I Make Myself Laugh

1st of October: Mountain / A' chiad latha dhen Dàmhair: A' bheinn

English Translation:

Since the day the dragon came, it seemed to Thorin he saw the mountain clearer with every step he took away from it, with each mile he and his family led the people of Erebor west, their backs to the mountain, its form in his mind grew firmer.

They toiled in strange lands, selling their skills like simple trades-folk instead of the masters they were. How low we are fallen, the young prince would seethe, still proud despite their loss.

Thorin's people had not been long in connecting Thror's hoard to the dragon's attack; the first to do so turned their backs on him, choosing to join their kin in the Iron Hills than suffer the Wilds under a leader they did not trust. Those who kept faith and remained, standing shoulder to shoulder with him, Thorin vowed to protect.

Even before the disappearance of Thrain, a shift came in Durin's Folk. They began to seek guidance from their prince, following his lead and rallying behind the dream he described for them: a new home in the west, far from hardship and strife where they may rebuild all that was lost.

But always in his mind lay the same thought, the mountain, the mountain, the mountain. In his dreams he looked on it from afar. Watching. Waiting. He would bring his people home, redeem his family for their grandfather's sickness that brought them all to ruin.

The birth of his sister's sons came in a time of peace. The older they grew, an ever-increasing choir that sung with the drums from the deep followed him....the mountain, the mountain, the mountain, they cried.

Oh the lonely mountain...

Scottish Gaelic translation:

Bhon dearbh là a thàinig an nathair-sgiathach, chunnaic Thorin a’ bheinn nas soilleire le gach ceum a thog e air falbh, leis a h-uile mìle a stiùiridh e is a theaghlach an t-sluagh Erebor gu Iar, an dromannan ris a’ bheinn, dh’fhàs a cumadh cruaidh anns na inntinn.

Dh’obraich iad ann an dùthchannan neònaiche, a’ reic na sgilean aca mar gun robhar luchd-malairt farasta seach na maighstirean a bhathar. Cho ìosal a tha sinn air tuiteam, smaoinich am prionnsa òg le fuath geur, fhathast moiteil a dh’aindeoin an calltachd.

Cha tug e fada gus an cur an t-sluaigh a h-uile rud ri chèile: sabaid an nathair-sgiathach agus tasgaidh Thror. Tionndaidh na ciad feadhainn an aghaidh an Rìgh agus thagh iad a bhith a’ dol gu na luchd-dàimh aca anns na Cnuic Iarainn, an àite a bhith a’ fulang san dùthaich fhiadhaich fo cheannard nach robh earb annta ann. Ghealladh Thòrin gun dìon e na feadhainn nach deach, a bha a dh’fhantainn agus a chumail creideas leotha.

Eadhon ron thuras Thràin nach tàinig e air ais bho fhathast, thàinig atharrachadh air na muinntir Durin. Thoiseach iad a’ sireadh stiùireadh bhon phrionnsa, a bhith ga leantainn agus a’ tighinn ri chèile air cùlaibh an aislinge a bha e ag iarraidh dhaibh: dachaigh ùr san Iar, fada air falbh bho dhorradas agus strì far am faodar a h-uile rud a bha air caill a thogail a-rithist.

Ach an-còmhnaidh anns na inntinn bha an aon smaoin, a’ bheinn, a’ bheinn, a’ bheinn. Anns na aislingean, choimhead e air fad às. A’ coimhead. A’ feitheamh. Thoireadh e an t-sluaigh aige dachaigh agus cuir ceart gach rud a rinn a sheanair a thoirt iad uile gu lom-sgrios.

Thàinig breith mhic a phiuthar ann an àm ciùin ach mar a dh’fhàs iad suas, dh’fhàs guth còisir anns na inntinn a bha a’ seinn leis na drumaichean às na h-uamhan. A’ bheinn, a’ bheinn, a’ bheinn, dh’èigh iad.

