Have You Ever Been On A Trampoline?

“He knew a little of human custom... combining human dances with a body so different from that of a human was a challenge, but it was worth it. It made for... quite a courtship.”

This must be reposted again oh my gods it’s so gorgeous

So I guess Metta’s the King of Hearts, then? (Or would it be the King of Souls...?)

Whew, wanted to shade these but I doubt I got so lazy ;__;

Anyhow, here is a few character designs for my Undertale AU Underkeep! Mettaton rules the underground (not following the neutral ending though), and everyone we know is appointed to a position of sorts in this fantasy land like place:

Frisk - The Hero

Papyrus - Second in command of the Royal Guard

Sans - The Royal Jester/Overseer of Snowdin

Muffet - Duchess of the Spiders/Royal Baking Specialist

Mettaton - High King

Alphys - Marquess of Hotland/Royal Scientist

Undyne - Baroness of Waterfell/Head of the Royal Guard

Hopefully I can get the other characters done soon as well! Also, everyone’s outfit is (hopefully) reminiscent of their location and/or title (Alphys represents fire, Undyne represents water, etc)…

My only annoyance with her is some of her morph descriptions. Birds do not have backwards knees; what we think of as the “backwards knee” sometimes is actually the equivalent of the human heel. And horses and other unguligrades (hooved animals) don’t have four knees. The “knee” of the front leg is the equivalent of the human wrist, or the carpus. I mean, really, if you’re going to write about humans turning into animals, do your research on animal anatomy

Can we take a moment to appreciate the fact that K.A. Applegate might be the only sci-fi writer EVER who both (a) condemns the mass killing of aliens even if they are attacking the earth AND (b) shows why it’s sort of necessary in the situation?

It seems like too many other sci-fi stories go the route of Avengers or Doctor Who (S1) or Independence Day where a protagonist wiping out thousands of aliens is portrayed as uncomplicated heroism and we all celebrate at the end. Either that or they go the route of Avatar the Last Airbender (S3) or Buffy the Vampire Slayer (S5) where the characters that don’t want to engage in violence don’t have to get their hands dirty because a deus ex machina comes along and prevents that from having to happen.  In both cases doing the right thing is also a matter of doing the easy thing.

Applegate, by contrast, doesn’t let her characters get away with an uncomplicated happy ending.  She doesn’t say “they were aliens so it’s okay to kill them,” and she doesn’t offer them a third way out of their impossible choice.  She gets into the hell that is war and doesn’t use the sci-fi genre to let her gloss over the dirty details.

Send my muse a curse!

M!A’s based on original curses and some inspired by famous curses in history.

Button Eyes: whoever sends this has ownership of a voodoo doll especially made for my muse, and can inflict harm on them at will. Lasts as long as they want.

Bad Luck: muse has a classic case of bad luck and nothing will go right for them for a full day.

The Crying Boy: muse feels like their insides are on fire. Lasts a full day.

Lost Soul: muse is stuck in a ghostly dimension; they can see everything going on around them, but no one can see or hear them. Lasts two days.

Worst Fears: muse is haunted by the thing(s) that scare them the most. Lasts a full day.

Kennedy: bad luck follows not only my muse, but all of their friends and family as well! (Ask permission from other muns before involving anyone else in this curse). Lasts two days.

Seeing Red: muse sees blood everywhere they look. Bonus points if they’re afraid or disgusted by blood. Lasts a full day.

Murrain: muse is deathly ill. Lasts two days.

Ravenous: muse is constantly starving but cannot be satisfied. Lasts two days.

Loathly: muse is transformed, becoming increasingly more haggard and/or monstrous in appearance. An act of kindness towards them will break the curse.

A New Roommate: an evil spirit possesses my muse’s body. How it behaves is up to the mun. Lasts three days.

Followed: spirits from my muse’s past are following them around. Lasts two days.

