the hall, turns to look at him. “Well, you don’t have to sound so offended about it,” she laughs. “I didn’t mean it in a bad way or anything!”
Dean folds his arms defensively. “Then what did you mean, Charles?”
“First of all, I answer only to Charlie, Ms. Bradbury, or the Illustrious Queen of Moondoor. Next, I just meant you put on a couple pounds. Maybe getting a bit of a tummy. It’s no big deal.”
Dean looks comprehensively down at his stomach. Now that he thinks about it, he has been eating more these days – he’s been going through sort of a “nesting period” during his relationship with Cas: lots of baking pies, burgers, etc. He didn’t think it was noticeable.
Taking note of the gravity of his expression, Charlie laughs, punching him lightly in the shoulder. “You don’t have to look so glum about it! It’s cute.”
Dean glowers at her, tugging self consciously at his t-shirt. “M’not cute,” he mutters grouchily. “I’m a warrior.”
Charlie laughs again. “Alright, warrior. Hurry up and take care of your morning breath – Kevin’s making waffles again!”
With that, Charlie skips off down the hall, leaving Dean to steep in his juices. He lets Charlie laugh it off, of course – he knows she didn’t mean any harm – but the fact is, Dean’s always known he’s had a little bit of pudge around his midsection, and he’s always been the slightest bit insecure about it. Just like his freckles and bowlegs, it’s one of the things about himself that he’s never particularly liked.
His one solace was convincing himself that these features weren’t as noticeable to everyone else as they are to him. Now, that seems to have changed.
Dean pulls up the rim of his shirt, noting sourly the way in which his pudge protrudes slightly over the waistband of his pajama pants.
Suddenly he doesn’t feel so hungry anymore.
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