Ò a’ bheinn ònaranach...

Amon Rawya

(Tha mi fhathast ag ionnsachadh na Gàidhlig - bithibh snog XD)

So one of my tweets kinda blew up. :v

Dame Maggie Smith as Muriel Donnelly The Second Best Exotic Marigold Hotel (2015)

i sent you omens and all kinds of signs, i taught you melodies, poems and rhymes

lord huron - the yawning grave

Donald Sutherland 1935 - 2024

Rest in Peace, Donnie <3 He was a wonderful actor and (despite his brilliant portrayal of President Snow) a vocal anti-war activist throughout his life. Something we should all strive to emulate.

To help spread the blessing

I cast spell of all writers will make amazing progress next year *throws glitter on you*

Hello Midsomer Murders fandom!

I have no idea how dead this fandom is on Tumblr but I love scrolling the tag, so I thought this would be the best place to look!

I'm working on a fic project involving Ben Jones, so naturally I'd like to make a character playlist for him. What songs do you think he'd like/would suit his character?

LIKE TO CHARGE REBLOG TO CAST LET'S GET THIS FUCKER EXPLODEDED

Two Wizards; One Soul

Little bit of dark!Dumbledore, and mostly rosy wording. I wrote this while listening to a Grindellore playlist on youtube, where I also posted this story. (I don't have the link right now but I will add it later). Nothing inappropriate!

_________________________________

Albus Dumbledore and Gellert Grindelwald are the most powerful couple to have lived; the entire Wizarding World lay sprawled at their feet long before any ministry had the chance to act against them. No power remained to oppose either wizard alone, certainly not both.

They revelled in each other, drunk on power and the burning love shared between the two. No one else existed in their world, except them. Magic burst from their fingertips at a whim, and with the Deathly Hallows on their side, nothing could part Gellert and Albus, not even death.

Instead of revealing the world of magic, they infiltrated ever muggle powerhouse on earth, whether it be government or economies - it all fell to their influence, and without realising it, the world of the muggles came under the rule of Dumbledore and Grindelwald.

Many attempted to challenge them, rebellions that were crushed before the spark could become flame. But these new rulers were not cruel, only interested in peace and the end of fear. Any who disagreed possessed little power to do anything about it.

The two men, physically so different, bore twin souls, entwined by a searing, deadly love that overruled everything. Defied every possibility, spit in the face of doubt, and smothered the idea of the word impossible. Together, there was nothing Albus and Gellert could not achieve.

*

Dark eyes glittering, Dumbledore met the eyes of his lover. No. The eyes of his soulmate. What other word could describe them? From the moment they met, love blossomed with every word and stolen glance. He used to fear its burn, before he gave in and relished the power.

Grindelwald looked back at him, pale hair glinting in the moonlight. To anyone else, the apparent blankness of his face would put doubt in their mind; but Dumbledore, who knew him better than anyone, saw the bright fire flickering in his gaze. Those eyes, contrasting, clashing, but ultimately the same, spoke to Albus on a level nothing else could.

Magic crackled around them, the very air alive with their energy. Reflected in his soulmate's eyes, Albus saw themselves, and longed to stay there forever. The world could burn to ash, and he would not care, only if Gellert stayed too.

"My dear," came his voice, low, rough, laced with the chill of his homeland winds, yet still igniting fire in Albus' gut, "the day is fading."

Grappling for air to respond, Dumbledore unconciously stepped closer. "Time to go?"

Grindelwald's hand cupped his face, stroking over the trimmed beard for a moment. "Time to go."

With one last look at the smouldering ruins of MACUSA, they vanished, closer in embrace than any human could ever hope to be spiritually.

Their love, though hot and damaging to the touch, would change the world.

In fact, it already had.