Not a Wink: muse can’t sleep no matter how tired they feel. Lasts three days.

The Bell Witch: muse’s home is plagued by relentless poltergeist activity. Lasts two days.

Once you get this, you have to say five things you like about yourself, publicly. Then you have to send this to ten of your favorite followers (non-negotiable, positivity is cool~)🌈🌈

Hi anon!

1) My singing voice, especially in my low ranges. (Though I hate my speaking voice, tbh.)

2) My body in general honestly

3) My punning ability (weak though it may be)

4) My ability to be that friend who gives great advice

5) My massage talents

Crossovers. Yay!

flaxdragons asked you: troll dave tries to teach andalite tavros how to rap and tav takes to it surprisingly well (i mean, as well as an andalite could ever take to rap)

yes i know if he can morph his back legs would be fixed but i wanted to draw an andalite wheelchair damn it

oh lord

I have but one thing to say...

ask, and you shall receive.

@onceuponymous @emilyvidosa

Percy Jackson & The Curse of Achilles

Namely, why it isn’t talked about enough, and why it should not have been dismissed so easily.

Firstly, some reminders on what the curse of Achilles actually is, and why it’s such a big deal:

You get the curse of Achilles by bathing in the River Styx. The River Styx forms the boundary between the Underworld and the Earth. In Greek mythology, it symbolizes the passage of life to death. Swearing on it is the highest form of an oath that you can make in Greek mythology, partly because the goddess Styx sided with the gods during the Titan War and it was how they honored her for that, but mostly because you don’t mess with the buffer between life and death.

The River Styx sucks your soul out of your body. If you drown in the River Styx, your soul ceases to exist. Since the Styx is between life and death, if you drown in it, you get trapped between life and the afterlife, which, in Greek mythology, is a zone that souls can’t exist between.

But, if you can survive the River of Styx trying to rip your soul out, then you get a reward: invincibility… or, at least, conditional invincibility.

You need one spot on your body to remain vulnerable, because that’s where your mortality, otherwise known as your soul, is anchored. True invincibility is considered a form of immortality, because humans die in one of two ways: aging (which, for this purpose, includes illness), or they get injured. So if you can’t get injured, you’re partially immortal. And, in Greek mythology, immortals don’t have souls. So, if you want to avoid losing your soul in the river, then you need to anchor it to a spot on your body.

In the Last Olympian, Achilles explains this to Percy: “Hero, if you must do this, concentrate on your mortal point. Imagine one spot of your body that will remain vulnerable. This is the point where your soul will anchor your body to the world. It will be your greatest weakness, but also your only hope. No man may be completely invulnerable. Lose sight of what keeps you mortal, and the River Styx will burn you to ashes. You will cease to exist.”

The point is, essentially, no man can be completely invulnerable because then he isn’t really a man anymore. And, since there are divine rules about achieving immortality, you aren’t allowed to obtain it without the gods’ consent. That’s actually a huge part of the Achilles story: the reason his mother dipped him in the Styx in the first place is because she was trying to make him a god, but she wasn’t allowed to do that, so the heel remained vulnerable.

The problem is, there’s only one vulnerable spot. Other than that, you are completely invincible. So, if you lose sight of that one mortal point, you become arrogant, and begin to behave as an immortal, because, for the most part, you kind of are.

Think about it. You act more recklessly if you know you’ll come out unscathed, but without risk factor, life quickly becomes mundane. That’s why the immortals are so bitter. There’s a quote that Achilles says in Troy: “The gods envy us. They envy us because we’re mortal, because any moment may be our last. Everything is more beautiful because we’re doomed.” And the reason why he says this quote is because he sympathizes with how the gods feel, and he understands this concept on a personal level. Because he’s fought battles his whole life, watching his comrades and enemies die, and he always, always comes out fine, because he cannot be killed.

The myth of Achilles is commonly told as a cautionary tale: don’t lose sight of your weaknesses, or they’ll be your downfall. And Achilles did lose sight of his mortality… because it’s incredibly easy to do. And this is what he tries so desperately to warn Luke and Percy of before they decide to take the curse. That’s why his warning is so significant: he lost touch with his own mortality, and it cost him his life.

Taking on the curse of Achilles is a radically life altering event, which is reinforced by Hestia, Chiron, Nico, and Achilles himself. Because not only is the process of bathing in the Styx incredibly dangerous, but because bearing the curse totally changes the way you fight, think, and view the world. By taking the curse, you’re right on the edge of immortality, which can cause recklessness, arrogance, and even boredom, since you cannot die in battle.

The curse of Achilles has a lot more to do with immortality than it does invulnerability. Last Olympian makes a lot more sense when you look at it in this light. The reason Luke needed to bathe in the Styx before hosting Kronos is because Kronos cannot be contained in a mortal body. And the reason Percy needs to bathe in the Styx is because he can’t fight an immortal in a mortal body. The curse of Achilles kind of gets treated like a wicked edge in battle, but it’s a lot more complex and important than that. Now, the theme of immortality is hugely, insanely relevant in Last Olympian. As is the concept of learning to yield. That’s the entire point of the book.

And we see that the pull of immortality has an effect on Percy. He is a very humble person (and very prone to self-loathing and insecurity, which is not the same thing, but it definitely prevents him from getting a big head), which is probably the only reason that he doesn’t immediately become arrogant. And even Percy has some less-than-humble moments, although they are fleeting: laughing while he fights the army on the Williamsburg Bridge, and being tempted to wipe out the whole army on the bridge, even though he knows he should pull back. He literally almost dies on the bridge, because he’s already lost track of his mortal point (and also because he didn’t have time to get armor and was literally fighting in jeans and a t-shirt, but).

There’s also a very interesting moment in Last Olympian when Percy is thinking about the hopelessness of the war, and suddenly feels strange about bearing the curse: “There was hardly a single demigod who hadn’t already been wounded… except me.”

The curse is shown to have an impact on Percy and Annabeth’s relationship, because there are a few moments where Annabeth finds that… she really can’t keep up with him anymore. This comes up on the Williamsburg Bridge, when he tells her to help the Apollo cabin set traps while he holds off the army. It also comes up before Percy goes to visit the East and Hudson river gods, while Annabeth sits on shore twiddling her thumbs, and is far from happy about it.

Of course, Percy still desperately needs Annabeth, maybe more than ever. She’s his anchor, after all. It’s not a coincidence that Annabeth is Percy’s anchor to the mortal world and she’s also the one to take the knife that would have killed him. She’s his anchor for precisely that reason. He relies on her to keep him grounded, and keep him in check (he does the same for her, which is why their relationship works).

The really interesting component to Last Olympian, which was an excellent touch, is that even though Percy is more powerful than ever, in the end, the most important thing he does is step back when necessary. This is the significance of Rachel’s, “Perseus, you are not the hero,” prophecy. This is also what Hestia teaches Percy, particularly when she says, “Not all powers are spectacular. Sometimes the hardest power to master is the power of yielding.” In the end, it doesn’t come down to a grand, spectacular fight, but instead, to a single moment, when Percy hands Luke the knife.

The book also really hones in on how to use power responsibly. Percy challenges three separate gods to help defeat Kronos: Leneus, Poseidon, and Hades, all of whom wanted to focus on their own realm. And all three of them join the fight. Percy also challenges the gods to treat their children better, which we see realized in the oath.

Immortality comes up again in the end, however: because Percy is asked to become a god. And he turns it down, because that’s not what Percy wants. It’s why he’s the best suited to bearing the curse of Achilles, because he’s the least likely to be tempted to lose touch with his mortality.