I'm torn between a desperate want for the Pevensies to have lived out their lives in Narnia air fad, and the absolute beauty people come up with when writing about their return to earth. This is brilliant. Everything I love!

thoughts on the Pevensies returning home

Peter Pevensie was a strange boy. His mind is too old for his body, too quick, too sharp for a boy. He walks with a presence expected of a king or a royal, with blue eyes that darken like storms. He holds anger and a distance seen in veterans, his hand moving to his hip for a scabbard that isn't there - knuckles white. He moves like a warless soldier, an unexplained limp throwing his balance. He writes in an intricate scrawl unseen before the war, his letters curving in a foreign way untaught in his education. Peter returned a stranger from the war, silent, removed, an island onto himself with a burden too heavy for a child to bear.

Only in the aftermath of a fight do his eyes shine; nose burst, blood dripping, smudged across his cheek, knuckles bruised, and hands shaking; he's alive. He rises from the floor, knighted, his eyes searching for his sisters in the crowd. His brother doesn't leave his side. They move as one, the Pevensies, in a way their peers can't comprehend as they watch all four fall naturally in line.

But Peter is quiet, studious, and knowledgeable, seen only by his teachers as they read pages and pages of analytical political study and wonderful fictional tales. "The Pevensie boy will go far," they say, not knowing he already has.

His mother doesn't recognize him after the war. She watches distrustfully from a corner. She sobs at night, listening to her son's screams, knowing nothing she can do will ease their pain. Helen ran on the first night, throwing Peter's door open to find her children by his bedside - her eldest thrashing uncontrollably off the mattress with a sheen of sweat across his skin. Susan sings a mellow tune in a language Helen doesn't know, a hymn, that brings Peter back to them. He looks to Edmund for something and finds comfort in his eyes, a shared knowing. Her sons, who couldn't agree on the simplest of discussions, fall in line. But Peter sleeps with a knife under his cushion. She found out the hard way, reaching for him during one of his nightmares only to find herself pinned against the wall - a wild look in Peter's eye before he staggered back and dropped the knife.

Edmund throws himself into books, taking Lucy with him. They sit for hours in the library in harmony, not saying a word. His balance is thrown too, his mind searching for a limp that he doesn't have, missing the weight of his scabbard at his side. He joins the fencing club and takes Peter with him. They fence like no one else; without a worthy adversary, the boys take to each other with a wildness in their grins and a skillset unforeseen in beginner fencers. Their rapiers are an exertion of their bodies, as natural as shaking hands, and for the briefest time, they seem at peace. He shrinks away from the snow when it comes, thrust into the darkest places of his mind, unwilling to leave the house. He sits by the chessboard for hours, enveloped in his studies until stirred.

Susan turns silent, her mind somewhere far as she holds her book. Her hands twitch too, a wince when the door slams, her hand flying to her back where her quiver isn't. She hums a sad melody that no one can place, mourning something no one can find. She takes up archery again when she can bear a bow in her hands without crying, her callous-less palms unfamiliar to her, her mind trapped behind the wall of adolescence. She loses her friends to girlishness and youth, unable to go back to what she was. Eventually, she loses Narnia too. It's easier, she tells herself, to grow up and move on and return to what is. But her mourning doesn't leave her; she just forgets.

Lucy remains bright, carrying a happier song than her sister. She dances endlessly, her bare feet in the grass, and sings the most beautiful songs that make the flowers grow and the sun glisten. Though she has grown too, shed her childhood with the end of the war. She stands around the table with her sister, watching, brow furrowed as her brothers play chess. She comments and predicts, and makes suggestions that they take. She reads, curled into Edmund's side as his high voice lulls her to sleep with tales of Arthurian legends. She swims, her form wild and graceful as she vanishes into the water. They can't figure out how she does it - a girl so small holding her breath for so long. She cries into her sister, weeping at the loss of her friends, her too-small hands too clumsy for her will.

"I don't know our children anymore," Helen writes to her husband, overcome by grief as she realizes her children haven't grown up but away into a place she cannot follow.