The real key is that Percy doesn’t want to be immortal, but he almost is. Percy just wants to be normal, and now he never can be. It shows just how much he’s willing to sacrifice for this world, and, more specifically, for the people he loves. Percy is actually afraid of taking the curse; he calls Nico’s idea scary, and puts it off for an entire year, because he doesn’t like it. He does end up taking the curse, but not because he’s thirsty for power, but because, “I have to. Otherwise, I don’t stand a chance.” He’s willing to sacrifice a part of his own mortality to keep these people safe, despite the fact that his highest ambition in life is to be a normal man.

Sacrificing part of your mortality isn’t something that can just be undone. It’s a seriously intense decision, and that’s why Achilles personally comes to issue a warning. Because it’s life-altering, and could potentially end in disaster. So although Percy doesn’t want it, he needs to live with it now. He needs to learn how to live with it, because that’s how life works.

Except, Percy doesn’t have to learn to live with it, because he gets it conveniently removed a few months later. This is by far the most ridiculous part of Son of Neptune, and represents a major fall out of series-to-series continuity.

Curse of Achilles in Last Olympian: radical, life-altering, dangerous, costs you part of your mortal life.

Curse of Achilles in Son of Neptune: oh, that old Greek blessing? The Tiber will wash away, no biggie.

If you go straight from Last Olympian to Son of Neptune, you can see that this is some seriously ridiculous bullshit. I mean, just think about it from an analytical perspective. Seriously, are we supposed to believe that had Achilles himself walked across the Tiber, he, too, would have lost his invulnerability? The curse of Achilles doesn’t come with a warranty. It’s a life deal. It costs you a piece of your mortality. That’s not something that can be overlooked. Does the Tiber have powers to restore your mortal soul back into your physical body? Does the Tiber have the power to remove your physical anchor to the mortal world? How does that even make sense? It’s literally explained that you can’t hold onto the curse because the Tiber is Roman, and the curse is Greek, and…. and why in the world should that be true? It’s not true about anything else. It makes no sense. It’s not even explained.

The loss of the curse isn’t explored at all. Percy doesn’t even think about it once it’s gone. It never comes up again.

You’d think that Percy would care more? He hasn’t been injured in months? He’s been fighting with it for months? His fighting style adapted, and now he has to quickly figure out a way to revert to his old style, because, oh, yeah, now he bleeds and gets broken bones and bruises. If you can’t be injured, then your fighting style would be all offense, simply because it makes sense. Now, suddenly, he’s back on the defensive. Except there’s no learning curve, there’s no mention of this process at all.

Does Annabeth even know? I mean, she was upset that the gray hair was fading because she felt like she lost a symbolic bond. Imagine how much more of an impact the loss of the curse would have. She was his anchor to the mortal world, and he trusted her with his only weakness, and then it’s just taken away, and they don’t even discuss it. She’d also have to adapt too, because I’m sure she was a lot less worried about him when she knew he couldn’t be injured. I bet they fought back to back more, so she could defend his only undefended side. I bet she’d started to work it to her advantage, because it’s a massive fucking advantage and you’d be stupid not to utilize it. But again, no learning curve, no compensation for this at all.

Most significantly, though: there was absolutely no reason to remove the curse.

The only, the only, reason I can conceive of to remove the curse is so that Percy would have less of a wicked advantage over the rest of the seven. Namely, Jason.

It essentially boils down to, oops, I accidentally made my main character way too powerful, and now I need to think of a very convenient way to take this power away, and then not explain it!

It’s called Diabolus ex Machina: the introduction of an unexpected new event, character, ability, or object designed to ensure that things suddenly get much worse for the protagonists, much better for the villains, or both. (this happens a lot in Heroes of Olympus, but it would take me far too long to get into it here).

Ironically, the removal in Son of Neptune also makes the curse seem like a Deus ex Machina solution in Last Olympian. Deus ex Machina is when some new event, character, ability, or object solves a seemingly unsolvable problem in a sudden, unexpected way. Now, the curse in Last Olympian was handled really well, but since it was removed after it had served its purpose, it essentially turns into a shiny new ability that has no lasting impact on the characters or the plotline.

If you’re gonna give a character an ability like that, then you have got to go all out. If you take it away for convenience, you’re cheapening the storyline, and cheapening the character. There need to be repercussions from such a monumental decision, or you’ve lost all sense of continuity. There is a way to take power away, but this isn’t it.

The most hysterical part of this whole mess, and by hysterical I mean fucking infuriating, is that Percy doesn’t even get injured in a way that the curse of Achilles would have protected him from. He gets poisoned, suffocated, and restrained, all of which were perfectly viable options while the curse was still in place. The only significant time he draws blood is a fucking nosebleed, and even that could still have been done with the curse of Achilles in effect. (Frankly, though, there’s absolutely no reason that Percy’s blood has to be the one to wake Gaea, and I think it’s ludicrous that Annabeth is the only one who got wounded in that battle. It’s also never explained why Percy and Annabeth’s blood would be “preferable” to wake the goddess, so that whole scene is fucking bullshit to begin with.)

But, truly, the most ironic part is that the series would have been so much better if the curse was left in place.

Listen up: I think it’s generally agreed upon that Percy’s character was dumped on in Heroes of Olympus, in order to make the other characters (namely Jason and Leo) shine brighter by comparison (if you’re unfamiliar with that, there’s a little bit about it here, here, and here).

Short version is that Percy is given a bunch of new issues that he doesn’t really have (his weird Alpha Male personality switch in Mark of Athena that is wildly out of character for him), or, has skeletons pulled out of his closet (everything in Tartarus basically) and then conveniently shoved back in the closet to focus on the other characters. The problem is Percy had already grown up and undergone well-handled character development in PJO, and so what essentially happened is that fake development was forced by creating new issues (you can read a really good example of that here).

But if the curse of Achilles would have remained present, that wouldn’t have happened. Because that was the one loose end of PJO: Percy really didn’t have the curse long enough to fully understand it by the time the book ended. So, since he didn’t get that chance in PJO, that would have been the perfect thing to explore in HOO. But it’s not explored.

Can you imagine how much more intense everything would have been with the curse of Achilles? The scene with Jason in Kansas would have escalated that much more (did i mention that the only reason the curse was removed was so this scene could happen), and Percy would have been that much more unsettled over who the winner would have been (if we ignore the fact that this alpha male thing is massively ooc for him).

Imagine how insanely heartbreaking and intense the scene with the Arai would have been, since it had been so long since Percy felt pain. Imagine how much more disturbing it would have been, and how much more distressed Annabeth would have been.

The Romans would have feared him that much more, giving even more opportunity for Percy to feel like an outcast

Imagine Percy’s guilt when the rest of the seven keep getting injured and he is always fine??????

Percy would have had to deal with the concept that even though it seems like a blessing sometimes, it really is a curse, because he can never get back to the way he was. Fully coming to understanding, and eventually acceptance, of the curse could have been an incredible plotline.

Percy’s struggle for acceptance and normalcy is the most significant area that requires development, and keeping the curse would have been an incredible way to explore that.

I shed a tear for its potential. Someone write me an au, pretty please.

If you could morph anything you want , right here, right now, what would you morph?

(sorry this one took me a while to get to; I had graduation get in the way. Also, I hate how much shorter humans are than andalites, because it constantly puts Eliza almost out of frame by accident.)

(Text:

Korr: Maybe it’s a little childish of me, but - I’d like to morph a kafit bird again. It’s been a long time.

Korr: How about you, Eliza?Eliza: I dunno. Something deep ocean maybe - a whale or a shark or something.)

I ALMOST STARTED CRYING WHY IS THIS SO SAD

with love thank you Toby Fox for making such a beautiful game. you truly are a genius i kinda wanna do a fan comic of this game though~ this one was a lot of fun